The ONE Deeply Disturbing Detail Almost No One Caught in the New Alien Movie

So I had some pretty wild interviews this past week, but there's one thing I want to talk about specifically. So I recently watched the Disclosure movie, and both of these two different guests I had talked about one specific point that really stood out to me. And it was this scene that was almost like an MKUltra kind of scene with this little child involved, but there was this symbolism of this butterfly inside the single eye of this child. Now when I had two different guests that don't know each other that both talked about this exact same thing and noticed the pattern, I think it's something we got to share with you. So check us out and look at the pattern that we're seeing together. I think we're in unprecedented, uncharted waters. I believe that history is not cyclical like Toynbee writes where it's once a nation, you know, they rise, they fall, they rise, they fall, it goes on endlessly. History is climactic, and I based it on the biblical prophetic narrative. So we're headed towards uncharted, unprecedented times, and it's already happening. The whole UFO thing is being rolled out. The great film by Dan Farah, Day of Disclosure, he's got a series of people. It's very filmic the way he introduces it. So he's got congressmen, congresswomen, senators, Marco Rubio, physicists, scientists, one-star admiral generals, they're all coming on the record, and very like the camera shows them, and they all say the same thing. We are not alone in the universe. We are not alone in the universe. We are not alone in the universe. Person to person to person. So after 10 or 12 of those, it's obviously what the film is about, that these people are going to come on the record and say we're not alone in the universe. And I got that we're not alone, but where are these entities from? What's their message? Why haven't they revealed themselves? That's the question that no one asks. No one asks that. Okay, so we know that the phenomenon is real, but where are they from? What are they really? And why not give us the cure to cancer? If you're so benevolent like Dr. Steven Greer says, why give us the cure to cancer? Why the cat and mouse game? Why do we see them? They show up, they go away. Why take a five-year-old boy or a six-year-old girl, plant them, and then do other things like Spielberg's film where, spoiler alert, but it's in all three trailers, Steven Greer's bag, and I called it right from the get-go. That's not a stag. That's the entities presenting itself. There it is. And so I guess we should give a quick warning is that if you're still waiting to go see the film, there's going to be spoilers in this discussion. So I guess we're just going to put that out there so now no one can complain and say, oh, you ruined the movie for me. Because I went and saw it also. I went and saw it last weekend because I just wanted to see what the messaging was. I knew, I'm sure you by far, you absolutely know this is that when you see these big Hollywood productions, they're oftentimes they're in sync with a lot of other things happening in society and they're part of these bigger coordinated plans and agendas. And so I went and saw it thinking, I want to figure out what's going on here. And I have a lot of thoughts about the movie, but I'm not going to get into that right now. But yeah, you could see though that it was, you mentioned the young children as well. And I could see that there's that one particular scene where it's almost an MKUltra-esque scene where they have these two young children that are frightened to death. They were lured in by these fake animals that deceived them, these kind of alien beings. And they're lured in there. It's almost like they're torturing them. But then even how they zone in on the single eye, it looks at one eye and then you have a monarch butterfly appear inside of the eye, which is like the layers and pod layers of symbolism here. Anyway, I'll let you continue though with your thoughts. No, it's definitely orchestrated. And the script is flipped where somehow it's okay, the ends justify the means. Sometimes it's okay to abduct a little boy and a little girl and put them through these horrific ordeals, because that's what it is, and then erase their memories so they don't remember any of it. And so we're triggered by the cardinal decades later, seriously. And it's dressed up where we're torturing the greys, we're torturing the aliens, vivisection and all this nonsense. And somehow it gets a pass, that it's okay, because look, Margaret, the main character of the movie, she's got these superpower abilities, right? It's just amazing. And then the last word, I think I can talk about this because it's all over the internet. And I got this from my friend Naldo Gonzalez, okay? So Spielberg is Jewish. Yes. Is he a practicing Jew? I