Popular Misconceptions About Ancient Rome

Sculpted Rome
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A detailed breakdown debunking common pop culture myths and historical misconceptions about Ancient Rome, covering unpainted white marble statues, togas, public orgies, the truth behind emperors like Caligula and Nero, Roman women's political influence, gladiators, and galley rowers.
#ancientrome #romanhistory #historymyths #misconceptions #romanempire #gladiators #caligula #nero #historyexplained #weirdhistory
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Video Summary
AI GeneratedThis video debunks common misconceptions about ancient Rome fueled by pop culture and historical misinterpretations. It explores how artistic errors, biased historiography, and Hollywood dramatizations have distorted our understanding of Roman fashion, politics, social norms, and daily life.
You probably have a lot of ideas about what
ancient Rome was like.
But odds are, many of those ideas are wrong.
It's not your fault. You're a victim, a victim of pop culture,
because pop culture is full of misrepresentations
of the ancient world.
Today, we're debunking some misconceptions
about ancient Romans and the world in which they lived.
But first, be sure to subscribe to the Weird History channel.
Then jump down into the comments and tell us
what ancient civilizations you want to hear more about next.
OK, fans of bread and or circuses, this one's for you.
Historiography is the study of how
history is researched and written.
And one of its key lessons is that looks can be deceiving.
During the Renaissance, people became
fascinated by the art produced by the ancient Greeks
and Romans, especially statues.
These statues had originally been
painted in a variety of shades and colors
by their original creators.
But by the Renaissance, all of these paints and dyes
had chipped off due to wear and elemental exposure.
Modern researchers have since used
ultraviolet and infrared technology
to analyze the ancient statues, examining
layers of paints and coatings that remain
invisible to the naked eye.
I wonder if any of these artists draw
that cool S we were all obsessed with in middle school.
But the Renaissance artists, who took their technically
incorrect inspiration from the Greeks and Romans,
made their sculptures unpainted,
giving us the pure white marble look we still associate
with ancient sculptures today.
Copying someone's homework incorrectly,
who isn't guilty of that crime?
As many of these statues depict the ancient Romans
wearing togas, this led to the widespread presumption
that togas were everyday casual wear
throughout the Roman Empire.
But in fact, togas were not all that common.
They were a bit like a tuxedo, a kind of formal wear
donned for special occasions, denoting a person's
significance in Roman society.
Only full Roman citizens were even permitted to wear togas.
So let's hope John Belushi had his citizenship paperwork
in order before they filmed that iconic animal house scene.
To understand how so many misconceptions about the Romans
came to be, it helps to look at how we know
anything about ancient Rome.
The Romans borrowed their view of history and a study
from the Greeks, with a great focus
on their own central place in the narrative.
I guess we can forgive them for that.
It is Roman history written by Romans,
so it's got to be Roman-centric.
Romans saw history not as a definitive, objective attempt
to get at fact, but more of an ever-changing narrative rooted
in the concerns of the present day.
If a legitimate modern historian reimagines history
from a present-day perspective, it's bad history.
But in Roman times, it was good writing,
which often meant writing to please an individual or group,
such as the patron who hired you.
What would Roman society have thought
of Lin-Manuel Miranda?
Let's take Rome's reputation as a society
where public depravity and orgies were common.
This is almost certainly not historically accurate.
There are only a few accounts of group sex
taken from any primary Roman sources.
And when the subject does come up,
it's usually cited as a distasteful or inappropriate
act.
The debauchery that did occur was probably
exaggerated later by those who morally opposed it
and by those who could market it.
I mean, minutes from the Roman plebeian council
versus good old-fashioned Roman orgies,
you know which channel is going to get more subscribers.
The emperor Caligula, for example,
is remembered today as a perverted, incestuous,
and incompetent monster.
Horror stories about his brutal reign of terror
included watching his subjects get fatally tormented,
turning the royal palace into a brothel,
inviting a horse to serve as a consul in the Senate,
and an array of other scandals and atrocities.
If he were around today, he'd have a serious political career.
Many of these accounts come from two historians
who were contemporaries of Caligula, Philo
and Seneca the Younger.
Philo had to resent Seneca for getting that billing.
These two writers would refer to Caligula's insanity,
particularly after an unknown illness in the year 37 AD.
This illness has led some to believe
that Caligula was the victim of a mental illness
that progressed throughout his reign.
However, in Roman, and probably every culture,
perversity and insanity were considered
bad for public governance.
But these kind of juicy tales tend
to be embellished over time.
So it may be possible what started
as criticisms of Caligula's character
became exaggerated for political or entertainment purposes,
sort of like an ancient world precursor to The Daily Show,
but entertaining.
This doesn't mean we should dismiss historical accounts
made by the Romans.
In fact, there are pioneering scholars from that period.
But there are contrasting narratives about every past,
even in primary sources.
And you have to be careful what you consider bona fide
and what's fluff.
Here's a tip.
Don't look to Hollywood like that 1979 film Caligula.
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And now, let's get back to history.
Another Roman emperor who suffered
a real reputational downgrade is Nero.
He's most associated today for playing the fiddle
while watching the city of Rome burn.
