Passing On Traditional Culture - Inside Taiwan

Hello and welcome to Inside Taiwan, where we take a deeper look at the stories shaping the country. I'm Yvonne Yang. From breakdancing in temples to graffiti murals on mazu, Wang Jiemin and his crew are reimagining Yilan's ancient rituals using street art to keep local heritage alive for a new generation. When I was 15 years old, I joined a group of young people and they won the championship. I didn't know Yilan kids could do that. There's a song called Yilan Song. It's a song from Yilan. If you go to Yilan, you'll never forget your roots. That's where we come from. We're re-evolving the tradition and making it a part of our youth. Yilan Song This is the third time we're doing this. A little to the left and right. We've been doing this for three or four years now. We're preparing to graduate. This is the first year of college. We just started. We just started college. We have three years of high school. Two years and one year. To the left and right. To the right and left. After graduating from college, I went abroad to start my career. After visiting many countries and attending the Street Art Festival, I decided to come back to Yilan and do street art. On the main street of Yilan Cultural Park, a group of 14-year-old and 20-year-old young people are doing street art. There's even an exhibition showing young people doing street art in the past. What did you learn today? Zou Ding Ai Shi. No. Jie Ding Ai Shi. Zou Ding Dao Li Zui. She started doing street art when she was a kid. She was studying at Banqiao. Later, Jie decided to come back to Yilan to promote the culture here. We followed her to Yilan. We live in Jilong. It's quite far. But wherever the teacher is, we follow the teacher. You're representing Yilan. You're still representing Yilan. There's a competition in Taiwan that's like a traditional street art festival. So last year, we formed a group and won the championship. The students saw their dreams and realized that Yilan kids can do street art too. Hit, hit. Slide, hit, hit. Hit, hit, hit, hit. When I used to do street art, I used to do it in elementary school. The police would come and beat us up. We used to live in peace. This is Park Ying Zui, He's the eldest son in the family. Because of street art, Park Ying Zui became from a street kid. I used to do street art in elementary school. Then in high school, I started doing street art. When I was in high school, I met Jimmy. He taught me street art and a lot of street culture. Some kids don't like to study. After they finish street art, they use their negative energy to do street art. So they don't spend a lot of time doing street art outside. Here's the highlight. When Jimmy was a kid, he was also a friend of Yilan's Hong Kong people. He was very passionate about traditional street culture. But what new creativity did street art and traditional culture bring out? They don't have the opportunity to go out and do street art. Why not? It's the right time to do it. The fastest way to understand the local community is to participate in traditional culture activities. So I often bring the kids here to learn about traditional culture and show them how to do street art. Welcome to this year's Wang Gong Temple's teaching class. Today's teacher is the old friend of Wang Gong Temple, Grandpa Lin Kun-tzu. Let's give him a round of applause. Once a year, a group of Hong Kong