Yu Menglong Becomes a Ghostly Sacrifice? Yang Mi's Tearful Battle, Tianyu's Ghostly Chains Exposed!

The relationship between Yanmi and Yu Menglong once shook the entertainment world. Not because of scandal, but because of a rare, pure, and genuine affection that bloomed amid the dazzling lights of fame. Yet behind those radiant smiles lay a chilling secret. Yu Menglong had been drawn into a vortex of dark magic, from which Yanmi herself once tried to pull him free. According to revelations from feng shui master Ma Xian, The forces behind Tianyu Entertainment didn't just manipulate their artists through contracts and money, they also wielded sorcery, talismans, and even rituals to raise little ghosts to control them. Yu Menglong's story was no longer a personal tragedy. It exposed the dark underbelly of the entire entertainment industry, a world where fame is traded for souls. And the only person who ever tried to save him was Yanmi. Ever since working together on Eternal Love, Three Lives, Three Worlds, Yanmi and Yu Menglong have built a deep, sibling-like bond. Yanmi deeply admired Yu Menglong. When he participated in the variety show Chase the Light Brothers, Yanmi personally visited him on set, bringing along an orange as a boost of energy to cheer him on. At that moment, Yu Menglong was so touched he nearly cried and hugged Yanmi tightly. This gesture made several other cast members on set feel, well, a bit jealous, because Yanmi treated him with such warmth and care. She once described Yu Menglong as pure and radiant like sunlight. According to Ma Xian, a well-known feng shui master and acquaintance of Yanmi, he revealed certain stories about Yu Menglong and Yanmi on his show, with her tacit consent. During filming, Yanmi discovered that individuals dressed in Tibetan llama robes were performing rituals and using mystical instruments on Yu Menglong. They told him it was a way to enhance his career and bring him fame. After investigating the situation in detail, Yanmi confirmed that Yu Menglong had been drawn into practices involving corpse-raising and ghost-keeping. Aware of how dangerous this was, she warned him not to continue using such methods, saying they could bring great harm. However, Yu Menglong told her he wasn't allowed to refuse, that it was arranged by his company, and he had to comply. In reality, his life, from his meals to his daily movements, was completely under their control. Because Yanmi cared deeply for Yu Menglong and regarded him as a dear brother, she made repeated efforts to rescue him. She reportedly visited Tianyu Entertainment at least three times to negotiate, hoping to sign Yu Menglong under her own studio and bring him into her artist family, alongside Dilraba Dilmurat, Jiang Binbin, and Zhu Shudan. Yanmi had publicly declared that artists under her company were not required to attend parties or drinking events, a rare and powerful statement in the industry. It showed her strong and principled character. Unfortunately, despite all her efforts to free Yu Menglong from Tianyu, his management refused to let him go. The reason was the staggering penalty clause in his contract, 200 million RMB. It was an impossible amount for anyone to pay, and thus her plan ultimately fell through. Tianyu Entertainment, a company with state-owned backing, seemed never truly interested in profiting from artists like Yu Menglong. If money had been their goal, they could easily have capitalized on his popularity to earn huge returns. Instead, they froze his career for three years, suggesting their motives were never financial, but something else entirely. That's why not only Yanmi's studio, but also other entertainment companies found it nearly impossible to poach artists from Tianyu. The company's backing was too powerful. Not just the visible executives or CEOs, but higher, unseen forces pulling the strings behind the scenes. This explains why they dared to flatly reject all requests to release talents like Yu Menglong. Ma Xian also shared that under normal circumstances, when a film begins production, a formal opening ceremony is held, choosing an auspicious date, a favorable direction, determining the camera's orientation for the first scene, and selecting people whose zodiac signs are compatible with the event. When offering prayers, people usually worship Guan Gong, the god of righteousness and loyalty. But Yu Menglong's company did things completely differently. They held their own private ritual at a separate location, forbidding outsiders from attending. Everything was kept in utmost secrecy. Yanmi understood these matters very well. According to Ma Xian, she had once consulted him for feng shui and destiny readings. He had long warned her to stay away from such practices. However, young and inexperienced artists like Yu Menglong often fail to realize how serious or dangerous these things can be. They think the company is simply helping them become famous, that the rituals and spells are just ways