After years spent chasing carbon fibre, foils and cutting-edge yacht design, the regular lure of polished timber, gleaming varnish and the unmistakable elegance of classic yachts is proving impossible to ignore. The British Classic Yacht Club Regatta in Cowes is about much more than the racing. This year's regatta brought together an extraordinary fleet of 42 yachts, from the diminutive Stella class to the magnificent 12 Metre Miquette while the oldest yacht, Dorothy, built in 1894, shared the water with Bel Canto, launched in 2022, proving that classic yachting is as much about preserving history as it is embracing the classics of the future. But even then, the British Classic Yacht Club Regatta in Cowes is about far more than competition around the cans. Every race is matched by the equivalent social event ashore where owners and crews swap experiences, admire the remarkable fleet and share the stories behind these extraordinary yachts. Because every yacht here had a classic story to tell....and we were there to hear them.
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Video Summary
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This video explores the passion and craftsmanship of classic yachting at the BCYC event in Cowes. It highlights the emotional and technical journey of restoring vintage vessels, contrasting the rigid nature of modern boats with the creative process of optimizing classics for competitive racing, while emphasizing the importance of community and maritime preservation.
Now look, I'm worried something's changed because I appear to have spent decades being
obsessed and on a diet of carbon fiber, skinny foils, high performance boats,
canteen keels and the rest of it. And yet every year that I come here to Cowes for the BCYC
I feel myself being drawn to a bit of this. Barnish, elegant looks, fantastic stories and
an incredible atmosphere. I don't quite know what's going on but I do know that this year
is particularly special because apart from having an incredible turnout of boats,
it's not raining and it looks even better. This year's fleet of 42 boats spanned from a
25ft 9in Stellas to the 12m Miquette, that's 75ft 6in, the largest in the fleet.
The oldest was Dorothy, built in 1894 and the newest, Belcanto, launched in 2022.
So as always there was a wide range of boats to geek out on.
And to be honest, it was boat spotters heaven.
The racing was also designed to deliver a mix of formats,
from around the Cairns to around the island and a pursuit race in between,
for which my ride was aboard the 50ft Spirit IO of Dartmouth.
But aside from all of this, the one thing you can bank on is that if you are a boat spotter
that likes to share stories, you're in good company, because everyone has one.
In fact, it's such an important aspect of this event that the organisers work on a 50-50 ratio
when it comes to balancing time on the water with social time.
Every hour racing means a minimum of an hour socialising, and that means time to tell stories.
We got it in 1989, so I was about 25 at the time.
The immortal words of my father were, buy a boat before house,
because I'd been brought up on his boat.
Oh really?
Even conceived on his boat, if you work out where we were for the summer holidays in Holland.
And so I'd been brought up sailing all my life, and I wanted a boat.
And he just said, buy a boat before a house, and buy a big enough boat,
then you can have it for life and it fits all your needs.
Sound advice.
It was sound advice if it wasn't good for my bank account, it was good for my soul.
Well, I mean, she's looking absolutely superb.
And the thing that really strikes me about it, it's a very complex boat.
I mean, has she always been like this?
Since, well, these boats were simpler, but they were vastly underpowered in light airs.
And so what happened for us is, as we started to race,
we realized we were competitive at 15 knots, super competitive at 18 knots,
and awful in no wind.
So how do you go to regattas where you just die?
So we spent a long time, how do you evolve power?
And then you've got too much power very quickly and how you control it.
And of course, unlike a modern boat, you can hide lines, you can't hide lines.
So it all comes back to the cockpit, masters the pit as well, so there's no pit in here.
And it is a boat that has an awful lot of things to pull.
And the other problem, because you've got a very high weight to waterline ratio,
you need power, so you have to change gears, you have to change sails all the time,
and you have to rotate them, get it just right.
If you want to sail above your handicap or to it, you'll cause a lot of crew.
So it's quite unique.
It's not two people sailing and everyone's on the rail.
It's 13 people who have to coordinate all the time to make it work.
And then in 2002, after the big American centenary,
Tim Blackman and I had a conversation.
He said, why don't we start a club?
