Top 8 Best-Dressed at the Digger London Premiere!

Some red carpet looks are beautiful, some are bold, and then there are those rare looks that make you stop scrolling and look twice. The stars at the Digger premiere brought everything from shimmering couture and dramatic gowns to unexpected tailoring and unforgettable jewelry. But among all those fashion moments, a few stood out to me for completely different reasons. So today, we're counting down my top 8 best dressed stars. And trust me, there are some seriously gorgeous looks on this list. Salma Hayek. Salma Hayek went for a kind of elegance that doesn't need to shout for attention. She looked incredibly polished in a floor-length black Bottega Veneta gown by Louise Trotter, with a sleek column silhouette that followed her figure beautifully. The real drama came from the asymmetric construction across the bodice, where the fabric swept over one shoulder and fell into a generous cape-like drape. I really liked how the simplicity of the black satin allowed that unusual shape to become the main focus. She kept the accessories relatively controlled, but the touches of gold made a huge difference. A long gold pendant necklace stood out beautifully against the deep black of the gown, while a metallic gold clutch added another flash of warmth to the look. She also brought in gold bracelets and rings, creating a lovely connection between the jewelry and the clutch without making the styling feel overloaded. It was a smart way to give a minimalist black gown a little more richness and personality. Her beauty look followed that same sophisticated mood. With her hair worn down and her makeup kept polished and radiant, nothing competed with the dramatic draping of the dress. For me, the beauty of this look was in its restraint. The gown had an interesting shape, the gold accessories added just enough sparkle, and Salma's confident presence brought everything together. It felt glamorous, mature, and effortlessly chic without trying too hard. Jodie Turner-Smith. Jodie Turner-Smith brought something completely unexpected to the red carpet with a custom Louis Vuitton gown designed by Nicolas Gorskière. At first glance, the look felt almost regal, with its warm champagne pink satin, high neckline, dramatic bishop sleeves, and sweeping floor-length silhouette. The gathered fabric around the sleeves gave the gown a wonderfully sculptural quality, while the fitted skirt created that elegant, elongated shape. But just when you thought you had figured out the look, the back completely changed the story. Turning around revealed the most beautiful surprise, a dramatic open back framed by delicate fabric bows placed around the neck and waist. I love that contrast because the front felt refined and almost traditional, while the back introduced something much more sensual and unexpected. Jodie finished the gown with Mikimoto pearl and diamond jewelry, adding a soft touch of luxury that worked beautifully with the romantic mood of the dress, and beneath all that flowing fabric, she added an unexpected modern twist with black and white boots, giving the look a little bit of attitude. Her beauty styling was equally striking. Jodie pulled her hair into a sleek, tightly swept-up bun, which was the perfect choice for showing off both the high neckline and that dramatic open back. Her makeup brought warm copper tones to her face, echoing the rich warmth of the gown without making the overall look feel too heavy. It had an entire second personality waiting to be revealed, and Jodie carried both sides of it with incredible confidence. Sandra Huller brought a beautiful dose of old Hollywood glamour to the carpet in a shimmering gold Chanel Resort 2027 gown. The metallic shade immediately caught the light, but what made the dress especially memorable for me was its elegant draping around the shoulders. Those flowing panels gave the silhouette a wonderfully cinematic quality, almost like something you could imagine on a classic screen siren. Chanel's signature camellia detailing was incorporated into the design as well, adding another layer of texture and femininity to the otherwise sleek golden look. Instead of adding more gold, Sandra made a surprisingly sharp choice with her jewelry. She wore long black drop Chanel earrings, and I think that contrast worked beautifully. Against all that warm metallic fabric, the dark earrings created a defined frame around her face and stopped the look from becoming too monochromatic. It was a small styling decision, but one that gave the entire outfit a much stronger visual balance. Her beauty styling stayed understated, allowing the gown to do most of the talking. I especially liked the way the warm golden tone seemed to blend naturally with her blonde hair, creating a soft, almost seamless effect from head to toe. Yet the sculptural details of the gown and those black earrings kept everything from looking flat. Hannah Waddingham. Hannah Waddingham went all in on classic evening glamour, and honestly, this was a silhouette that suited her beautifully. She wore a custom Suzanne Neville black gown covered in shimmering sequins with a strapless neckline and an incredibly sculpted fit through the bodice. The dress hugged the figure before opening into a dramatic floor-skimming flared hem, giving the whole look that gorgeous mermaid-like movement. What I really loved was the balance. The sparkle brought plenty of drama, while the clean construction kept the styling made the dress feel even more polished. Hannah wore her blonde hair down in a sleek, softly styled finish, allowing the strapless neckline to remain completely visible. And then there was that statement necklace, which added another beautiful detail without fighting with the sequins. The jewelry gave the otherwise all-black look a little extra dimension, especially against the clean neckline of the gown. For me, this was one of those looks that worked because Hannah didn't seem to