Let's build a tunnel! In this installment of the On30 Goldfield & Calico project, I model a tunnel that goes through the backdrop to connect the "on-stage" parts of the layout to the backstage staging yard. First, I paint and detail the track, then it's time to build a square-set timber tunnel portal and model the rocky interior and exterior of the tunnel itself. Track finishing, wood construction techniques, and foam rock-work scenery all in one video!
Thanks for watching, amigos! Dave
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Music courtesy YouTube Audio Library, attribution given where available. "Country Cue 1" courtesy of Audionautix, licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Artist: http://audionautix.com/ "Old Blue" by Chris Haugen, YouTube Audio Library
[Music]
Howdy Folks Dave here at Thunder Mesa
studio with another project today for
the o30 Goldfield and Calico model
railroad this is my Mojave Desert themed
1920s era Narrow Gauge layout with just
a little bit of notot Berry Farm on the
side and today I want to pick up right
about where we left off last time after
installing this new section of backdrop
behind the town of Calico I want to
build a tunnel that separates the
onstage parts of the layout from the
backstage staging yard I want to model
it inside and out because a lot of the
interior of the tunnel is going to be
visible and I'm going to take you with
me every step of the way and so the
first thing I want to do is paint that
area of track with some rum dark brown
camo that's because it'll be a lot
easier to access it now than it will be
after the tunnel is
built painting with dark brown camo is a
good first step it's a great color for
simulating rusty old iron but there's a
couple more things I want to do here to
make this track look a little bit more
realistic and I've got some granite gray
here and some territorial Bays from
Apple Barrel I'm just going to mix those
together a little bit and I've got a
stiff brush
here and some corrugated
cardboard get about 90% of the paint
off and we'll just dry brush that onto
the ties and that's really going to
bring out the cast in wood grain detail
here along with the rail spikes and some
of these that are out here in the sun I
want them to be a little bit more gray a
little bit more faded and it's usually
very damp inside of tunnels even in the
desert so I want to have some Rust
indicated on the
rails I'm going to use my pan pastels
for that that's the best thing I found
for doing this this is the dark rust I
like to apply that first just hitting
the sides of the rail here and the uh
top tops of the
spikes then I like to come back with the
lighter rust
color just go over it again hit it in a
few spots here and
there right now I want to hit it with
some clear matte
finish now with this dry I want to take
some of my odorless mineral spirits and
one of my track cleaners and clean the
uh the paint and pastels off the top of
the Rails like to do this as I go after
each step because a lot of Gunk is going
to build up on here and I want to make
sure the train still run you
know dip that in
there run that across the uh the rail
head till it's shiny
again well now with the track painted
I'm ready to start on the tunnel itself
and I've decided I wanted to be a
basically a Rock Tunnel something that
was just blasted through solid rock with
without a lot of Timber framing on the
inside but I do want Timber framing on
the opening or or the tunnel portal and
for that I've got some ocale 12 by 12s
that I'm cutting to length and I've
drawn a little template here to help out
with construction and make it a little
bit easier so I've drawn what is really
a very basic uh tunnel portal here
that's going to be 16 ft tall and 13 ft
wide a couple of diagonal
braces and I think to make construction
a lot easier I'm going to glue this up
on a piece of foam core got a scrap
right here so I'll coat the back of this
super 77 spray adhesive now I can just
cut this
out take and put some some clear
tape over the top of my
lines so that when I'm gluing the pieces
up they won't stick to the
paper so I want to build two of these
frames and each one's going to need uh
these two 4 inch long pieces one 3 and
3/4 inch piece and then the the angled
corner
braces and I think the easiest way to
proceed is to measure them out and cut
them over on my Banda now if you don't
have a band saw don't worry you know you
can cut it with a razor saw I just find
it get a little bit more accurate Cuts
this
way I'll take my Razor saw blade and
distress all of these pieces a little
bit now I can get some stain on all of
these pieces with my shoe dye and
rubbing alcohol mixture
now we'll set all those pieces aside to
dry for a few minutes and we'll be ready
for some assembly okay now with the
stain dry going to use some double stick
tape on
here right over the other tape I added
earlier that should make uh building
these pretty quick and
easy lay them right on top of the tape
line them up with my
[Music]
lines use some yellow Carpenters glue is
that the shorter one
yeah that top beam
across and a tape will hold it in
place by the way I should probably
mention I'm not modeling any
specific prototype here this is my own
design based on you know a lot of
different tunnel that I've looked at and
researched these these tunnel portals
were usually engineered in place you
know for the for the specific site it
wasn't really much of a standardized
design other than you know the height
and the width for the for the locomotive
and the cars to
