ExclusiveBeethoven: Symphony No. 5 in Cm, Op. 67 - I. Allegro con brio 貝多芬：C小調第五交響曲，作品67 - 第一樂章，活潑的快板

【Classical music and nature 古典音樂小站】Ludwig van Beethoven: Symphony no. 5 in Cm, Op. 67 - I. Allegro con brio. This beautiful piece was played by Fulda Symphonic Orchestra. It has Creative Commons license and is provided through www.musopen.org.

In his epochal review of Beethoven’s Symphony No. 5 in C minor, Op. 67, E. T. A. Hoffman praised it as “one of the most important works of the time.” Its famous four-note opening gesture is not only credited as, “Fate knocks at the door” by Beethoven’s factotum and biographer Anton Schindler, but also represents the “fate” that Beethoven wants to overcome during his lifetime, because he was experiencing an increasing deafness, psychic pain and depression. Beethoven wrote in a letter: “I will seize fate by the throat; it shall certainly not bend and crush me completely” (Lockwood, Beethoven Symphonies, 95). One of the aspects that makes the Fifth Symphony remarkable is that the “fate motif” is not treated as simply a first theme. Instead, Beethoven put it throughout the entire piece—an obsessive repetition of the motif at different pitch levels, combined with interruptive stops that fight its restless momentum. (Lewanski, Beethoven and the Romantic Sublime.) Indeed, the “fate motif” is the most essential element of this symphony but it is not the only thing that makes the Fifth Symphony great. (Eastmann Shool of Muisic)

The video was captured at the lake of Thun by Christian Schlegel in 2023 and edited by Wenjing Ma.

【古典音樂小站】路德維希·范·貝多芬：C小調第五交響曲，作品67 - 第一樂章，活潑的快板。這首美麗的作品由富爾達交響樂團演奏。它以創作共享協議授權，並通過www.musopen.org提供。

在E·T·A·霍夫曼對貝多芬C小調第5號交響曲作品67的重大評論中，他稱其為“當時最重要的作品之一”。它著名的四個音符的開場手勢不僅被貝多芬的秘書兼傳記作者安東·辛德勒稱為“命運敲門”，還代表貝多芬在他一生中想要克服的“命運”，因為他正在經歷越來越重的聾啞、心理痛苦和抑鬱。貝多芬在信中寫道：“我要抓住命運的喉嚨；它絕對不會彎曲並完全壓垮我”（洛克伍德，貝多芬交響曲，95）。貝多芬第五交響曲令人印象深刻的一個方面是，“命運主題”並不僅僅作為第一主題加以處理。相反，貝多芬將其放在整首曲子中-在不同的音高水平上反覆重複-並結合截斷性停頓，以對抗其不安的勢頭。(Lewanski，貝多芬和浪漫崇高。) 事實上，“命運主題”是這首交響曲最重要的元素，但並不是使第五交響曲偉大的唯一因素。（東曼音樂學院）

該視頻由Christian Schlegel於2023年在Thun湖拍攝，並由馬文璟編輯。





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