be chasing a complicated fashion moment. She simply let the incredible fit, the sparkle of the fabric, and her own presence carry the look. There was something wonderfully glamorous about seeing all those sequins catch the light as she moved, while the sleek styling kept everything feeling refined. It was dramatic, confident, and unmistakably red carpet ready. Sophie Wilde clearly wasn't interested in playing it safe with this look. She stepped out in a sculptural Dior Fall Winter 2026-2027 Haute Couture gown by Jonathan Anderson, and the deep navy shade gave the entire outfit an almost stormy, mysterious quality. The strapless silhouette was anything but simple, with layers of deliberately crinkled fabric gathering across the body and creating these wonderfully unexpected volumes. An oversized bow-like detail at the neckline added another artistic touch, while the long skirt fell into a dramatic shape with a high slit that gave the gown just enough movement. What I found especially interesting was the way the dress seemed to blur the line between fashion and sculpture. Instead of perfectly smooth satin or traditional evening wear construction, Jonathan Anderson manipulated the material into something that looked almost frozen in motion. That approach is very much in keeping with Dior's Fall 2026 Couture collection, which was inspired by the work of sculptor Linda Benglis, and explored techniques including knotting, pleating, and molding. Sophie wisely kept the accessories restrained, allowing the unusual construction of the gown to remain the star. Her beauty styling followed the same understated philosophy. With her hair kept clean and unfussy, the focus stayed firmly on the dramatic neckline and sculptural shape surrounding her. For me, this was one of those fashion moments that becomes more interesting the longer you look at it. The dress wasn't designed simply to flatter the body, it was designed to create a shape, a mood, and an entire visual statement. Emma Darcy completely changed the conversation around red carpet glamour with an oversized Valentino Fall 2026 look that felt more like fashion editorial than traditional evening wear. Styled by Rose Ford, the ensemble played with exaggerated proportions, pairing a long, structured outer layer with tailored trousers for a deliberately powerful silhouette. Rather than trying to soften the look, Emma embraced its architectural shape, letting the oversized tailoring create all the drama. And I think that confidence is exactly what made it work. The outfit wasn't asking to be conventionally pretty, it was making its own rules. One of my favorite details was the statement belt, finished with a bold lion head buckle that added a striking flash of hardware to all that tailoring. Emma then brought in archival Tiffany & Co. jewelry, including a jean Schlumberger Sea Star brooch along with coordinating bracelets and rings. Those pieces added a touch of intricate craftsmanship without taking away from the sharpness of the suit. It was a really clever contrast, powerful, almost masculine tailoring paired with delicate and highly artistic jewelry. The beauty styling stayed deliberately clean, allowing the clothes and accessories to remain the focus. Emma's short, precisely styled hair emphasized the strong lines around the face and worked perfectly with the severe proportions of the outfit. For me, this was the kind of fashion moment that feels memorable precisely because it refused to follow the expected red carpet formula. Catherine, Princess of Wales. Catherine, Princess of Wales looked absolutely breathtaking in this flowing amethyst purple Jenny Packham gown. Honestly, the color was the first thing that caught my eye. It was such a rich, beautiful shade of purple, and the soft chiffon made the entire gown look almost weightless as she moved. The dress came from Jenny Packham's Fall 2016 collection and was customized for Catherine, with the original shoulder cutouts closed while a cutout remained at the back. I loved the way the plunging neckline, delicate layers, and dramatic billowing sleeves came together because there was so much movement without the dress ever looking heavy. It had that romantic, old Hollywood quality, but at the same time it still felt very much like Catherine. And then you notice the necklace, and suddenly the whole look becomes even more special. Catherine wore the Queen Mother's Extraordinary Amethyst Sautoir, a piece dating back to 1923 when Queen Alexandra gave it to Lady Elizabeth Bowes-Lyon as a wedding gift. The necklace features diamonds, pearls, and beautiful amethysts with that gorgeous heart-shaped pendant sitting right in the center. She also wore Princess Diana's famous Collingwood pearl drop earrings, and I have to say I really loved that combination. The purple gemstones echoed the gown so naturally that everything looked beautifully coordinated, but knowing the history behind those pieces makes the look feel much more meaningful. This wasn't just jewelry chosen because it looked pretty, it carried generations of royal history with it. Her beauty look was kept soft and elegant, which I think was exactly the right decision. Catherine wore her hair half up and half down, with those familiar voluminous waves cascading over her shoulders, while her smoky eyes, glowing skin, and glossy pink lip gave her that polished evening finish. Nothing felt excessive, and that's what I liked about it. And that brings us to the end of my top eight best-dressed looks. I honestly loved how different the fashion was this time, from glamorous gowns and historic royal jewelry, to bold tailoring, and those unexpected little details that made each look feel personal. Some were classic, some were daring, and some completely surprised me. But now I want to know what you think. Which look was your favorite? Tell me in the comments, and if you enjoyed the video, don't forget to like, subscribe, and come back for more celebrity fashion.