Une cinquantaine de chefs d'État et de gouvernement sont attendus à Villers-Cotterêts, près de Paris, pour le XIXe sommet de la Francophonie. La francophonie, c'est aussi un espace de rencontres entre jeunes talents. Grâce à France Volontaires, la jeune Congolaise Triphène Tamba a fait neuf mois d'études en France il y a trois ans. En ligne de Brazzaville, où elle est étudiante en économie du développement durable, elle répond aux questions de Christophe Boisbouvier.. #francophonie#environnement#brazzaville 🔔 Abonnez-vous à notre chaîne : https://rfi.my/YTfr 🔴 Suivez RFI en DIRECT vidéo ici : https://rfi.my/YTliveFR 🌍 L’actualité du monde et de l’Afrique en direct : https://www.rfi.fr/fr/ Rejoignez-nous sur Facebook : https://rfi.my/FBfr Suivez-nous sur X (Twitter) : https://rfi.my/Xfr Découvrez l’actu en images sur Instagram : https://rfi.my/IGfr Recevez les dernières infos sur Telegram : https://rfi.my/TGfr
For me, francophonie is first of all women and men who share a common language, French,
a global language that may not be spoken more than English,
but which actually promotes cultural diversity.
So, thanks to the Université Saint-Gaure d'Alexandrie, you were one of the 30 volunteers of the OIF
who participated last year in the game of francophonie in Kinshasa.
Was this mission useful?
Very useful, in fact.
For example, on gender equality.
Today we are talking about the question of gender.
Sometimes there are men who inferiorize women,
but there is a dialogue that can be made between women and men
to try to find a common ground.
Also, it allowed me to develop skills in leadership,
teamwork, autonomy, the ability to manage stress,
especially because I am a person who is stressed sometimes,
but this has been really framed thanks to our different training.
The fact of meeting other young artists, interculturality,
and for me, it also allowed me here in Brazzaville
to bring it back to the level of Gare aux Pianos Fabriques Culturelles,
where I am in charge of communication and comedian artists.
So for me, really, francophonie,
the Université Saint-Gaure,
played a big role in my professional development.
So you belong to a cultural factory in Brazzaville
called Gare aux Pieds Nus,
and these meetings in Kinshasa allowed you,
when you returned to Brazzaville,
to make use of this cultural factory.
Exactly, because it's a whole team.
The latter is led by Sylvie Diclopomos.
So thanks to her, the question of gender,
already at the level of the cultural factory,
when I train children, we put the question of equality.
There are men, there are women.
We don't prioritize a certain personality.
So for me, volunteering is really important.
Very important.
Trifent Tamba, you often talk about the question of gender
and the problems of parity between women and men,
and it must not always be easy in Brazzaville.
Do your meetings with other francophones
help you in this fight or not?
Exactly.
For example, I take my mission with France Volontaire in 2021,
where I was in France at the École Supérieure d'Art et Design de Saint-Étienne
at the École Supérieure d'Art et Design.
We were 11 young people from Africa,
and there were at least 8 girls, if I'm not mistaken,
and 5 men.
And for me, the fact that we were together,
these men did not disqualify us.
They actually inserted us into the community.
We worked together as one man.
And we get to the artistic environment,
and there are men who sometimes disqualify women.
Ah no, all that, the inferiority complex.
But no, we too, we have our place in society.
We can do it.
Some say that the place of the woman is in the kitchen.
I say it's very wrong.
Because today, as women,
we are the ones who bring up the children.
We are the ones who give education.
And if we are separated,
if a woman decides to revolt,
how is the world going to become?
Indeed, 3 years ago,
during the Africa 2020 season,
you studied for 9 months
at the École Supérieure d'Art et Design de Saint-Étienne,
in France,
at the invitation of France Volontaire and the French Institute.
And I think I understand that you learned a lot
during those 9 months,
far beyond art and design.
Exactly.
I performed in the field of photography
that I did not know.
So I developed a new skill.
In fact, I was affected by the city of design,
me as a cultural mediator.
The goal was to try to orient the public,
to share my culture with the French,
to bring down the clichés that exist
between the French and the Africans.
So what the French think of Africa
and what the Africans think of France.
Also, I met the young people
who study at the city of design there.
We participated in workshops,
for example, chair manufacturing,
the manufacture of a Senegalese self-taught hand-washing machine,
because we worked with a designer from Dakar,
Basse-Rouad,
who taught us how to make hand-washing machines.
And I, as a volunteer,
for me, design,
I did not know what it was.
Some think that design is all that is beautiful,
but today, even making a chair,
it is designed,
because we meet the needs of society,
since it is learning through practice.
As soon as you learn, you adapt.
That's a little bit.
And why do you say that in this civic service,
reciprocity is important?
Reciprocity is very important,
because at the Congo-Brazzaville level,
they can welcome French volunteers
and do missions at home.
And we also have this possibility
to go to France and carry out missions
that are very beneficial, in fact.
Meet other young people.