clear my primary goal here is just to
have a a portal that's sufficiently
Railroad and interesting looking now I
have some side raining wall pieces that
I've laser cut these boards would be
about 3x
12 another thing I always like to do on
the ends of these boards these These are
going to show so I'm going take and cut
all the way
through where the Scribe
ends so that from the end they will look
like individual boards
another technique I discovered kind of
by accident when I dribbl some stain
across some wood is you take a loaded
brush like this and just tap
it you see the little dots Landing
there little dark spots of stain and
those are going to look like uh not
holes or stains or imperfections in the
wood
now I can pop this off of
here we can start putting this whole
thing
together get some glue along this
Edge that
goes right here like
that what I'm trying to show here
is sort of some Square set Timber
framing which is u a technique that was
brought over to the United States by uh
Cornish
miners used extensively in underground
mines and also used in railroad tunnels
there would have been a mortise and
Tenon
joinery on all of these joints in real
life but I'm not going to model that
part because it doesn't
show that would just be crazy make sure
we get glue on all of these mating
surfaces
one thing I know that'll help to keep
this square
is putting the roof on
now go ahead and glue the other side
on now I've got this footer
piece goes right there in a long
diagonal
brace frame those boards
in and I've got these short upright
Pieces Just go right about
there then I want to add an additional
layer of 12 by 12
bracing just around the opening here
so that's going to kind of sandwich
those those boards in between the two 12
by
12s I want to position this right about
here and we'll run a couple of trains
through here to make sure everything
clears
properly this is the the longest car
that I'm going to be
running see if it makes that without uh
having any clearance issues yeah no
problem
good so the idea here now is to glue
this into
place and then I can build up the rest
of the
tunnel and the scenery around it so now
I've begun sculpting some um chunks of
2in thick X PF
foam to fit precisely around my tunnel
portal and create both the Hillside and
the interior of the tunnel let me show
you exactly how I'm doing that first I
take a couple of quick
measurements so I can cut a chunk of
foam to the size I need that looks like
about two and
3/4
by seven and a quarter and I come over
here to my band saw and cut out a blank
to those
Dimensions next I want to mark it and
cut it to match the angle of the
backdrop as it relates to the angle of
the tunnel portal sounds complicated but
it's a little easier than you might
think I just need to line this
up with the edge of the tunnel portal
here and one corner hitting the backdrop
then put a straight edge right across
there
draw a
line and that's my angle to cut now I've
marked this back a quarter of an inch
here so that the tunnel portal will be
inset into the
Rock now I just need to cut out an
allowance for that 12x 12 beam that's on
the
[Applause]
outside and now I've got a piece of foam
that should fit
perfectly right
here now I can
outline or
Trace that angle right
there and
remove a lot of this
material and I'll probably use the hot
wire cutter for that
then I can
carve and break away a little bit more
material with my hobby knife make this
look more like
rock and add some texture and Strata
with my wire
brush then on the interior of the
tunnel same thing put my wire
brush this to look like it was blasted
out of solid rocks so I'm going to dig
in there here and there a little
bit then when I'm happy with the way
that looks use my heat gun freeze that
texture in
place perfect now the next piece is a
lot easier because I can just trace the
outline of this piece onto another chunk
of
foam now I can take this off all as one
piece use my wire brush here at the
joint
make sure everything Blends together
nicely now I'm working on the top
piece and this piece has to do a couple
of things one it has to form the the
roof of the
tunnel but it also needs to provide a
transition here into this scenery that's
going to be built to the left so as I
carve this way with the hot wire cutter
I'm doing my best to try to match this
slope that I've indicated here on the
backdrop so everything Blends together
nicely I'm also cutting away a little
bit of
material here at the roof of the
tunnel so I can uh detail that to make
it look like rock and now I want to just
keep building up the layers
okay I'm pretty happy with the way this
is looking so far so now it's time to
turn my attention to the other half of
the tunnel which will be located behind
the backdrop
[Music]
once again use the wire
brush and the heat
gun then I can use that as a pattern for
the next piece
okay now for the other side now I've cut
a blank for the roof of the tunnel and
I'm going to attach it
temporarily with some 3inch long drywall
screws the idea here is that I'll be
able to lift the whole thing off
and then I can carve Mark and then carve
the roof of the
tunnel now I don't really need to
detail the roof of the tunnel I mean
it's not something a lot of people are
going to see
but unless they're short you knowless
their kids or really want to get up
there and look
and you know I don't want them to be
disappointed with a blank roof right
going to carve a little bit of this out
and uh make it look like rock like the
rest of it now I can put the whole thing
together goes
there that goes