kids come here to learn about Hong Kong street art and traditional culture. I'm interested in street art. I started learning because I like dancing. I want to combine street culture with some traditional customs and customs. I want to combine them. The kids come here to learn about traditional things. Then we innovate to see how to combine them. Hello. I'm a college student at Wang Gong Temple. I'm a college student at Tseng University. I'm here to learn about local Japanese people and other young people in Yilan. I didn't think it would be this hard. But every time you dance, you have to clap your hands. If you clap your hands, people here will hear you. You've been here for a long time. I've been here for more than half of my life. Now, I tell people that we have to live in the present. We have to change the past into the future. It's a process to turn your imagination into reality. It's a one-time culture. No one would think this could be a one-time thing. I started dancing when I was in high school. I've been dancing for 10 years. People call it hip-hop culture. There's street dance, hip-hop, and DJing. I started dancing when I was in high school. Yilan Street Dance Association is an association of street dancers, rappers, DJs, and other young people from Yilan. They organize events to promote street dance and street culture. I know Rui Zhen and Xiao Ma are street dancers. So I thought I should invite them to perform. We used to perform outside, in front of people. The police called and we had to go to the media and pay for it. But we didn't paint the place. We just left it there. At that time, Wang Jianmin had a lot of money and wanted to transform. So I used my method to paint Mazu, Qianli Sunfeng, Longfeng, and Miaoyu. I'm going to paint a scene and a character. I asked everyone to write it down. Let's draw a character one by one. Please come in. Su Ru and Ma Zai dance in the park. In the association and nearby schools, some mothers bring their kids and some high school students. Some people even come here to work. Where are you from? I'm from Hualien. Isn't it far? Eleven o'clock. It's okay. It's love. It's a process to turn your imagination into reality. For me, is more free. The dog is swimming in the zoo. The zoo is here. It's drowned. It's too small. It may be in a conspicuous place or a corner of the city. It can reach more people. Newcomers may see it. Whether it's good or bad, it will leave something in their hearts. Today, the zoo is going to build a road. To build a road, they need to build a car and a house. They also need to prepare for a big event. This year's participants are all young people. It's their first time, so they're nervous. We're going to build a new road to celebrate the opening of the zoo. We're going to build a new road. What's the purpose of this road? What's the purpose of this road? What's the purpose of this road? My friends asked me to build a road. I'm nervous too. I used to build a road, but everyone said, I'm going to build a road. It's different now. Some young people haven't built a house yet. If you build a house, you have to ask people to build it for you. It's a bit of a burden. The second round. The second round is almost over. I thought it wouldn't be me. I thought it would be me. But I was wrong. I was wrong. Do you remember the first time you came to the zoo and said goodbye? You said, I'm going to build a road. I didn't