ExclusiveMendelssohn: Harpsichord Concerto no. 1 in D minor, BWV 1052 門德爾松：第1號小提琴協奏曲 D小調，BWV 1052 - 完整演出

【Classical music and nature 古典音樂小站】Felix Mendelssohn: Harpsichord Concerto no. 1 in D minor, BWV 1052 - Complete Performance. This beautiful piece was played by Sylvia Marlowe. It has Creative Commons license (PDM 1.0 DEED) and is provided through www.musopen.org.

"Mendelsohn's artistic significance, although he was brought up in a strict school that eschewed all romantic dreams, is nevertheless mainly due to his relationship to Romanticism, as mentioned, he was introduced to its magic by Carl Maria von Weber in particular. This master's youth coincided with the flowering of that school of poetry, which dreamed up its own world with fantastic arbitrariness, usually in direct contradiction to the world of reality, but which unfolded in marvellous splendour. This, however, provided music with entirely suitable objects for its depictions; after all, music has the most appropriate means for its artistic realisation. No other art is able to depict the magical chiaroscuro in which figures and groups of this romantically constructed world are shrouded, the hovering between waking and dreaming, than music. Carl Maria von Weber was the first to grasp this side of Romanticism, bringing it to life not only in his operas but also in numerous instrumental works. Mendelsohn joined this trend with the greatest success, and it produced a number of the most significant works of art in him, because he looked at them even more clearly and, with the mastery of form he had attained, made them more vivid in the work of art. He had trained his imagination and his sensibility, as well as his technique, on the highest and best patterns of the great masters, on Bach and Haendel, Mozart and Beethoven, and when he then subjected both to the influence of Romanticism, this produced early and perfect works of art in him."
"Musical Conversation Encyclopaedia. An encyclopaedia of the entire musical sciences. For educated people of all classes ...". Seventh volume, Berlin, 1877, page 125.

This footage was taken by Christian Schlegel on an early winter morning in 2023, Lake Thun, Switzerland. The video was edited by Wenjing Ma.

【古典音樂小站】孟德爾松：第1號小提琴協奏曲 D小調，BWV 1052 - 完整演出。這首美麗的樂曲由西爾維亞·馬洛演奏。它擁有創用CC授權（PDM 1.0 DEED），並通過www.musopen.org提供。

“門德爾松的藝術意義，儘管他在一所嚴格的學校長大，該學校避免一切浪漫夢想，但仍主要歸功於他與浪漫主義的關係，正如提到的，他尤其是由卡爾·瑪麗亞·馮·韋伯介紹給它的魔力。這位大師的青年時期恰逢該詩歌學派的興盛時期，該學派以奇妙的任意性夢想出自己的世界，通常與現實世界直接矛盾，但卻展開了奇妙的輝煌。然而，這為音樂提供了完全適合的描繪對象；畢竟，音樂擁有最適合其藝術實現的手段。沒有其他藝術能夠描繪出這個浪漫構建的世界中的人物和群體所籠罩的神奇明暗對比，夢與醒之間的懸浮，像音樂這樣。卡爾·瑪麗亞·馮·韋伯是第一個抓住浪漫主義這一面的人，不僅在他的歌劇中，也在許多器樂作品中將其賦予生命。門德爾松以最大的成功加入了這一趨勢，並在他身上產生了許多最重要的藝術作品，因為他更清晰地看待它們，並且以他所達到的形式掌握，使它們在藝術作品中更加生動。他在偉大大師的最高和最好的範例上訓練了他的想像力和他的感受力，以及他的技術，對巴赫和亨德爾，莫扎特和貝多芬，當他隨後將兩者都置於浪漫主義的影響之下時，這在他身上產生了早期和完美的藝術作品。” “音樂對話百科全書。全音樂科學的百科全書。適合所有階層的受過教育的人……”。第七卷，柏林，1877年，第125頁。

這段影片由克里斯蒂安·施萊格爾在2023年初冬的早晨在瑞士圖恩湖拍攝。視頻由馬文璟編輯。





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