there that goes on top I'm going to glue
the lid onto the
tunnel but the tunnel itself is not
going to be attached uh to the layout
deck that way I'll be able to lift the
whole thing off and clean and maintain
the track if I need
to now I want to fill in these little
gaps between the layers of foam and I've
used a lot of different things to do
that over the years I've used sculpt to
mold I've used spackle joint compound
all of those work well but this time out
I'm going to use this Woodland scenix
Flex paste I've got a big jar of this
left over from when I did the Christmas
layout last year and I thought I'd give
it a try on here it's basically just
vinyl spackling compound with a
different name on it so I think it
should work pretty well and the reason I
haven't glued any of these pieces down
yet is because now I can just take them
off of here take them over to the
workbench and finish them there without
uh messing up my tunnel portal so I've
got my Flex paste a little bit of water
stiff paintbrush couple of pallet
knives I'll just go at this stuff dries
pretty fast too about uh 40
minutes of course uh they recommend that
you put it on in thinner
coats You Want to Build It Up in layers
put it on about 1116 of an inch thick at
a time and then let that dry and uh put
on another coat afterwards
as it starts to harden I can go back
and texture it a little bit
more make it blend with the rock
better I'm just stippling it with the
brush here to give it a little bit of
texture this stuff is uh
non-toxic and water
soluble and you can clean up with the
soap and water before it dries once it's
dries it's going to be
waterproof you be able to paint it of
course I want to do the interior of the
tunnel
also okay I think that's dry enough now
that I can get some paint on all of
these
pieces I'm going to start with my Scenic
base color and if you watched my
previous video on the
backdrop putting in the backdrop for
Calico this is the same color I used Bo
on that fact I'll be using all the same
colors so it Blends in perfectly with
the backdrop I just want to get a nice
even
coat on all of the parts that are going
to
show the inside and outside of the
tunnel
well I gave these a couple hours and I
think they're sufficiently dry now that
I can move on with the next step and
that's to go over all of the pieces with
a dark
wash and this is
a Ivory black and burnt umber acrylic
paint diluted with a whole bunch of
water so that it's it's a transparent
wash and I just want it to get back into
all of the cracks and
crevices darken those up that's going to
give us a much more realistic look to
the Rock work when all is said and done
and when it goes on it's going to look
really really super dark but don't worry
that's not the uh that's not the final
look now to finish up the paint on this
rock work I've got just three colors
here I've got some unbleached titanium
which is a nice very light tan Warm
White somewhere in there uh some raw
Sienna and some uh burnt Umber and the
first thing I want to do is take some of
this Scenic base color and this is the
stuff I have mixed up by the gallon this
is actually latex paint and I'm going to
lighten this up a shade with this uh
unbleached
titanium I've got a sort of a semi stiff
brush here a little bit smaller than
what I used to paint most of
this and I'm going to just go over the
surface like this hitting the high
spots and if you've seen my previous
Rock work videos you this is all going
to look very familiar this is pretty
much the way I always do it you can see
what I'm doing here I'm just just
hitting the high spots on the
Rock and so the lower darker material is
going to show
through so it's kind of like dry
brushing and this is really going to
start to give uh this Rocky slope some
definition very glad I decided to do
this over at the workbench for one thing
it's keeping paint off of my tunnel
portal that I built Al a lot easier to
see everything turn it in every
direction on the deeper part of the
tunnel that's going to live back behind
the backdrop I really don't need to do
too much more than
this mostly this is just going to
disappear into darkness I'll take some
of my raw
Sienna put it right in there a slightly
darker
shade it's darker and
redder create some streaks coming down
the
sides of the rock
work I'll just mix in some more of that
unbleached titanium for a highlight
color go shade lighter
again just indicate where sunlight is
hitting the rocks and I'm going to do
more finish work on all of this over at
the
scene I just wanted to get it up to a
certain level before I install
everything now I'm going to start
reassembling the
tunnel in fact I'm actually going to
glue these these side pieces
down notice I'm not gluing them to the
backdrop
however I do want the backdrop to remain
removable ni going to glue the top on
yet because something I need to do first
and the thing I need to do is balast the
track and for that I'm going to be using
chick grit this is crushed granite not
to be confused with chicken grit chick
grit is for baby chicks if you get
chicken grit it's much much larger this
stuff is very
small fact it's just the right size for
O scale
ballast I'm just going to sprinkle it on
picked this up at my local Feed Store
you don't have a local feed store near
you you know Amazon probably carries it
just remember chick grit not chicken
grit there is a difference and I usually
just pour it down the track Center
Line put a little bit on the uh the
shoulders of the road bed
also and then most of the time is
spent manicuring it and position ing it
