ExclusiveBeethoven: Piano Sonata no. 8 'Pathetique', Op. 13 - III. Rondo 貝多芬：鋼琴奏鳴曲第8號“悲愴”，作品13 - III. 輪舞

【Classical music and nature 古典音樂小站】Ludwig van Beethoven: Piano Sonata no. 8 'Pathetique', Op. 13 - III. Rondo - Allegro. This beautiful piece was played by Paul Pitman. It has Creative Commons license and is provided through www.musopen.org.

"Ludvig van Beethoven's father was a tenor singer in the court orchestra of the Archbishop and Elector of Cologne, an insignificant man who was subject to his whims. ... Music was, of course, the element in which Beethoven moved from his earliest youth and which he had to pursue diligently, even with his strict father. He did not comply willingly with the harsh discipline that imprisoned him and deprived him of the joyful play of his peers, and what we later find in him in the form of unsociability and aversion to people are the fruits of a wrong upbringing. As his father was too strict, so his mother, Marie Magdalene, née Keverich from Coblenz, who died in 1787, was too mild and indulgent and, through her overly tender care for his every step, planted the seed of a lack of independence and unconcern for the demands of outer life, which also remained with him. His father's violin lessons from the fifth to the eighth year went hand in hand with his attendance at the public school in Bonn, whereupon the music director and oboe player Pfeiffer, a skilled piano player, took over the boy's further musical education and did so with better success than his hard father, so that Beethoven caused a sensation as a piano player after only a few years. At that time, in his twelfth year, he played J. S. Bach's "Well-Tempered Clavier" with the greatest skill and showed himself to be a prospective master in the art of improvisation and free imagination. Now the court organist van der Eden, and incidentally his college Neefe, trained him as an organist and began to introduce him to harmony and composition, so that Beethoven was already able to emerge in 1783 with six piano sonatas. Which he dedicated to the Elector of Cologne. He himself, however, later rejected all of these youthful works."

Source: "Musikalisches Conversations-Lexikon. An encyclopaedia of all musical sciences. For educated people of all classes ...". Volume 1, Berlin, 1870, page 512"

Ludwig van Beethoven composed the Piano Sonata No. 8 in C minor, Op. 13, also known as the "Pathétique", between 1798 and 1799, eleven years after his first piano sonatas.

In the video you can see red campion (Silene dioica) in an alpine meadow. In the language of flowers it means: "Ask for nothing but to be mine".

Source: Chaper Language of Flowers in the book: The Galanthomme or the Companion as he ought to be. A guide to making oneself popular and winning the favour of the fairer sex, 1842.

The flowers were filmed by Simone Schlegel, the video edited by Wenjing Ma.

【古典音樂小站】貝多芬：鋼琴奏鳴曲第8號“悲愴”，作品13 - III. 輪舞，快板。這首美麗的樂曲是由保羅·皮特曼演奏的。它擁有創用CC條款授權並通過www.musopen.org提供。

路德維希·范·貝多芬的父親是科隆總主教和選帝侯的宮廷合唱團的男高音歌手，是一個毫無影響力且服從他的心情的人。音樂當然是貝多芬從幼年時期就活動的元素，他在嚴厲的父親那裡長大並熱切地追求音樂。他並不情願地接受了使他被拘禁並使他無法享受同齡人愉快玩樂的嚴厲管教，而他之後所表現出的不合群和厭世情緒正是錯誤教育的結果。就像父親太嚴格一樣，母親瑪麗·瑪格達萊娜·科本茲的態度則太寬容和溫和，她對他的每一步都過於溺愛照顧，也埋下了他對外界生活要求的無自主和漠不關心的種子。從五歲到八歲，他向父親學習小提琴，同時在波恩的公立學校上課。隨後，音樂總監和雙簧管演奏者皮菲爾（一名傑出的鋼琴家）接手了男孩的音樂教育，並取得了比嚴厲的父親更好的成果，使貝多芬在幾年後成為一名引起轟動的鋼琴家。那時，他12歲時，他以最高的技巧演奏巴赫的“平均律鍵盤曲”並展示了他在即興和自由幻想藝術方面正在成為一名大師的潛力。現在，宮廷風琴師範爾丹和他的同事尼弗也開始教授他風琴演奏，並開始他的和聲和作曲學習，以至於貝多芬在1783年已經能演奏六首鋼琴奏鳴曲，並將它們奉獻給科隆的選帝侯。他自己卻後來拋棄了所有這些年少時期的作品。

盧德維希·范·貝多芬在1798年至1799年間創作了C小調第8號鋼琴奏鳴曲，作品編號為Op. 13，也被稱為《悲愴奏鳴曲》，這是他的第一部鋼琴奏鳴曲之後的十一年。

在視頻中，你可以看到高山草甸上的紅花燕麥（Silene dioica）。在花語中，它的意思是：“除了成為我的之外，別無所求”。

資料來源：《The Galanthomme或者合適的同伴。一個指南，讓自己受歡迎並贏得美麗性別的寵愛》，1842年。

這支視頻由Simone Schlegel拍攝，由Wenjing Ma進行編輯。

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