Phases of Modern Architecture- Prairie School

IIT Roorkee July 201
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Dec 5, 2023
This lecture is a continuation of previous lecture on ‘Prairie’ school of thought. The lecture bring examples of various Architectural examples to describe the ‘Prairie’ style.
. Modern Architecture- Prairie School; Welcome
student's ah to the online NPTEL course contemporary architecture and design, in the previous class
we started discussing ah the Prairie school architecture style.
And how it evolved after this, ah the Chicago world fair.
And because it is the style of Chicago world fair was not ah the style they can relate
with the ah USA.
So, Prairie school of architecture style was evolved from the Prairie land of ah in in
USA, and inspiration of the visual style was ah the Prairie land . Now if you look at they
have also ah the Prairie school of architectture style ah has some connection the Chicago ah
ha school of architecture style.
And before that in Chicago ah ah ah city beautiful movement ah so, here is Chicago style and
the Chicago style and the Prairie style, there some similarities, but then there was a little
bit of dissimilarities as well as.
And ah the main ah precursor of the Prairie school ah was ah the it started in the in
the from the this movement of ah ah ah world symposium of this Chicago fair which was happened
in the Chicago world world fair.
And the style of white city which we were discussing which evolve from 200 ah temporary
buildings ah they have created the world city.
The architecture style was classical revival and the neo classical style and USA ah architects
they thought this kind of architecture style was not, ah ah does not represent their ah
own stylistic feature.
All of this architecture style if you look at this is the European ah neo classical style.
And they wanted to ah ah find out their own inspiration and own style there was a requirement
to create their own style of architecture, for that they went towards their ah own native
land.
Which is the Prairie land, and that is how they have created their ah own style.
So, this got criticized the Colombian exposition ah which happened in Chicago what criticized
and because of the style of Colombian exposition there was a different opposite style which
they wanted.
And America did not should they thought that America should not adopt and they require
a new style of architecture style, which ah ah where the inspiration was Americas vast
tree less ah Prairie land.
So, that was an American style and which was a opposing the European ah the emphasis of
the ah ah neo classical European style, which was there in the white city of the Colombian
exposition.
So, here in the Prairie school of architecture style as we were disusing in the previous
class there was a horizontal line was ah main and colour palette evolved from the Prairie
flat land.
We have seen the Prairie flat lands colour which is brown and then the brick was ah used
to create the ah ah colour tone.
And also there was a lot of asymmetry in the building ah building ah the building outer
form was asymmetry, which was not there in the Chicago's school, but definitely Bauhaus
adopted that.
So, the functional ah attribute of the Bauhaus was also definitely there in the Prairie school
ah school of architecture style.
Evolved from function, but also the form was very important for them ah and they have taken
in inspiration from the form as this kind of Prairie land.
And this kind of horizontality and the linear feature we will see .
Now, in architectural style as we were discussing that it has a low pitched roofs, which kind
of ah connects the traditional architecture style of the traditional building which was
also present in USA ah not only in Europe.
And they have the ah deep overhang which is cantilever which creates ah the horizontality
and the ah windows ah the long rows of window, which creates the void, and that is how they
have when this kind of ah ah overhang will be juxtaposed ah by ah ah very fragile glass
then the horizontality will increase because there is there is a rhythm of solid and void
in the horizontal lines.
So, it is creates more horizontal ah ah patterned and gives a more ah ah the building will look
more ah horizontal, though it is ah in the same kind of building if we treat ah give
more horizontal line and treated like this versus more vertical lines this building will
look more horizontal.
And this building will look least horizontal in nature and then native materials were used
and the wood work we have ah we will see, and then the brick work was there, but it
was never painted to ah ah show the natural beauty of the texture of and the material.
And also we have seen some visual connection with the art and craft movement and how this
kind of similar pitched roof was also there, and they have retained.
So, this does not directly come from art and craft movement this comes from the traditional
architecture style.
Where pitched roof was there art and craft movement retained that style ah and the Prairie
style also retained that style, thought they have changed the shape and form of the pitched
roof in this becomes more horizontal in nature.
And we will see will not see the similar kind of proportion here.
Where the proportion will be changed because they wanted horizontality in the the visual
style and also through the lines this white bead which is passing throughout the building
will also create here in this case is black ah will create ah the horizontality of the
building.
Now, also we have seen the similarities with the Chicago style because some of the architecture
of Chicago style ah was also there in the Prairie school of architecture style.