with a with a soft paintbrush get it off
the tops of the ties as much as I can
Bast is supposed to be down between the
ties and below the
rails now you can see why I didn't want
to put the lid on the tunnel just yet
and as for the back half of the tunnel
I'm not even going to put that on yet
until I get this pretty well manicured
just the way I want it this is one of
those steps that you really want get
right the first time you don't want to
have to come back and fix it
later so I really take my
time I'll just sometimes I'll go Tie by
tie you know one side of the Rails at a
time just to make sure
there's nothing up there that's going to
interfere with the uh with the passing
of the trains so this is how I like my
Ballance to look before I glue it
down off the the tops of the ties
completely and really no higher than the
bottoms of the
Rails so pretty well manicured actually
for a funky old Narrow Gauge line like
this one and to glue it all down first
thing I want to do
is completely saturate the ballast with
a little bit of wet water and a spray
bottle wet water is just regular water
with a drop or two of liquid detergent
in it to break the surface tension and
then I'm going to use some diluted white
glue this is just regular Elmer's Glue
diluted 3 to one with water like to
dribble it
on from an old glue bottle just like
this and you see it white and pooling up
like that that's how you know you have
enough glue on
there right down the center line and
then along the shoulders of the road
bed and now we wait for for that to dry
while I'm waiting for that to dry I can
go ahead and glue this part of the hill
on I'll still be able to
access most of the tunnel
interior from
behind now I can blend the top and
bottom together just a little bit of
this Flex paste and I'll come back and
paint all this to match once it dries
but right now I'm going start work on
this retaining wall up here I want to
build this in place and I've started by
laying another 12 by12 up here then I've
got some o30 scale
ties that make up this little piece of
retaining wall that I'm recycling from
the last version of Calico
town I like about building this stuff in
place is I can just press
right down into the foam get a nice
[Music]
fit now I want to have like a mongr
assortment
of posts holding this
back different sizes have some be round
some be square
[Music]
now I want to give that retaining wall a
reason to be there I'm going to dig into
my collection of real rocks and
dirt back fill this just kind of drop it
on and let the Rocks fall where they may
some smaller
rocks I'll clean those off the track
before I start gluing things down
now I've got some lighter blond colored
sand mix in with that lighten things up
a little bit once again a little wet
water and dribble on the diluted white
[Music]
glue now I've let everything dry
overnight I'm just going to come back
with my shop back and pick up any loose
pieces of ballast or rock that might
have fallen down between the
rails now I just want to come back with
my colored
chocks add a final bit of
weathering coloring to the Rocks you put
this real Rock and dirt on
here a lot of times it dries a little
bit
darker than it originally went on so I
want to lighten it up a little bit blend
it in with the foam Rock work a little
bit better colors I'm using here is a
little bit of
terracotta mixed with white just to give
it that kind of blonde rock
look I'll take some pure black
chalk I add some smoke and sitot stains
here at the top of the tunnel something
you always see on Tunnel
portals even though the uh locomotives
on the gold field in Calico are oil
fired still going to see a lot of soot
built up here on the top of the tunnel
I'll take that same black
and bring it down here along the
center of the
track
represent so and oil
stains passing
trains I can also use chocks to gray
down and
desaturate the ballast just a little
bit okay that's pretty good hit it all
with some uh clear matte
finish I'll just clean the rail head
with some minerals Spirits got all that
glue and chalk and dirt off of
there and I think we can put the back
half of the tunnel on
now now I want to add some weeds and
desert plants and
things just poke into the foam with a
pencil dab that in a little bit of
Eileen's tacky
glue push it down in there
this is some Woodland scenix field grass
I'm using here for
weeds crummy old paint brushes work well
too now I want to add some ground foam
here and there for some larger
bushes this is some dark green ground
foam that I dusted with just just a
light gray spray to uh desaturated a
little bit i' got a little yucka here
from jtt scenery products which helps to
establish the Mojave Desert local I'm
also going to be adding some Joshua
trees a little bit later on so that's
going to be a whole another video last
but not least I've got some uh prickly
pear cactus
here from Pegasus Scale
Models well all right let's get a train
running through here now and see how it
all comes together
[Music]
[Applause]
[Music]
and that's a wrap on the tunnel project
I want to thank you all so much for
joining me today for this first bit of
new scenery on the o30 Goldfield in
Calico I had a lot of fun putting it all
together of course there's a lot more
still to do on this layout so if it's
your first time here I hope you will
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Thunder mesa. Studio as always a huge
shout out and a big thank you to our
patreon members who helped to make these
videos possible until next time keep
moving forward my friends adios for now
[Music]