And I said, great, you can be the Commodore.
I'll be the vice Commodore.
You can look after the socials.
And I really believe we should have super fair racing
because they could optimize their boats to channel handicap IRC
and then we'll promote a healthy classic fleet that didn't really exist at that time.
And 24 years later, here we are.
Yeah, I mean, it's a very, very impressive fleet.
And I mean, people race seriously.
There are some serious, serious boats with serious crews
who are doing everything they can that if you insert them into a modern fleet,
we were fifth on the round, the only race in our division.
And we would have been first if the smaller boats
hadn't gone over the sandbanks and we couldn't.
Right.
So we are competitive against modern boats like Whopperers.
So, you know, it's no coincidence that classic boats
and IRC have become competitive within the general fleet.
I suppose it's a stupid question.
But I mean, is that part of the appeal, though?
It's just saying, look.
Being bloody minded.
Yeah, look what we can do, you know.
I think there's something, I mean, OK, we all have that probably genius
and we're all very competitive.
So doing the impossible is really exciting for me.
Sailing a heavy boat so it's competitive in an eight in eight knots of breeze
is a huge challenge we've risen to.
It's taken years.
So I love the impossibility of the process
and how you get to it through understanding your machine
and how it operates and the variabilities.
If you change your boom, e-fitting, e-length,
what does that do in your P&E dynamics?
You have a relationship with something you're evolving.
You're really becoming a designer and an owner.
Yeah.
That is immensely rewarding.
So I think that appeals to people that are thought provoking and creative.
Yeah.
And innovative.
And you can't do that in a modern boat.
It's a much more fixed structure, fixed versions.
So I think there's a good reason why you see innovation in an older classic boat.
So I'm James Youngman and we've owned Lutine of Halford for the last 11 years.
She is a beautiful classic yawl built by Lloyds of London in 1952.
So she was rebuilt down in Gweek in just 1999, 2000.
And as a boatyard project boat,
the boatyard owner had unfortunately passed away and the boat was up for sale.
We took her on.
It looked amazing condition, but we didn't really know
because we couldn't take her into the water to do any water tests.
So she was stuck in the boatyard
and you needed a six metre tie to get her in
and a 200 tonne crane to lift her over the boat next to her.
So it was a big adventure.
But she did float and we got her down here
and then we've replaced everything on the boat over the last 10 years.
We've got four kids, so we needed a boat.
We thought we needed a boat that had accommodation.
She was built as a club boat.
She was originally accommodating 12 guests.
So unusual for a classic boat to have such a big internal space.
So she's 24 tonnes,
which means you've got 24 cubic metres of displacement underwater.
She looks after you in a storm.
She's very well, she's strongly built
and she's probably, I think she's a stunning shape.
There's something about her shape that everyone looks at
and thinks that's just an amazing boat.
And she's a one-off.
So you don't see any other boat looking quite like routine.
But for some, the road to owning a classic boat was different
and led to a big project.
I was actually given it in 2016
by a really kind gentleman called David Sheriff
who, he'd had a boat called Jap
and I think he'd won this event in that
and renovated that.
He found this boat, bought it
because it was the first boat he ever sailed
and he was going to renovate it
and he decided that was probably a step too far
having done one.
And I just saw him one night
and we were chatting about boats
and he said, I've got this boat,
I think you'd quite like it
and if you want to come and have a look at it
you can have it and renovate it
because I'll know you'll do it.
So he lived up near Reading
so I went up and saw it one day
and saw the hull
and just immediately fell in love with the shape.
I couldn't look in the inside
because all the deck had plywood screwed down over it
and I just thought, no, I love that.
And so we arranged to have a cradle made
and then got it delivered back to our boatyard in Cowes
and took the plywood off the top
and thought, oh God, what have we got here?
So it was basically structurally unsound
so we had to replace every frame and every timber
and the planking was good,
the backbone was good,
we did put a new stern post in it
and obviously the ballast keel was fine
but basically everything else is new.
And you own a boat that is how old?
She was built in 1926
so she's 100 years old, well the original books are
but we just decided we'd have a dock party
just to celebrate it.