don't know. The last word in the movie is, listen, what is the Shema? Hear, O Israel, listen, O Israel, the Lord your God is one. So he just stops at listen, right? Is there a subliminal reference to the Shema? Hear, O Israel, the Lord our God is one. Is he about to replace the Shema with something else? You tell me. Interesting. Not there. Yeah, it's not there. But, you know, I mean, Mondo picked up on that. That's Mondo's discovery. We did a show on it on my show. So the movie is, you know, it's one long chase scene, but it's absolutely, you know, you picked up on the eye with the monarch butterfly. How many people have been picked up on that? Guaranteed, not many. Not many pick up on that, right? So there's a lot. I'm going back to see it again this week because, you know, you see it once, you're like, OK, and I'm taking pictures on my cell phone and annoying the people around me. But so be it. But I'm going to go back and I'm going to watch it again because I know I missed stuff. I know I missed stuff and I need to see it one more time. It's millions of dollars on that film. One continuous chase scene right from the get go. And it never ends. It never lets up. And then, of course, the ending is, in my opinion, sort of anticlimactic. But what's interesting about this is and I've been quoting this over and over and over again. So in the third trailer, so this is not a spoiler alert because it's in the trailer, right? So Spielberg goes, I used to think, wouldn't it be great if the American people realized if this was all true? And then it cuts away to another scene in his movie. Then he comes back and the camera pans in on him a little bit and goes, it's all true. And what he's talking about there, there are four vignettes that I believe he recreates. The first is the Roswell incident, where Roswell's a real deal. And it is, you know, they retrieve bodies from the craft. This is in our 10-box DVD set, which we had two films on Roswell. We were in the debris field. We picked up a piece of the metal that was folded in on itself, a little small dinky piece of metal. Looks like this. Here it is right here. It came out of the ground, eight inches, been buried there a very long time, completely encrusted in dirt. We've had it tested at a laboratory with a scanning electron microscope. It's in between two known aluminum alloys. So what's that? We don't know. More testing needs to be done. So it's not a weather balloon. That's the cover story. So the first thing they allude to the Roswell incident. Then they allude to the Kecksburg incident. I've been to both of these places. I've been to Kecksburg in Pennsylvania. My wife's parents were alive and in Youngwood, which is right, a stone's throw from Kecksburg, when this whole thing came down. Roads were closed, army presence, this whole thing. Another weather balloon story? I don't think so. So, you know, that's how they dress it up. If nothing, you see a hurricane moving. And the third one, of course, is Jackie Gleason with Nixon, probably at, you know, one of the areas where the bodies were being kept, you know, Wrightpad or some other place. It doesn't matter. But I believe that that was real. And again, we actually use the article where they interview Gleason and his wife. And they held to this. This is what happened. Gleason came back from that encounter with Nixon. He was totally freaked out. So, you know, we'll never know. But guess what? It's in the Spielberg film. Gee, why is it there? And then the fourth one, of course, is Eisenhower meeting with the Greys at Holloman Air Force Base. Again, if you're a ufologist, this is all status quo. If you're not a ufologist, and you've looked at this stuff for years and laughed at it, then it's like, whoa, what are we looking at? What do you mean Gleason met with Nixon and they went and saw bodies? What about Eisenhower and the Greys and the contract? You mean Roswell wasn't a weather balloon? So it gets complex. Kecksburg, what's that? I thought it was another weather balloon or experimental craft, blah, blah, blah. So this stuff is rolling out. And then you get whistleblowers like David Grush. On the steps of the Capitol just recently, what was it, June 9th, he came on the record with Anna Paulina Luna, who's the chairman of that committee, Tim Burchett, I think is a co-chair, other people, and all saying, you know, that the phenomenon's real and that we need to start talking about it. We need disclosure now. David Grush got up and really went on for about, I don't know, six, seven minutes talking about the need for full disclosure of disclosure now. That's on the steps of the Capitol. It's a great, it's kabuki theater. It's a dog and pony show. But they have moved the needle with David Grush saying that we have retrieved, you know, biologics, which are not human. Cattle mutilations, which only begin in 1973. Before