ExclusiveBach: Sonata I in B Minor for Violin and Harpsichord - I. Adagio 巴赫：B小調第一號小提琴與大鍵琴奏鳴曲 - I. 慢板

【Classical music and nature 古典音樂小站】Johann Sebastian Bach: Sonata I in B Minor for Violin and Harpsichord - I. Adagio. This beautiful piece was played by Paul Pitman. It has Creative Commons license (PDM 1.0 DEED, Public Domain Mark 1.0 Universal) and is provided through www.musopen.org.

Bach wrote the sonatas and partitas (recte: parts) for solo violin in 1720 in Carlsbad, Bohemia, when he was staying there as part of Prince Leopold of Anhalt-Köthen's entourage. Freed from family and administrative duties, Bach used his holiday to complete his "Libro primo", his "first book" of violin sonatas: the Sei Solo à Violino senza Basso accompagnato, as he called them on the title page. The autograph fair copy of these six works is one of the most beautiful and famous manuscripts from Bach's calligraphic pen. There must have been an original version of the first five pieces from Bach's Weimar period, which is now lost. He probably composed them after his appointment as Weimar concertmaster in 1714. He himself was therefore the first recipient of his violin solos, which explains their considerable amount of double and chordal fingerings, as Bach had studied polyphonic violin playing of the German school with his father Ambrosius. In addition to himself, the concertmaster from Köthen and his violinist colleagues from Berlin certainly also played the Sei Solo. One half consists of three suites in very different forms, the other of sonatas in the four-movement Da Chiesa form (Adagio - fast fugue - Andante - Allegro finale).

Bach only completed the cycle of six sonatas for violin and obbligato harpsichord around 1725 as St Thomas' Cantor in Leipzig. It can be assumed that he played them with his eldest son Friedemann when he was studying violin with Graun. An autograph has not survived. In the most important copy, the works are called Sei Suonate à Cembalo certato è Violino Solo, which emphasises the priority of the harpsichord. Its part rises from two to four or even five voices and provides the violin with far more than just a pleasing sound base. As in the solo sonatas, three-part fugues dominate the fast movements, while the slow movements combine harpsichord and violin sounds in a free manner to create adagios of unrivalled profundity. (Source: kammermusikfuehrer.de)

This view in Valais, Switzerland was filmed by Christian Schlegel. The video was edited by Wenjing Ma.

【古典音樂小站】約翰·塞巴斯蒂安·巴赫：B小調第一號小提琴與大鍵琴奏鳴曲 - I. 慢板。這首美妙的曲子由保羅·皮特曼演奏。它擁有創用CC授權（公共領域標誌 1.0 通用 PDM 1.0 DEED），通過www.musopen.org提供。

巴赫於1720年在波希米亞的卡爾斯巴德創作了為獨奏小提琴而作的奏鳴曲和組曲（正確來說：部分），當時他作為安哈特-科滕的萊奧波德親王隨行在那裡停留。解放於家庭和行政職責，巴赫利用他的假期完成了他的“Libro primo”，他的小提琴奏鳴曲第一本書：如他在封面上稱呼它們的Sei Solo à Violino senza Basso accompagnato。這六部作品的正式抄本是巴赫筆下最美麗和最著名的手稿之一。這五件作品的原始版本必須來自巴赫的魏瑪時期，現在已經遺失。他可能在1714年被任命為魏瑪音樂會領奏者後作曲。因此，他自己是他的小提琴獨奏作品的第一位接受者，這解釋了大量的雙音和和弦指法，因為巴赫曾經與他的父親安布羅修斯學習德國學派的多聲部小提琴演奏。除了他自己，科滕的音樂會領奏者以及他的柏林小提琴同事肯定也演奏了Sei Solo。一半是形式各異的三個組曲，另一半是四樂章的Da Chiesa形式奏鳴曲（慢板 - 快速賦格 - 行板 - 快板終曲）。

巴赫只在成為萊比錫聖托馬斯合唱團指揮大約1725年完成了六首小提琴和必須大鍵琴奏鳴曲的循環。可以假設他與他的長子弗里德曼一起演奏這些作品，當時弗里德曼正在學習小提琴，師從Graun。沒有保存下來的原稿。在最重要的副本中，這些作品被稱為Sei Suonate à Cembalo certato è Violino Solo，強調了大鍵琴的優先地位。其部分從兩聲部增加到四或甚至五聲部，為小提琴提供了遠超於僅僅是令人愉悅的聲音基礎。如同獨奏奏鳴曲一樣，快樂章由三聲部賦格曲主宰，而慢樂章自由結合大鍵琴和小提琴聲音，創造出無與倫比深度的慢板。（來源：kammermusikfuehrer.de）

這一幕在瑞士瓦萊州拍攝，由克里斯蒂安·施雷格爾執導。視頻由馬文璟編輯。





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