Although it was a busman's holiday
I really enjoyed doing it.
I got some of the lads to help me
with the more heavy duty stuff
like spining the hull and sheathing it.
How long did it take?
It basically took six and a half years
before she was ready to launch
so we had it outside the shed in the tent
and after, I don't know, three or four years
the tent destroyed itself
in a lot of breeze one day
so we moved it into the workshop
and then we had COVID
so basically in COVID
I did the whole of the inside of the boat
because I'd go into work
and there was a little bit of email traffic
but there was nobody working I think
and so I had all these days on my own
just working on Harlequin
and that was great.
I'd phone up Laurie Gore at Lalo's
could you leave a couple of sheets of firewood outside
trying to stitch all the COVID stuff on there
so that was a great help
and then we just gradually came together
and then you do all the hard work
the hull and all that's hard work
and then you start on the nice woodwork
and the inside
and then think about the deck gear
and I decided that I wanted a really
modern, nice, easy to use fit out
because I wanted a race set
and I wanted it to be nice to sail.
I know you can do that with modern classic box
but I looked at the fittings we've got on there now
the Hark and Black Magic stuff
they look really nice
and she's really good to sail.
There's no shortage of opinions
on how to rebuild a classic either.
Yeah so you're on the yacht
Miquette now
or Black Owl as they know me
and we bought it from Duncan
Fairleigh Restorations
in Hamel Point Marina
and she's a 12 metre 5
1933
and it's completely restored
it's tricker's broom
so we've got the original
keel
and I've lofted everything
made the mast
made the boom
made the deck
replanked it
reframed it
and sub decked it
but gentrised it
and put hydraulic aids on it.
I keep her in Paul Boathaven
and I do the regattas.
She's been in the water now
for about eight years
and it took about six years
to reconstruct
and I reconstructed it
which Duncan said you shouldn't do
because these lunatics
don't want winches with tailors
they want wooden blocks
that's a load of bollocks
you've got to take 15 crew
off of this boat
or you'll never sail them
you can't get the crew
and it just turns into a nightmare
so what I did
I used the technology
which was available at the time
after I framed her and planked her
splined it
sheathed it
and copied that spirit yacht design
which you see in front of us
so basically
it is a composite boat
with epoxy
you know
Sikaflex etc etc
I looked at the planks yesterday
and we had a hard day
and no the planks didn't open up
I've been sailing on Velshida
for many years
and I cut my teeth
with a rawhound
it's on the Bloodhounds
and Vanity 5
another 12 meter
learned how to sail
with Alan Bond
and did property development
with that guy
so I've been around
for a while
and learned the techniques
of epoxy Sikaflex
and stainless steel fastenings
and I think this game is fooled
by people want originality
but they don't want to use
the facilities
and if you see that
you know
before Elizabeth May
got a hold of Velshida
and I was on
with Scrap Iron John
and I introduced him
and he planked up
and bodged it
and I was one of the bodgers
and bodged it up
but the new owners now
if you look at
they've got carbon fiber sails
rod rigging
bow thrusters
etc
and they're an absolute delight to sail
absolute delight to sail
I think anyone restoring
a craft of this ilk
and you want to be terrified
this is a terrifying boat to sail
if you don't take advantage
of those materials
you're a fool
a difference of opinion
was also evident
aboard another elegant meter boat
but in this case
it was about her name
or at least how you should pronounce it
my name is Mark Dowie
and I'm standing on the back end
of my lovely yacht
Bojar
Bojar?
you see someone told me
it was Boa today
one of your crew actually
when I bought her
we had a whole load of people
from Livington
fondly known as the limos
they call a Bojar
but that sounds so yar
that all us Devon people
call her Bojar
that sounds better to me
it does
so tell me what she is
she's beautiful
thank you
she's a 10 meter cruiser racer
built in Oslo 1937
by Johan Anker
and she
who was also her designer
so the same man who designed
the International Dragon
and she's like a big dragon
really?
that's interesting
wow
and how long have you owned her?