that, there are no cattle mutilations, but all of a sudden you start seeing these anomalous cattle just showing up in ranchers' fields. It's clearly, you know, they've been through something terrible. But why in 1973? Why is it that the cases of the alien abductions, people accounting how they not only were visited by aliens, like the children in the Spielberg movie, but that the type of activity that happened to them during their encounters were pretty much in alignment with what people who have been victims of satanic occult ritual abuse also suffered from and reported? Why is that only happening in the late 60s? And not really, we don't have cases like that before that. I think the first direct case of an alien abduction case being reported was in 1962, right? And then they start getting more and more descriptive of actual ritual abuse. Is it that nothing is happening to them and it's all in their heads? No, I don't think so at all. Just like people looking at their night sky in 1947, we're actually seeing something real, but we're having it repackaged as far as being told what they're seeing by the myth makers controlling the media and what have you. So too did these people who would wake up, you know, drugged up, dizzy in a field half a mile from their house with puncture wounds in their arms and a pain in their ass. They couldn't explain with little fragments of memories that were so horrific that were often blocked off and compartmentalized or where they were recollected, recallable, had creatures and face masks doing weird things to them, little green men, gray men, whatever. And how easy would... So you're like, okay, that's weird. Was it that actual demons and aliens were necessarily doing satanic abuse on them? Maybe, or maybe, you know, the Charles Manson cult family operation of Creepy Crawley was part of something bigger because we know Charles Manson was part of a CIA mind control operation anyway. His, you know, the guy was under complete observation. There was a book called Chaos, the CIA and the Manson family. It's a fantastic book. But we know that one of the rituals that he deployed his family out to do was called Creepy Crawley. I've got a book on it where they would go into thousands of houses in the rural and suburban neighborhoods of America and just move things around, look, you know, do certain things to spook the people who are asleep. And, you know, you crawl into their windows or their unlocked doors and you move things around. How easy would that be for them to be wearing masks, which we know also satanic cults also do when they're going to be carrying out a ritual. It helps them also get into an outer body experience to detach themselves from their identities and embody the type of demon spirit that is the mask that they're wearing. That's part of the usefulness of having masks. But the other thing, too, is the people who are then getting doped up while they're sleeping on a hallucinogenic product of some sort or horror filler or whatever, are seeing little fragments of memory as they're being pulled out of their house and whatever else is happening to them, you know. And so the fact that the girl, again, in the Spielberg movie Disclosure Day, is is finally recalling at the very end of the film the fragmented memories. It's creepy as sin, right? Because, well, number one, we know that two things are happening in my in my comments at the same time. Yes, the what I was talking about is very is very real about holographic technology, though maybe Bluebeam is not the actual name for it. But I think that it's it's quite evident that they're going to be doing things like this in higher frequencies very soon. Number two, the imagery of the girl, she sees she wake, you know, she she's finally recalling when she's seven years old and these aliens came into her bedroom full of butterflies on the little monarch butterflies all over the walls. Right. Oh, yeah. And the single eye it focuses in with a butterfly opens his wings right in the eye. I mean, it was like it to me, it's it's like the Venn diagram of the UFO kind of capture stuff and M.K. Ultra. It's like there's almost a complete overlap. And that's what I saw, too. I was watching this because I've done a little whole series on interviewing S.R.A. victims and people that were part of the the CIA in culture programming. And, you know, what they described, it's it's it's frightening. It's horrible stuff. But when I was watching that Spielberg film, I was just like, oh, my gosh, this is straight up M.K. Ultra. Like and that's exactly what it is. It's it's it's often as it's young children, they're put into they wake up in these very strange environments that they're they're tortured. And that's what you saw in that film. It was it was really disturbing from the perspective of understanding how real it actually was of taking these young