to bring good luck and success. They believe that since they've signed a contract, they must obey company requirements, and because such things seem common in the entertainment world, they see nothing wrong with it. In truth, though, this is no different from signing a pact with the devil. These dark arts may indeed bring fame and wealth, but the price is steep, sometimes even costing their lives. Nothing comes for free. Yanmi herself was once brought to Beijing to meet well-known sorcerers and so-called yin-yang masters. Artists like Fei Wang, Zhaowei, and Jet Li had also reportedly sought guidance from them, under the guise of praying to Buddha for wealth, fame, or protection through spiritual talismans. But Ma Xian advised Yanmi not to get involved, warning that while such practices may seem beneficial at first, the consequences could be disastrous. Fortunately, when she was invited to Beijing to meet one of these masters and offer red envelope money, Yanmi refused to accept any of his talismans. It was a wise decision, one that saved her from falling into their trap. A U.S. netizen also shared an experience. More than a decade ago, when he was struggling in his career and health, a friend introduced him to a Tibetan tantric temple in the outskirts of New York. The temple was led by a figure called Master Ziguang. He claimed that China's newly appointed top leader at the time, you can guess who that was, more than 10 years ago, had met with him. Moreover, many high-ranking officials and Chinese film directors had also sought his counsel. This person revealed that the master once boasted he had a way to help that man ascend to the throne. And not long after, events unfolded exactly as he had said. I have no intention of attacking tantric Buddhism or any religion, nor of judging whether this master's actions toward Chinese officials or Communist Party elites were righteous or not. What I want to highlight is this. Why do these very officials publicly call for the eradication of feudal superstition, yet privately believe in it so devoutly? Could it be that they are the most superstitious of all? High-ranking members of the Chinese Communist Party are in fact deeply superstitious. But they do not walk the path of righteousness. They seek to use dark arts for fame, fortune, and power. No matter what school of practice one follows, if your heart seeks worldly gain or authority, you are walking the path of corruption. Even within tantric or Buddhist traditions, when the goal is fame or power, the practice itself becomes a perversion of the true way. In China, practices such as raising bones or spirit bone sorcery have existed for centuries. In Hunan, particularly in Xiangxi and Zhangjiajie, there are real traditions involving the control of corpses and the spirit bone arts. What exactly is spirit bone sorcery? Practitioners raise a small insect inside a container. If a woman skilled in this art takes a liking to a man, after making him fall for her, she can secretly implant the bone into his body. Should the man betray her, the insect will devour his heart, causing him to die in a strange and inexplicable way. This is what is considered black magic. There is also the practice of raising little ghosts. In Thailand, this is known as raising kumantong, which many have probably heard of. Legend has it that a Thai general, suspecting his wife of trying to poison him, killed her with a sword, only to discover afterward that she had been pregnant. Wracked with guilt, he brought the fetus to a monk in hopes of saving it, but failed. The monk performed a ritual to bind the spirit of the unborn child to a wooden doll, calling it kumantong. The general took the doll home and cared for it, and from then on became invincible in battle. People came to believe that raising a kumantong could bring good fortune, so many traveled to Thailand to adopt one. But in reality, this is the act of raising an evil spirit. Practitioners use the hair or fingernails of deceased children, tie them to a willow branch, and plant it on a grave. If the branch remains alive after seven days, it means the little ghost has been successfully raised. The branch is then placed into a vase called a willow spirit jar and treated like a child, given toys, snacks, and daily care. As the ghost matures, it can perform malicious acts for its master, such as harming rivals. But in the end, these entities inevitably turn against their keeper. For example, there was a man who constantly lost money in the stock market. A friend suggested he go to Thailand to adopt a kumantong. After doing so, he indeed started earning large profits. But soon, his children at home fell ill one after another. When he consulted a Thai sorcerer, he learned that the kumantong had grown jealous of his children. When he tried to get rid of it, the spirit refused to leave, calling him father, terrifying him. As it grew stronger, the ghost wished to reincarnate, but only by finding a