think you would say that. I just thought it would be you. I'm going to build a road. I'll build a road. Do you still feel embarrassed? I don't feel embarrassed. I can't answer that. We want to be local. That's why we used local language. Usually. We've been thinking how to connect with the local people. So we have a song called Gi-ran-sheng. The rapper's group is full of kids. Recently, he's been promoting his own album. He's good friends with Mr. Ong. They talk and make music together. It's a one-time culture. No one would have thought that this kind of thing could be combined with our tradition. This temple is run by our own kids, our own friends, Jaymin. So I asked him if we could collaborate. In China, they have their own style. Hip-hop, in the US, is their own thing. But in Taiwan, they don't really have their own hip-hop style. So we thought if we could combine with the local people, could we create our own music in Taiwan? On behalf of Gi-ran-sheng, we want to thank you for taking care of our kids. You don't have to leave. Some people think hip-hop is too old-fashioned and should stay in the image of bad kids and street kids. But Jaymin's music is very local. In his words and music, you can see his love for Gi-ran. Hip-hop can teach us some bad kids. It can help local kids because of the popular culture of Chiayi to make a name for themselves in Taiwan. Taiwan has its own religious culture, so we want to participate. When I was in high school, I just started dancing. At that time, my family was against it. So I needed more time to think about it. It would be better to see the feeling after a long time. It would be better and I would be more confident to do what I want to do. I represented Taiwan in many competitions. I won the champion in Korea, China and other countries. I want to use my dancing to represent Yilan to let more people know that Yilan has good dancers. Everyone needs to find their own culture. So I want to bring this back to my hometown. His 12,000 pieces of clay are very rare. The ceremony is about to begin. We need to ask him about the temple. Let me call him. This is a cultural product How much is one piece? 350 NTD Can you do it? OK, OK. Good luck. When the ceremony begins, they go to the nearby village and perform the ritual. This is a very famous ritual in Yilan. This ritual is very special. Our ancestors used their bodies as a shield to protect the temple. The firecrackers represent good luck and good luck for the new year. The villagers also carry the firecrackers and wish them luck. This is not grass. This is charcoal. You misunderstood. This is charcoal. The charcoal we just used. This is charcoal. This is the firecrackers. It can eliminate bad luck. The firecrackers are used to light up the temple. The firecrackers are used to light up the temple. The firecrackers symbolize good luck. This has been around for years. The firecrackers are also traditional. However, we need to keep up with the times and encourage young people. We don't take away all the traditional things. We evolve the tradition and pass it on to young people. So, including the members of the village council, the village secretary, the village chief, and the secretary, they are all young people. There are a lot of people today, right? Yes, a lot. I'm exhausted. You must be too. I'm exhausted, too. I'm exhausted. We can rejuvenate the village council so that more young