six years
she was
if I'm honest
a bit of a Covid purchase
I was chief executive the R&Y
and we were in the middle
of the Covid saga
and I thought
I need some fun in my life too
so I bought this boat
when you own something like this
you're a bit of a custodian
it's like
owning a bit of furniture
and you continually
changing things
improving things
as my predecessor did
you know
and so we'll hand her on in good shape
I enjoy looking after her
making sure she's
going to see us into
the next 50 years or so
she's 90 years old next year
and she's in better shape
probably than she was 20 years ago
and that's important to me
I've got a great crew
they're all
so no one on the foredeck
is younger than 70
but there are many America's Cups
between them
so they all know what they're doing
and it's a friendly
happy quiet boat
a friendly crew
was very much in evidence for my ride
during the pursuit race
aboard the Spirit CR51
IO of Dartmouth
we've owned IO for three years
we built IO
for the Fastnet race
I think 2023
horrific
that was a breezy one
wasn't it?
was a breezy one
and I'd never done anything like that before
and we had crew on board
who'd never done anything like that before
eight of us
we had tried to do all the qualifiers
in a chartered boat
and it kept letting us down
so Karen from Spirit
knew that I had my heart set on the Spirit
so she contacted me with IO
just in the nick of time
we went to see her in Dartmouth
and Stephen and I both fell in love
and we bought her
we hadn't even taken her for a test sail
we bought her very quickly
she arrived in cows
and three days later
we took her on the Fastnet race
so we did the classic event
the year after
I helmed then
and a lovely friend of mine
who sadly died last year
she was the inspiration behind me
actually taking the helm
I didn't take the helm on any of our previous boats
I was always nervous
I don't really like driving
and I have a real strange relationship with distance
I think my distance perception is a bit...
but she said
you've got to helm your boat Chippy
and she's right
so I did two years ago
and I did today
last year I was sick
so I lost my hands
the feeling in my hands a little bit
but that is coming back
today was quite an achievement
now of course
you look at all these beautiful boats
and the other thing that goes through your mind is
how much do they cost?
well in a lot of cases quite a lot
I mean let's face it
they're expensive boats to run and maintain
but it doesn't have to be like that
and actually there's some examples here at this event
of a much more affordable way
of getting into the classic scene
and one of them is with these boats called the Stella
and I'm going to go and chat to someone
who knows a fair bit about it
because he's right at the sharp end of putting them together
it's Andrew Gilmore
Andrew hi
pleased to meet you
this is your boat isn't it?
it is
and you tell us about
first of all tell us about the Stella
the Stella class
there were 110 built on the east coast
back in the late 50s early 60s
there are about 70 of them left
so yeah
Kim Holman design
built as a fast cruiser racer in the day
and still are
and you've been telling me that you've been collecting them
well sort of collecting them
well the class realised that
some of these boats were getting lost to the bonfire or the chainsaw
so we decided when we realised where they were
we'd go and pick them up
I'm the mug who goes with the trailer and picks them up
in Suffolk Yacht Harbour
on the east coast to very kindly store them for nothing
and then we've saved nine boats so far
five of them have been taken up by new owners
restored and put back into commission
and we've still got four or five left for anybody who wants them
and you were telling me earlier on some of them you can have for free
for sure
yeah there's one or two that we want a small amount of money for
so we can fund collection of more boats
but there are boats there that you can have for nothing
and if you've got some DIY skills you know you're up and going
that's remarkable
but what does it so where's the catch what does it take
I mean how how would you go about rebuilding it
have you got to be a master craftsman
or have deep pockets to have someone else do it
depends what you want to do
if you if you wanted to give it to Suffolk Yacht Harbour
or somewhere similar and do a whole job
you know ready to race like a new boat
you could be 70,000
if you did like I did mine
I'd probably cut that in half by doing a lot of the work myself
or there's some of the boats that are actually ready to go
and with with a couple of thousand maybe you'd be you'd be going
really well that's fantastic
I mean it's a gorgeous looking boat
but they're they're pretty competitive as well aren't they
yeah yeah yeah
I mean we've we've we were second overall in round the island race
and a few years ago we were third overall
so you know they compete with the modern modern boats
and yeah that's fine
and where is it where's the bulk of the fleet
it's east coast
east coast yeah pretty much
yeah there are a few strewn around the country
but most of the boats are in the east coast