Now, these are some of the examples of Prairie school of architecture style, which is ah
the main architect was ah Frank Lloyd wright and Henry Sullivan there are other architects
as well, but we will see lot of work of Frank Lloyd wright and Henry Sullivan.
Here today we will discuss some of ah the buildings of Frank Lloyd wright, ah who was
also a pioneering architect of Prairie school and ah organic and Frank Lloyd Wright's work
also ah into into the different modernist movement he worked ah from his work was in
different style of modernist movement, as he grew up.
And you work ah style changed and he worked in the many different styles throughout his
life . So, this is one of his ah ah building in Oak
park which is ah Willits house, ah which is you can see the time frame which is in the
just before modern it is almost modernist first phase ah started.
So, here the Frank Lloyd Wrights building if you look at so this is also this is in
Prairie style.
So, lot of horizontal lines are there if you ah look the Prairie colour tone is there the
traditional pitched roof is maintained, but got elongated and then in the similar kind
of ah row of void through ah ha ah through and through windows, ah ah will be there and
then the solid and void of the building will be achieved like this ah.
Here if you look at the plan Frank Lloyd Wright's ah design have some kind of visual vocabulary,
which is again if you start discussing Frank Lloyd wright we ah ah ah long discussion because
his work is highly ah discussed, and he was one of the pioneering architect of modernist
movement, but if you just clearly ah from if you look at ah in a very from outside and
very over overall look and feel of the building.
We will see a core and then if you look at this kind of treatment which goes in the 45-degree
angle, and will come and get out from this ah his plan.
And more or less this will have a strong horizontality, and 2 different access and then it will also
be punctuated with the this kind of row windows which we were seeing in here in the elevation.
And if we also look at this kind of form which is again asymmetric.
So, this part is different, this part is different and when they approach that is also in ah
ha ah in, but this still, has a some kind of balance some part is the here some part
is here and this is the central access, but still it creates an balance with the ah ah
play with the solid and void and the massing.
So, if we look at clearly, as in this course where looking at more more towards the design
element we will talk ah about design and visual ah ah design more ah and because there are
many other planning aspects which is there in the Frank Lloyd Wright's ah ah design,
which we will not discuss here.
So, if we look at the design elements here ah this is a window of the Oak Park's house.
And we have discussed we have shown the similar Frank Lloyd Wright's window, which has a Theo
Van Doesburg's ah who was in De Stijl movement there is some connection.
If you look at why the connection is there because again this rectangle it is broken
in to rectangle ah ah rectangles and ah different vertical and horizontal line.
Which is also there in De Stijl movements ah ah architect's designers have ah followed
that even in Mondrian's painting, we see breaking the picture frame into horizontal and vertical
line.
And if you look at the colour used is yellow which is ah one of the primary colour and
again you will see some part of red over here . So, here you will see the same kind of window
this is the Frank Lloyd Wright's style of ah ah window design.
Frank Lloyd wright used to design the outside of the building as well as the inside and
all the furniture's ah ah many of the furniture's even the even the interior treatments were
designed by the Frank Lloyd wright himself.
So, here there is a that is why you can see a link from the outside ah ah treatment the
window as well as the sky light, and even in the furniture everything is following a
same design vocabulary.
If you look at carefully this light is if you see the plan this has a square holder
and then pure circle inside which is the light.
So, this is again a pure geometry of globe and then which is confined by a square.
Again it have some similarity with the Bauhaus as well, because these are the parallel movements
happen in Bauhaus, Chicago, Prairie and organic all this movements are happening parallely.
So, they have they have taken inspiration from each other, but they also their own stylistic
vision and own philosophy, but also some visual ah elements ah got repeated in different ah
style.
And again if you look at the purity of material is there, but lot of solid horizontal line
is there and these kind of ah ah design will be repeated in his Frank Lloyd Wright's other
designs.
So, this the vocabulary of Frank Lloyd Wright's ah window design and treatment of interior.
So, if you look at ah ah if you look at this style carefully you will identity the Frank
Lloyd Wrights of ah window design and the interior ah ah elements in interior design
. Now, has we ah I was talking about Theo Van
Doesburgs window design, ah he was Dutch painter and comes from the ah this De Stijl movement.
Also you will see the similar works and again another Theo Van Doesburgs window, which ah
we have shown earlier was broken into ah the triangle.
And then same kind of colour palette was used this is Frank Lloyd Wright's building in oak
park, but this is another ah building in ah which is Robie house, which we will discuss,
but same kind of material you will see ah wooden panel.