They also come so that we can get to know each other,
share our experiences.
And already, being a volunteer,
it is to commit to a general interest mission
that I loved a lot.
It was great.
In Brazzaville, Trifente Tamba,
you study the economy of sustainable development
at the Université Marianne Guabi.
What does Francophonie bring you
in this learning?
So, for example, today,
we have a project with the AFD
on the issue of water.
Water is essential to our health.
In the objectives of sustainable development,
there is clean water, sanitation and everything.
Today, this project is called
The Artist in the City.
And I, as a student in the economy of development,
I participate in this project as a communication manager
and comedian too.
So, for me, Francophonie is at the heart of sustainable development.
The struggle to protect the forest
is a major issue in your country, the Congo.
Is Francophonie one of your tools
in this battle for the environment?
Yes, I say so,
because I want to take the example of the CIAR.
The CIAR is the International Conference
on Forestation and Reforestation
that was organized from 2 to 5 July 2024
here in Brazzaville,
where we found young people from everywhere
and experts from everywhere too.
So there were those from Gabon,
and there were others who spoke English,
but the language that dominated was French.
And we see that Francophonie
is making sure that men and women
who share the same language, the French language,
are regrouped there.
We talked about the issues of forest protection.
We even insisted that each young person
could plant at least one tree.
And I say that Francophonie has its role.
Another battle that is close to your heart,
Triffin Tamba,
is the deforestation of the districts of Brazzaville,
including yours, Sadelmi,
in the 7th district of the Congolese capital.
Can your Francophone network help you
in this field too?
I think so.
I participated in a training
on the issue of climate change
where I talked about my district, Sadelmi,
a district that is plagued by erosion problems.
We see that the population, people,
throw garbage bags everywhere.
And for me, I say to myself,
if I only try to talk about it,
to continue to fight in this field,
my network will not abandon me.
Those around me, they will accompany me.
Already the relationships that I was able to create elsewhere,
I think that if I try to see
the same people who work in the same field as me,
I think it can do the job.
Because in your district, when it rains,
you can't even walk around, right?
Exactly.
So in the Sadelmi district,
when it rains, there is a lot of water
and it's very difficult.
Sometimes you take the bus,
we pay the bus, for example,
now it's 300 francs.
It's not easy for the population.
Some complain.
We take the 4x4.
Here, we call them the little stick.
So people go up.
You are so stuck,
like in a sardine box.
There, the drivers, when they drive,
they don't care.
Especially when it's late at night.
If you fall in the water, it's your problem.
And it's not just the 4x4 that arrives.
The buses arrive, they have to increase the price.
Sometimes you see someone who pays the bus to Ouissabou.
Imagine that I pay from Moukondo
to come to Sadelmi.
It's very expensive.
How are we going to eat tomorrow
if I already spend 2,000 or 5,000 francs a day
for the trip?
So if you have a family, how do you do it?
It's very difficult.
There are also ravines around
where we see how the population
is forced to throw away the trash.
But the trash also destroys our organisms.
Paludism, mosquitos and others.
Some even cut down trees.
On the contrary, trees protect the structure of the soil.
But we don't understand all that.
And that's your fight
in the 7th round of Brazzaville?
Yes, it's our fight.
We wish, if we can,
to try to better arrange the road
because if it is accessible,
it will allow several people to come.
I say that children are education.
If there is something we can leave to a child,
it is education, culture.
What do we give him today?
You asked yourself the question
what Africans think of France.
For a number of young Africans,
francophony is suspicious
because it is, in their eyes,
an instrument of France,
the former colonial power.
What do you think?
For me, francophony,
we can't try to blacken the image.
So we, as young people,
if we see that francophony is not good,
I think it's wrong.
For me, as long as it boosts
the careers of young people, it's already good.
I think that through the Université Saint-Gaulx
there are students who go there to study.
There are training
that the OIF organizes, for example,
on the Internet, in connection with the Université Saint-Gaulx
and other platforms.
If we don't participate in that,
it allows us to have certificates
that will boost our careers.
It also allows us to develop skills.
For me, francophony plays a big role.
So for you, it's not a post-colonial instrument?
Well, no,
I don't think so.
We're just going to take the bad side.
For me, we have to positive things.
We can say that we cannot form the present
without the past, but also,
if in the past there are the dark sides,
there is the black, we will not bring back the black
because we want there to be light.
So actual francophony, it brings light.
It allows young people to reunite.
Look at us, we were 30 young people.
At the game of francophony in Kinshasa, right?
Exactly, 30 young people from Central Africa.
There were 11 Cameroonians,
1 Guinean-Ecuadorian,
we joined the Gabonese League
and we formed as one man,
we worked together, the union made the force.
I think that right now, we have to positive things,
say yes, we are moving forward,
a new start. As young people,
what do we do, what do we propose?
Because I think that francophony also encourages training.
It allows young people to go study
elsewhere, through scholarships, why not?
We see that francophony even manages to finance
women who want to go forward,
who have businesses, boost them too.
It's already good in fact.