we've got nine boats out for a regatta at Alba week this year
so that's that's that's good
and there's a little bit of a resurgence going on
yeah it's it's it's great to hear
as I say it's a gorgeous looking boat
I can't get over the fact
you can have a classic boat for free
you did say that on camera didn't you
classic boat for free
I wasn't expecting that story
the last word has to go to one of the key architects of this event
Giovanni Belgrano
a successful competitor himself with his Laurent Giles Sloot Wooper
his views on what makes this event successful
are not only interesting
but will no doubt send a message to others
that are struggling to maintain or develop their own events
and it all started exactly on these docks 24 years ago
we were nine of us we founded the BCYC
and it was all about the yachts being alongside each other
and then the owners all get along absolutely great
talking completely diverse mix of people off the boat
but when you get the boats alongside each other
everyone can't get enough time
talking about their own boat
learning about the other boat
and and just form this community almost
did you know that that was going to be the case
is that what you sought out to do to start with
or did you oh you did
it was all started off from there
after the jubilee regatta
I was actually on my number one favorite boat stealth
but there were so many unbelievable classics here
that we were all walking up and down the docks
I was photographing all the fittings all the details
and I bought Wooper straight away after that
and then I met the other founders
two in particular
who were very keen on the idea of starting the British Classic Yacht Club
so it started from that
we saw how magic it could be
and we said maybe we can do something like this
of our own here in the UK
without looking at any particular events
but there are events all over the world now
that are struggling because numbers are going down
and they're looking at it going what's going on
do you think there are lessons that can be learned from this event
that would help events around the world
do you think we're sort of in the middle of a change
well definitely I mean times are hard in the world
you know it's the cost of living
and all these people are very time poor as well
cash poor
so we used to do a lot with ABCYC
sailing in company
going for a weekend to the Beaulieu
or Portsmouth or things like that
and even to France
and people don't have that time anymore
so that's gone
this is the only thing we can manage
and we've cut it down to five days instead of six
again because people don't have that time
so yeah
we just have to keep it as efficient as you can
yeah as you have to be in in tune with the times
yeah because the fact to be nimble be light
and the key thing is we run this regatta on the dynamic plan
so we carefully change our plan
based on the circumstance
we're light on our feet
and as you can see you know yes
the stars have raised
the wind is later
so we start later and we party later
the other thing that strikes me about this event
when you look at the range of boats that you've got
is that you're not restricted to boats with particular provenance
so they haven't got to be traditional classics
I mean you've got spirits
you've got fiberglass boats
I mean how did you
what's the rationale for that?
the GFP thing we brought them in when I came in
on the basis that we would control it very carefully
we only do it by invitation
they have to be qualified
so pre-1970 or of a certain classic look
but we limit the number
we have this year
we have allowed six yachts to come
we've had a lot more inquiries
and we carefully pick them
it's not just the boat
it's also the spirit with which they come
the triumvirate classics
you look at the Scherzo and the Nora
and they're all coming in with the right spirit of the regatta
finally I can't let you go without asking you
how you got on on your boat
we actually really enjoyed it again
today was a lot of shore tacking
and I worked with Peter on these things
and I told him in his first morning meeting
I said this is Peter the race officer
Peter Saxton
and we basically banned them to make us
shore tack up the green as a fleet or as a class
but I said if there's one day where we can do it today
because if you think the small boats can make it against the tide
we're not afraid of shore tacking
because basically the race
this format that we've come up with
this time pursuit
the first part is basically a match race
you're trying to catch the boat in front of you
which is a tiny bit lower handicap
and the guy behind you is trying to pass you
so you're doing a very safe one-on-one match race roughly
you try and get out of phases
so it's a different experience
we're trying to make different sailing experiences
and this is the only chance we really get to safely
race the whole fleet against each other
including shore tacking up both the island shore on the green
as well as the lipspit shore by the mainland
so a diverse fleet
an innovative approach
and social events geared to inspire crews to talk boats and share stories
it seems so obvious on paper
and in reality it was