And similar kind of ah design vocabulary ah you will see and this is more of a solid and
cuboid.
So, cuboid ah in ah isometric and then ah this triangles will be there and yellow colour
is used within the glass frame . And similar kind of treatment you will also see ah on
the ah ceiling and ah light ah which is there on the sealing .
Now, here if you look at Frank Lloyd Wright's ah ah painting and look at the other furniture
design which is there, in ah ah ah De Stijl movement.
So, we see some similarities over there though it is a very different movement and Frank
Lloyd Wright's style of ornamentation was different, but Frank Lloyd Wright's painting
talks about the similarity in the colour tone and similarity of circle, which ah ah and
the use of circle along with line is there in his painting as well.
And when he designing his interior.
So, we see this circle ah circular globe as a light source and then squares and which
got repeated here as well.
So, here also we will see the this kind of lines and some visual connection with his
paintings and and the window design . Now, this is Robie house one of the famous
ah ah building designed ah by Frank Lloyd Wrights, it is designed for Frederick Robie
that is what ah that is why it is called Robie house .
Here also we see the similar kind of horizontality with the white bead and ah the Terracotta
ah brick work ah creates a horizontal line.
And also the asymmetric is there and these kind of roof which ah is cantilever is there.
And then this roof is not this is a pitched roof this is also a pitched roof because it
is stretched so much as a long huge cantilever to give the ah horizontal, horizontality in
the design.
So, this looks like a horizontal member, but this also pitched roof which is also stylistic
feature of ah ah Prairie architecture.
The pitched roof got got stretched in the in the horizontal direction and that that
is why; the solid and void in horizontal direction was achieved to create a lot solid ah ah ah
horizontality in to the design and also from the outside this building is absolutely asymmetrical
and it evolved from the ha form evolved from the function , as the function was arranged
and the the form evolved around it and that is why; the asymmetry which asymmetry will
also be the followed in the later phases of architecture style.
And modernism is more about the high modern style is more about asymmetry and geometric
abstraction, which is ah which which is starting in the previous ah stages of modern modern
movement; through the Frank Lloyd Wrights and other peoples work in this ah movement.
In in in the Prairie style.
So, also we will see ah a 45-degree triangular ah ah break in the ah ha in the plan.
So, if you look at the plan this kind of same element which where there in the previous
design of ah Frank Lloyd wright.
And again the rows of ah series of window and in in center this kind of ah ah core also
there.
If you look at the plan ah which is there in the earlier building you will see the same
elements.
If you look at this element and the elements over here and core and the series of this
glass, glass work and look at the Robie house plan.
You will see the similarity series of glass work and similar kind of treatment you will
see in the in his plan.
That is how the visual vocabulary of Frank Lloyd Wright's style ah is coming in the ha
in in the form . And here also in this slide you will see the interior which is again the
same style of Frank Lloyd Wright's interior which is followed, this is Robie house interiors
and oak park's design was also kind of similar.
And series of straight lines which comes ah ah comes from the selling also goes in the
in the wall is there, and pure wood work and similar kind of windows, ah and similar kind
of illumination which is a combination of circle and square is is there . Now we have
discussed the plan and then ah ah if you look at this ah another designer, he is also an
architect ah.
But most of his work in is in graphic design Owen Jones is there.
And if you look at Owen Joness work and this is Chromo lithography this also has this similar
kind of color and it is definitely more ornate, but same kind of colour tone and same kind
of breaking it in the circle and square in there , but Owen Jones ah this is his own
design, but he also have written a source book this is his design, but this is not ah
upon something Prairie style or some like that ah .
Because this is a grammar of ornament which is ah ah written by Owen Jones ah.
He have talked about different it is source book of grammar of ornamentation of different
style throughout the world.
So, he have different templates of grammar.
So, this is ah taken from Egyptians style so Egyptian, what will be the source of Egyptian
styles ornamentation, he have paint in that it might be from some other style ah may be
Saracenic style and the different styles were, ah they has this this book of grammar of ornament
ornament, but Owen Joness own work this is his own work is also have some similar kind
of ah ah pattern ah.
In the if you look at the the window treatment over here this that kind of patterns are quite
similar in his work as well . So, in the next class we will discuss more with the ah with
the examples of organic architecture, which evolved from Prairie architecture style and
ah mostly with the examples of ah Frank Lloyd Wright's work.
Thank you .