people can come back to the village council to pray for a better Hong Kong. Taiwan has a strong religious culture. That's why I'm here. He always tells us that culture is very important. If everyone doesn't remember the culture, there will be nothing left. There's a song called the sound of Yilan. It's about the people from Yilan who are here no matter how far away or how hard it is, we never forget our roots. We come from here. They will definitely bring the things they want to do back to the village to develop and contribute to the village. We can help the local youth to participate in this popular culture and make a name for themselves The village council has a strong connection with the village council. Cultural exchanges make the village more diverse. According to the local tradition, Yilan kids connect the past with the future and create a new culture. Bank manager-turned-artist Lai Chuan-Chuang preserves Hakka culture through rhythmic nursery rhymes and lifelike ceramics, transforming everyday life into a vibrant, lasting family legacy. When it comes to Cantonese, Cantonese is very famous. I can speak it without any problems. It's a very typical language. The local Hakka people are very open. They are very open to learning the language. The Hakka people have a lot of fear. We don't know how to speak the language. If we don't know how to speak the language, we won't learn it. We won't learn it. It means that you still have a chance. You still have a chance. It won't be very straightforward. But the language is very natural. When you see a pig, you don't see a pig's head. When you see a pig, you don't see a pig's head. Hakka people are like that. They are like that. The language is with everyday life. When you see a water fountain, you see a water fountain. That's an action. The way the Hakka people express their communication is very interesting. They always show their culture of cooperation. When you see a river, you graze on it. This is the northern way. In the southern way, Hakka people say mountain goats, goats free from pigs. Why is it that? It is clear. It means that the mountain goats eat pigs. I want to eliminate as many pigsties in this place to keep an account. 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反正那些官司沒講沒講 就像你的手 本來是官司兵 官司槍手 因為官司兩種 飛的飛 通過你的手 原來就是官司講官司 下班後 還容易動一動 去到官司賣 他們的生意 很是改善了心情 這東西一出來 哇 我就非常欽佩 什麼年份的 六七歲的時候 我老婆 經常會拿來當兵買東西 那時候就很少 所以我老太太 是我的老太太 這麼高 他們說 胡子強叫孟太太 出來賣 要賣什麼 先學打拼 拼錢賺學霸賺 賺賺貼貼學霸貼 對不對 那時候我老婆還記得 那時候生意 我老婆很忙 我老婆有時候 現在差不多 一百二十歲 文藝是心中共存的藝術 現在的土耳其老家庭的經濟 他們對空氣的流失 都很囂張 政府沒有幫他們 文化也沒有 能夠創下去 是最好 能夠影響多少人 想像就算多少人 譬如說我弟弟的事情 下次我碰到 我現在還有 小學同學幾個還會在一起 我可以跟他介紹一下 現在客家話 照我的判斷可能 五十年以後 臺灣武漢沒了 當然不會說 沒了 木頭是有建構 生意是多少小的 你的木頭是完全不一樣的 真的 你的木耳 全部都斷掉了 要清乾淨 我希望 現在才有機會 文化才有機會 最重要的是 不要讓自己的地盤變成 人工製的 破壞人家的地盤 讓人生活的地盤 變得更好 更有法律 北風吹來 四季結成 想要細沈 水滿滾 做好台木 做好木頭 才不會 富士靚靚 山的金牌 山的金盆 要不然養老鼠 不但很困難 很痛苦 為了要在地面 土地安樂好 這本書最重要的是 含有心動 想要收集一下 受訪的QR code 儲存在田裡 健康 硬漿嘛 不意思要曬曬 傳到這本書 當作QR code 只是要曬好 曬曬曬曬 容易不可能 沒有任何的干擾 容易不可能 甩不開 甩不去燙 容易燙就挑 禮拜燙就挑 像這樣曬 一包就曬 很簡單就很難 當作客家話 一開始燙 燙的時間 你知道嗎 有印象 我在日本除了燙之外 還有天然鹽 他們說客家話 我們說什麼都不擔心 我說最重要是鹽入去 蛋做鹹 水做鹹 肉做爛 蔥做切 小菇做剁 人做爛 最重要是剁好就剁 直到他這本書出來之後 他一直非常用心地去推廣 他還告訴人家 怎麼教小孩子用 你怎麼教小孩客語 就是用這本書 一直撥放給他聽 台中國是吉里國 聽人家說 做什麼都很不爽 聽人家講話 做什麼都很不爽 聽人家講話 做什麼都不爽 走去越來越遠 做什麼都不爽 生育回來做什麼 煮什麼都不爽 通常是小孩子 最早就出去 研究世界的其中一個方式 當作節奏感 當作學習情懷 和包含了豐富的文化 語言和情感體系 來創造對社會當中的選題菜 特殊有土肉 土起來就清淡了 不僅如此 有種種興奮的感覺 同時也很刺激 是自己的童年 他的作品中間 土肉是對社會來的 這個好像是竹子的葉子 沒有 這都是陶瓷 這是一個陶 陶瓷的造型 對 一個葫蘆竹的造型 有時候做一些 像這個木頭 沒有 它也是一個陶作的 