children, traumatizing them. And I mean, even that that scene you're describing that it was it was a very disturbing scene. This young girl, this young boy laying on two kind of medical beds next to each other on some sort of supposed craft alien craft with these things coming down near their eyes. And it was it was straight up M.K. Ultra. All right. Yeah, you're right. Yeah. Even that I'm surprised it wasn't Alice in Wonderland. It was like, no, I mean, for anybody who knows their their their folklore, I mean, Hansel and Gretel, that that says a lot. And they don't they don't. This is the name of the weird cabin in the woods that's glowing that the girl is taken to as she's following these Disney Disney like creatures that came into her bedroom looking like these, you know, beautiful animal spirits of a fox creature and a raccoon and a deer that are guiding her out of the house into the woods with a glowing cabin that all she could keep on repeating is Hansel and Gretel's house. But they don't explain it. But it's like that's a big slap in the face for anybody who knows what M.K. Ultra is, knows what satanic ritual abuse is and the reality of which covens that were spread all over Europe in the 16th, 17th, 18th century, 19th century, that people like the Grimm brothers were writing cautionary tales that were very real to parents to be aware of how your children are seduced by candy, by the the the the which covens that are strewn throughout the Bohemian and Prussian forests that were causing children to disappear from villages. That was a very real intervention against the witchcraft, which didn't disappear with the 20th century scientific age. It just took on maybe a bit more of a sci fi front in Hollywood with Marina Abramovich working with Microsoft and stuff like that. That's, you know, an oracle. But but it's still very present. So the fact that that's what she's walking into, which is actually the UFO, she's just hallucinating. And then, like you said, she's lying there. And this other poor kid is having the appropriate reaction of freaking the hell out. She's just kind of like traumatized stiff. This other kid, the boy who later on is her, you know, the other protagonist in the film, who's the other chosen new new human, more evolved human that's been shaped to have these special powers through, which is what you get through trauma somehow in their mind is you traumatize a child and then you unlock their special powers. I don't know. But you've spoken to the S.R.I. survivors. That's sort of a theme that comes up is that these psychiatrists who have been doing work on MKUltra and then MKUltra 2.0 out of Stargate in the 70s and 80s on trauma based mind control operations and victims that often are given by their families who are born into cults like the Edgar Cayce cult. There's a lot of that was directly tied to the S.R.I. operation. They're all describing how there's this obsession to create these Jedi super soldiers who can travel the astral plane and bend spoons and do clairvoyance and read minds and stuff. And that's somehow the idea that you can get these things if you break them young. I don't know. But, yes, it's sorry. I have a little rant. The religious aspect of the UFO phenomenon coincided with the first observations of the flying saucers that were being reported in 1946, 47, the Kenneth Arnold sighting, the Roswell crash happening around the same time. Those original UFO cults that were trying to immediately capture this movement and turn it into the foundations of a new religion, they seem kind of quirky and fringe and weird at the time. And they still do. When you look back at like the George Damskis, the Ethereus Society, the I.M. movement of Guy Ballard and Edna Ballard, who were also talking about interfacing with Venusians and also beings that extended to Sirius as well, the dog star, which was another element early on that was being infused. William Dudley Pele, which was the the head, the American Nazi, the head who ran the American Nazi silver shirts in the 1930s. That same William Dudley Pele was formerly a theosophical high priest in the 1920s, a clairvoyant who then after World War Two, when he got out of jail, creates his new cult very closely aligned with George Damsky. Again, George Damsky was the head of the Royal Tibetan Theosophical Lodge in 1920s in California, who then goes on and says, oh, it's actually these Venusian beings, the space brothers that that have met with me. And he starts telling these these incredible tales using clearly fake evidence of like he's a photographer to do double exposure films. And he's basically just making, you know, like his his table lamp. He's retrofitting it to make it look like a UFO that he then, you know, cuts out of a photograph, plasters onto his backyard size skyscape, and then it gets publicized in the media and everything is that he took