While Rome did burn uncontrollably
for nearly two weeks in the summer of 64 AD,
wiping out nearly 70% of the city,
there's little evidence that the emperor
celebrated the devastation or provided
musical accompaniment.
Maybe he just threw on lo-fi beats
to burn a city-state, too.
The Roman historian Tacitus tells us
that Nero was actually at his villa in Antium
when the fires started, and that he returned to the city
to organize relief efforts upon hearing of the devastation.
The connection between Nero, his fiddle, and the fires
was not random, but maybe an example
of historians embellishing stories
for dramatic or political purposes.
Of course, Nero didn't do his reputation any favors.
He used some of the areas cleared
by the fires to erect palatial estates and monuments
to himself, including a 30-meter tall statue called
the Colossus of Nero that once stood where
the Colosseum is located now.
He may not have celebrated the burning of Rome,
but he did use it to pioneer the field of narcissism.
Nero was also enamored with the arts,
including a deep admiration for his own singing,
and at one time planned an exorbitant theatrical production
of The Siege of Troy.
So it's possible to read the story about him fiddling
as Rome burned as a criticism for ignoring
the needs of everyday people and the fate of the city
while indulging his personal passion projects.
So he was a one-for-me, none-for-them kind of artist.
Roman historians frequently referred to women
as political power players, maneuvering behind the scenes
and influencing their spouses and other high-ranking players,
by whatever means they had, to achieve their political aims.
Some people today, who didn't pay attention
to any history classes, have concluded from this
that ancient Roman women had formal positions
in governance.
But they didn't.
Women were allowed to own property and even
start their own businesses, which was unusual for the time.
But they had few formal political rights.
They didn't even have the right to vote.
Women were present in Rome, but lacked a formal voice
in elite society and had to resort to indirect methods
to influence power.
That came with the downside of being an easy target to blame
when policies went bad.
This made Roman women perhaps the most politically
astute and exposed politicians who were never
formally politicians.
Some misconceptions about Roman politics
are even easier to track.
According to historian Mary Beard,
Julius Caesar's final words spoken to his assassin Brutus
were, and you, my child.
Caesar was likely referring to the fact
that Brutus and some of his compatriots
had themselves been wounded or injured in the fighting
in the Ides of March.
Though Brutus survived the ordeal,
he was likely covered in blood when Caesar saw him,
explaining the observation.
Today, it's more widely believed that Caesar died saying,
et tu, Brute?
Or even you, Brutus?
A more direct accusation aimed at his killer.
For that malapropism, we have William Shakespeare
to blame, who embellished his source material
in his famous play.
Et tu, Willy?
Another common misconception is that the ancient Romans
took ancient Greek mythology and claimed it for themselves,
simply by swapping out the names of the major deities.
In this view, Zeus, the master of lightning
from Greek myths who served as the ruler of the gods
on Mount Olympus, neatly transitions
into the Roman god Jupiter, which neatly transitions
into the train song, Drops of Jupiter.
There's certainly a nugget of truth here.
Greek religion and culture predated ancient Rome
and did have a key influence on how the Romans saw themselves
and their origins.
But the intermingling of these two cultures
over hundreds of years can't be reduced so simply into,
Romans stole their gods from the Greeks.
In fact, historians are still sifting through
what elements of their shared mythologies
were Greek in origin and which were Roman,
and which may have been influenced by other cultures
around the ancient Mediterranean.
All in all, it was less burgers and fries and more melting pot.
A memorable sequence from the 1959 Hollywood epic, Ben-Hur,
finds Charlton Heston chained up in the belly
of a giant Roman warship, moving a massive oar in pace
with a steadily beating drum.
This is a vivid rendering of a so-called galley slave,
chained up in a naval ship and forced to constantly
row at the end of a whip.
You damn dirty Romans.
But in most ancient fleets, including the Roman Navy,
rowers were freemen who had been hired specifically
for the task, not slaves.
During the peak of the Roman Empire,
rowers were most commonly non-citizen
freeborn provincials, often coming into the empire
from nations that had a strong maritime or navigational
tradition, such as Greeks, Phoenicians, Syrians,
or Egyptians.
Their benefits package was competitive.
Speaking of movies about Romans fighting,
the film Gladiator and similar sword and sandal epics
are rooted in some degree of truth.
Gladiators, armed combatants that
would engage in violent confrontations
to entertain the masses, really were
a popular form of entertainment in ancient Rome
over a period of nearly 1,000 years,
reaching their peak between the first century BCE
and the second century AD.
And just like in the movies, these battles
would sometimes include not just slaves or condemned criminals,
but also wild animals.
Nothing sells tickets like a rabid elephant.
Still, the movies present a heightened Hollywoodized
version of the real gladiatorial events.
Most significantly, gladiators were costly investments
for their owners.
So the goal was to keep them healthy and fighting
for a long time, rather than sending them out
to suffer grisly deaths for the audience's amusement.
Showy cinematic face-offs between multiple skilled
fighters or skilled fighters and tigers
would have been rare occurrences in the actual arena.
It would be far more likely to see a gladiator fighting,
say, a wild boar.
Hakuna matata.
So what do you think?
Which of these popular misconceptions
surprised you the most?
Let us know in the comments below.
And while you're at it, check out some of these other videos
from our Weird History.