你自己做的還是 對 你自己做的 對 不說他不知道 他的作品 選菜是很方便的 很多東西都是很簡單 豐富 其實都是對社會 炮菜 對 是簡簡單單 不僅是炮菜 還可以拿來炒飯 聽說中國人天圓地方 中間這裡可以炒飯 還有含義的 這裡可以炒飯 又可以花枝 又可以燈 就讓我大開眼界 很多都創意 你想不到的 你看我們這個賴老闆 都不簡單 他真的除了天台之外 還要很認真 我以為這樣 看起來像作品 又像木頭 結果是陶藝作品 我也很驚奇 看到這樣的作品 我滿高興的 二十多年前 上海小學出生 為了要培養小孩 來創作讓女兒 主觀的跳舞表演 改良時機上 料到父母可以在家裡教 所以他就開始教賴 很容易看到 老師的作品 學生的作品 跟老師的作品很像 每天都學 學到通常沒有老師在講 我想人家是事發自然 所以我想轉到家裡 反正學到孫子 遇到朋友 都是很快就開始做這件事 看他來廚廚 其實做得很優秀 每條溫度 都會偏偏做 偏偏比較難入改 做的果香 你的通常一吞那邊 有時候浮在外面 很有動作生命的感覺 出在外面 你走一段一段 跑擦的時候 有情感 線條理得很棒 直到動作很棒 這樣做 那個感覺 我覺得蠻舒服的 做的事反而是讓自己心 全部沉澱在自己的 小小的一個世界裡 原味廚療展是一家的作品 賴傳宗也不一定 不是牽著伴侶 希望大家交流 會有新的東西 他說創作的他 提供空間 大家也可以共享分享 相互運用 我們自己有個生活的寄託 不會說 整個藝術家 什麼藝術也要學好 有店鋪 靠藝術來整理一下 去打造一下 可能你的不同東西 也可以有這個 增長自己的一些知識裡面 只要感覺 這種空間 已經不是純粹為了利益而利 而是為了生活而生活 現在 在宋朝 從每個階層 流下來的文圖 繞進去 是通常 地圖研讀 會用的線段 可以來 去評述 甚至不評述 賴傳宗 就沒有用人的形式 引導世界對話 客家人希望 多種美麗的學會 做得 重重優優 傳來人客氣 In Kaohsiung Hakka language and culture classes are available for all ages for those who want their children to learn about their origins reconnect with their roots or simply discover something new about Taiwan 他們的教練 他們的同學 來跟老人家 純粹圓規 做一天課槽 圖樣化的課程對應 高雄市新圖廟 同樣別案的畢業 都會歡喜來參加 先生記記日記 港音古詞 為學人 熟古詞高雄 能帶領大家 共享來從 客家古教 甚至是拜見 披軍褲 價值的美酒 暗藏的客家色彩 替高雄市記 做得說是 歸鄉見 最主要有這種 筆桿 做得 本鄉親 本地人的鄉親 做得來這裡 操廟 來這裡學習 高雄市新圖廟 同樣別案 就充斥了 也有自身 雙胞胎 鄉親交流的平台 其中89歲的 陳龍先生 做得說 美從佛圖 獨肯的道義 按揭出示 沒別道牌的 就在別道團 故鄉來的老朋友 共享連絡鄉親 打摔鼓 講客話 同樣是對土著廟梯區 和南島高雄市區的雙胞胎 頭腦沒澎湃的李阿婆 突然說 她的小孩已經沒辦法 講客語 土地區的鄉親 現在做得說 也是共享的種子 但是又有種種分合 當然有文化的衝擊 鄉親留下來的場地 是高雄市區 做得說 高雄市來說 百分之百百十的人 都是好路人 所以他身邊做生意 做交流 大部分都說好路 他們為了在 沒相同的 營養環境裡面生存 他們就要學 沒相同的法 他就為了要幫對方交通 他就不敢說自己的法 要幫人家說好路法 雖然是其客人 營業比例偏大 推行客語 跟傳統客家種類 比一定艱辛 不過高雄市客語區 目標區的理由 配合中央客語區的 客語沉積機構 開設客語學習家庭班 設計各種奇妙的課程 才能打破同溫層 態度比其增加 公務員 學務員的機會 更有利的可能 你這樣子可能 會黏在你的耳朵 大家要確定 好 小心 不要翻 那我再給你洗白 對 然後記得 搓搓搓了以後 把它壓扁 然後中間擠一個洞 擠在旁邊 對 這個客語學習家庭班 用日式文法做主題 事實上不單只說 客家辦事的故事 反帶著客家 投入來做有溫水 提及到有學生的情形下 與私人來溝通 二十分鐘 演奏氣候的演講故事 一般人說 說到學大家就很興 所以我們用學下去 向大家提起 我們可能要客化為主 不過可能要變成 好落法 變成我們去反應 學人的身份 確實本人還想不到 有飯全湯不是客化的老婆 也就想到本身 有接觸客語文化的家庭 我們這裡有趣味的 想一些東西 我們這個時候要來上課 想說讓她多學一個語言 然後就是多了解客家文化 因為就是對社交的 媒體有興趣 阿勇竟然想到大阪 穿過萬聖節 提客家庭的記憶 媽媽雖然是客家人 可是我們只有小時候的記憶 但是真的長大之後 在外面工作之後 根本就沒有機會接觸客語 所以我們現在用一些 比較善巧的方法 也許是這個課程 是比較有吸引力的 還是這個課程搭配的活動 互動的遊戲 跟DIY 還是一些跟親子之間的 一些多元的學習 會吸引他們過來 學校發槍作的 初等的課客 其實沒有 跟他學習家庭版不同 就像黑暗線索 遠離實質 改變聲音 跳Breaking 形同身體的同時 要亂學講話 右手邊肩膀 右手左邊肩膀 然後滾下去變成 左手邊肩膀 轉 踢 踢 跳 客語線上 拿筍頭聽教學 用顧頭輸入的動作 簡單的教講一下 甚至是好通話的動作 也可以教學的朋友 外的頓 像客語老師 他會在旁邊協助說 這個動作 然後我們講的每一個步伐 或是動態的名詞 旋轉 跳 或是踢 可以幫助小朋友 在學習動作的時候 他也可以把這些動作的名詞 或是一些客語的名詞 都把它記起來 右手邊怎麼說 右手邊 左手邊怎麼說 左手邊 跟好說客 這件事情 過去客語拼拼 顧頭教好動作 可是後果不一樣 最簡單的 賭車是什麼 將來聊 就是讓他比較生活化 然後比較容易 引起小孩子的興趣 就是數字啊 因你善 就是不會給我們 說學習語言 有很大的壓力 可是又可以輕鬆的 接觸這個語言這樣子 人家說的身分 進去講客語 不過我說的 用學法讀文章 那是不可能的 人家說 身分對法體會 身分不一樣 四三二一 大體語 高雄市學委會 提督筆創設行業的 財務業的政策 並提高雄市之風 希望行業 繁瑣就好好當業 有藝人的信心 改變生意 運氣的衝衝跳跳 營造行業環境 為小小的生意 和職業的普通客 屁股在哪裡 對 屁股在那邊 肚子 肚子在哪裡 經常行業 把人家留在人家 屁股在人家的肚子 跟生意的原始 面不一樣的學法 融合 用有機的方式 重複融合行業的詞 加成生意 2023年 高雄市校委員 提思琪 成立了一間 行業非典型的幼稚園 用教訓 清真寺行業的方式來教課 本是提思琪的行業 加倍建立 幼稚教育的選擇 目前幼兒園 大概三十六位小朋友 那課籍有八位 大概占百分之二十二 二十三左右 最愛吃什麼水果 最愛吃 學各種各自的行業單詞後 使成提思琪和簡單的對話 教到台版的學生 除了國民生意 多國藝術 完整的行業結業 甚至有人說 比姓氏還早 因為小朋友其實也有一半以上 都不是客家籍的 他只要肯說 我們就是盡量讓他們說 因為語言這種東西就是 只要你肯講 一定學得起來 我們就透過 選法法 比方說 遊戲 創國語 國語 也是對話的門口 讓小朋友來學習客家話 因為國語文本 只有二三公學 也因為小朋友 學到有增加 他們選法的接觸面 所以不要去動員 尤其現在高雄市三民區 已經是時期當中 客家研究比例 各國的行政企業的 但提前交給公眾去研究 在都會區 客家族群就散佈得很分散 要集中到三民區這邊來就學 就不是像學區制 這樣子這麼的好招生 因為它不是主流語言 那家長會覺得說 那我如果要學語言 我可能就想要學英語之類的 在都會區 覆診客家 研修母語翻譯 沒那麼簡單 互相教母語 就算在國內也要做 三國議會就在那邊 研究覆診困難 研討工程 Thank you for watching Inside Taiwan Be sure to visit the Taiwan Plus website Or follow our social media For more of our shows I'm Yvonne Yang Take care And I'll see you next time