actual pictures of UFOs. It's all been debunked. It's been proven that he's a hoaxer. The fact that he was the head of this theosophical society, who is, again, very much in alignment with the pro Nazi groups in America in the 1930s and 40s, and then become the founder of this thing. He's describing these Venusians how as these Aryan Teutonic, blue eyed, blonde haired super beings, these advanced, more more evolved, uber mentioned coming and just meeting humanity on the earth. The chosen elite will then be selected to correct the errors of Christianity and other things. And a lot of them are using some like William W. Kelly is using a Christian theosophical language in order to recruit soft minded Christians into his cult. But then he's making correctives because he's a he's a channeler, right? He's he's got the he's got the Holy Spirit. He's touched. The Holy Spirit just happens to be, you know, inkling him up the up the arc maybe and has a Venusian finger to it. But it's that's really at the heart of the whole thing is this Luciferian undercurrent that's associated with the planet Venus. And that has like millennia of mythology built up around it, around which a lot of these mystery cults have built their degree systems. So, yeah, I do think that it's and then again, as science evolved more and more advanced, more and more in the 40s and the 50s, and we started discovering more planets like Pluto, well, was known in the 20s. But, you know, they had to then and we started discovering that, OK, there's actually other star systems. There's other there's other galaxies that are not within our galaxy, but there's this as as our our refined measurement tools increase, they expanded their mythology to then incorporate a little bit more into the space opera that they that they set up new new other species from, you know, the the the shapeshifting lizard people, for example, that want to suck our loose, our our pure energy and maybe suck it into that's their that's their matrix, like energy sources, human beings having fear and anxiety. That's actually what they need and they want. They suck it because that's what powers their advanced civilization in another dimension or in another planet or another galaxy or whatever. There's different variations of the theme, whether you're David Icke or whether you're Maurice Doriel, who was, again, a theosophical high priest in the 1930s, 40s, 50s, working in Mount Shasta, developing his holy order of what was it, the the White Lodge Brotherhood or something which still exists in Colorado and around which he was like taking his hermetic, you know, studies because, you know, he was a hermeticist and and describing the how these these alien entities were actually not Aryan, beautiful space brothers like Adamski was saying. It was a controlled opposition. He's like, no, it's actually these are shapeshifting lizard people and they've infiltrated our society and our governments. And he was like coming out with this whole thing. When you look at the guy, though, he looks like like a like a pre Michael Aquino Templos set type of figure with inverted inverted pentagrams and stuff, but acting like he really cares about humanity and creating the foundations around which David Icke later on rehashes a lot of those those things that he's already establishing in the 40s and the 50s and the 60s around, again, the evil aliens that Stephen Greer then says, no, you're wrong. These are the good benevolent aliens and they're going to save us. And then people then fight amongst themselves over, like, which side do you want to side with? And it's like, well, maybe both sides are controlled opposition. Did you think of that? Did you know that in the last few centuries, over half a million bells have been destroyed? There were literally bell graveyards. Now, the textbooks tell us that this was to use the metal. But if you've ever gone down this rabbit hole, you discover that the sounds that these bells made had amazing healing properties. There are even claims that certain regions with lots of these bells, church bells, et cetera, were mostly untouched by the bubonic plague. Now, your doctor might call you a conspiracy nut for thinking that, but even modern science recognizing the healing power of sound. So check out this study from the NIH. Doctors used sound therapy on chronic back pain, and they found, quote, significant reductions in pain sensation and pain-related disability. But here's the best part. You don't need some fancy, expensive sound equipment to find relief. So a woman named Linda Bamber Olson created something called the WaveWatch. So this little device has over 1,200 frequencies that you can use for everything from joint pain to brain fog to insomnia. So I've got one and I've been using it for about six months. This is it right here. 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