substitute. Eventually, the man died suddenly of heart failure. Such is the fatal consequence of raising a little ghost. According to Mashan, over the past decade, certain corrupt practitioners within Tibetan tantric circles have secretly taught entertainers how to raise these spirits. The practice became so widespread that many celebrities began traveling to Thailand to adopt kumantong. As a result, the entertainment industry turned into a battlefield of spirits, where these entities fought against each other. To gain greater power, some began raising vengeful ghosts, evolving the practice into raising living corpses and raising ghost corpses. Mashan explained that this process takes nine years, during which the practitioner gradually becomes a living corpse ghost, a being where human and spirit merge as one. At first, this occurred only among entertainers. But later, the companies themselves became involved, and eventually, powerful financial groups joined in. The result was a chilling alliance between politics, business, and entertainment, all entangled in these shadowy, occult dealings. In Yu Menglong's case, the film production companies, talent agencies, and even the people around him were all drawn into this vortex. Artists were allegedly required to raise little ghosts, while those in power used them to gain control, turning them into beings of human-spirit fusion, to achieve effects far stronger than traditional dark arts. Those who practiced such sorcery commanded evil and vengeful spirits to carry out their will, including spying on rivals. For instance, powerful families within the Chinese Communist Party, such as the Li, Wang, and Zhao clans, were said to use sorcery to gather intelligence on the intentions of their political opponents, determining whether they planned to seize power. They extended this influence into the entertainment industry, using celebrities as tools in these hidden operations. Figures like Huguet are believed to have gone through similar experiences. Zhaowei, at first used as a medium to raise little ghosts, later entered the financial world and began manipulating others to do the same. Likewise, Qiao Renliang reportedly took part in a large-scale occult ritual involving numerous celebrities. Yu Menglong, from the very beginning, was allegedly controlled through these means. Too naive to understand the terrifying consequences, he believed he was merely following company orders, that having signed a contract, he had no choice. For example, he was required to wear talismans used to sustain the ghost-raising ritual. Even though Yang Mi urged him to throw them away, he didn't dare to, afraid of breaching his contract. Over time, the control over him grew tighter and more suffocating, until there was no way out. In the end, Yu Menglong was reportedly turned into a living corpse spirit, a vessel used for sinister rituals. Rumors circulated online that his body was never cremated, but instead used in a sacrificial ceremony. And sadly, that possibility seems all too plausible. In recent years, more and more celebrities have turned to religion, especially Tibetan Tantra. On Jihu, China's largest Q&A platform, one popular question reads, The most upvoted answer says, When a person reaches the peak of material indulgence, but their spiritual and rational growth cannot keep up, they start searching for a place to anchor their soul. Buddhism becomes the easiest refuge. It's precisely this mindset that creates fertile ground for exploitation by those with hidden motives. Tibetan Tantra encompasses many branches, each with its own unique practices. Its inherent mystery, combined with information that is hard to verify, makes it a breeding ground for countless fake masters, false Dharma kings, and even outright cults. On one side are the wealthy and powerful, materially fulfilled, but spiritually empty. On the other are cunning opportunists, who lack wealth, but know how to manipulate. When these two groups meet, it's like a sleepy person being handed a pillow, both find what they think they need. But this so-called mutual benefit is nothing more than mutual deception. The supposed spiritual practice has long strayed from the compassionate essence of true Buddhism. People must understand that those who resort to such dark arts do so for fame, fortune, and power. But such things are never granted by righteous deities, only by evil spirits, vengeful ghosts, and corrupt magic. And remember the old saying, it's easy to invite a god, but hard to send one away. It's easy to summon a ghost, but even harder to dismiss it. So one must never dabble in such practices, lest the misfortune they bring consumes not only oneself, but also one's family. True deities and Buddhas only teach kindness, virtue, and the path to attainment through selflessness and good deeds. What do you think about Tianyu Media and these alleged uses of sorcery? Share your thoughts in the comments below. Thank you for watching, and see you next time.