ExclusiveBach: Cello Suite No. 3 in C, BWV 1009 - 2. Allemande 巴赫：C大調第三號大提琴組曲，BWV 1009 - 2. 德國舞曲

【Classical music and nature 古典音樂小站】Johann Sebastian Bach: Cello Suite no. 3 in C, BWV 1009 - 2. Allemande. This beautiful piece was played by Janos Starker. It has Creative Commons license and is provided through www.musopen.org.

You are listening to the Cello Suite no. 3 in C, BWV 1009 - 2nd Allemande, in 3/4 time, could therefore be danceable according to the information below:

"Allemande (French) is the name of an older dance melody of German origin. There are several types of allemande, namely, 1) the real and well-known German national dance in 3/4 or 3/8 beat, which is not now native to Bavaria, Schwaben and Baden and the northern part of Switzerland. It is related to the Ländler and has the character of calm, contented cheerfulness. The display of the dancing couples is similar to that in the minuet and the step is - u u . The execution is not without difficulty and requires an unforced, graceful movement of the whole body. In some regions the allemande is modified and performed in 2/4 time. A variation of the allemande, which was also remodelled by French ballet masters, appeared at the French court during the reign of Louis XIV; it was this variation that gave the entire genre, which is genuinely German, its French name. For a long time, this dance was not missing from any ball programme or ballet and was still so popular at the time of the First French Empire that it had to be performed in almost every theatre. It moves at a slow waltz (Ländler) tempo and consists of three so-called pas marchés, sometimes dragged, sometimes forwards, sometimes backwards, rarely waltzing; a graceful arm movement has to support the dance steps. Incidentally, the name is derived from the German, more specifically Alsatian, motifs on which it was originally based, just as the introduction of this dance at the court of Versailles was to a certain extent intended as a symbol of the artistic incorporation of the newly acquired Alsace. ... Handel as well as Johann Sebastian Bach's allemandes are considered unsurpassed models of this genre."

Source: "Musikalisches Conversations-Lexikon. An encyclopaedia of the entire musical sciences. For educated people of all classes ...". First volume, Berlin, 1870, page 167

The Grimelpass area in Switzerland was filmed in summer 2023 by Christian Schlegel, the video was edited by Wenjing Ma.

【古典音樂小站】約翰·塞巴斯蒂安·巴赫：C大調第3號大提琴組曲，BWV 1009 - 2. 阿勒曼德舞曲。這首美麗的樂曲由揚諾什·斯塔克演奏。它具有創用CC授權，通過www.musopen.org提供。

您正在聆聽C大調第3號大提琴組曲，BWV 1009 - 第2號阿勒曼德舞曲，以3/4拍的節奏進行，因此根據以下信息，它可能是一種可跳舞的舞蹈：

“阿勒曼德舞曲（法語）是一種德國起源的舊舞曲旋律的名稱。有幾種類型的阿勒曼德舞曲，即1）真正而著名的德國國舞，以3/4或3/8拍節奏進行，現在不再是巴伐利亞、施瓦本和巴登以及瑞士北部的本土舞蹈。它與Ländler有關，具有平靜、滿足和愉快的特點。舞蹈夫婦的展示方式與Menuet相似，舞步為-u u。執行起來並不容易，需要身體整體的自然、優雅的動作。在某些地區，阿勒曼德舞曲被修改並以2/4拍節奏進行。阿勒曼德舞曲的一個變體，也是由法國芭蕾舞大師改編的，出現在路易十四統治時期的法國宮廷上；正是這個變體賦予了這個真正德國的類型其法語名稱。很長一段時間以來，這種舞蹈在任何舞會節目或芭蕾舞中都不會缺席，並且在第一個法蘭西帝國時期仍然如此受歡迎，以至於幾乎每個劇院都必須演出。它以慢華爾滋（Ländler）的節奏進行，由三個所謂的pas marchés組成，有時拖延，有時向前，有時向後，很少跳華爾滋；優雅的手臂動作必須支持舞步。順便說一下，這個名字源於德國，更具體地說是阿爾薩斯地區的主題，它最初是以這些主題為基礎的，正如這種舞蹈在凡爾賽宮廷的引入在某種程度上意味著將新獲得的阿爾薩斯地區藝術融入其中的象徵。...亨德爾和約翰·塞巴斯蒂安·巴赫的阿勒曼德舞曲被認為是這個類型無與倫比的典範。”

來源：“Musikalisches Conversations-Lexikon. An encyclopaedia of the entire musical sciences. For educated people of all classes ...”。第一卷，柏林，1870年，第167頁

瑞士的格里梅爾山區於2023年夏季由克里斯蒂安·施萊格爾拍攝，視頻由馬文璟編輯。





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