Aboard the World's Largest Wooden Sailing Ship! | Götheborg Of Sweden'
In the summer of 2022, the Götheborg - a replica of an 18th century Swedish East India Company ship which sank in the port of Gothenburg in 1745 - docked at Canary Wharf in London. It holds the title of the world's largest wooden sailing ship.
The replica, constructed in 1995 and launched in 2003, was built on a one-to-one scale to the original trading vessel. It requires numerous crew members to operate on the open seas. Most crew members are volunteers or paying 'deckhands' who join the ship in the various ports she stops at, learning the skills of 18th century sailors.
This year she will be sailing through Europe and will continue to Asia in 2023 on a two-year long expedition, following a similar route to East India trading vessels of the 1700s. It will be the Götheborg's second trip to Asia, the first ending in Shanghai, China in 2007.
In this video, History Hit presenters Louee Dessent and Luke Tomes were given exclusive access to the iconic vessel, exploring the history of the original ship and the inner workings of the magnificent replica.
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We're here in London's Docklands but of course we're not here for the skyscrapers.
No, no, no, we're here for this.
Now you'll probably know that we love a bit of maritime history on this channel
so when we heard that one of the world's most impressive ships was in London for just a few days
we had to check it out.
Exactly, this is the Gotterberg.
It's a replica of an 18th century Swedish East India Company trading vessel
and it holds the title of the world's largest ocean-going wooden sailing ship
and it actually leaves in a few hours so we best get on board.
All right, let's go.
Look at this.
Time for the master.
Before we start going I'd like to present the crew to you.
The reconstructed Gotterberg may be the largest wooden sailing ship in the world today
but in the early 18th century the original was just one of many huge trading vessels on the high seas.
Now for a long period of time exotic goods reached Sweden via the Silk Roads
however in the 16th century this all changed
when the traditional land routes were eventually replaced by maritime transportation.
The Swedish East India Company situated in the port city of Gothenburg was established in 1731
to conduct maritime trade with China and the Far East.
In this respect Sweden was relatively late to the party
the last of the prominent seafaring European nations to engage in the East India trade.
Once it had secured a 15-year monopoly on all Swedish trade with the East Indies
the company traded mostly with China throughout the 18th century
completing 132 voyages with 37 ships, the Gotterberg included.
Swedish company ships would sell silver acquired through the exchange of timber,
copper and iron in Spain for Chinese tea, silk and the much desired porcelain.
The party would not last long however with increasing competition
and the introduction of new rules and regulations regarding the imports of tea to England
the profits of the Swedish East India Company dwindled
and the risks of smuggling the commodity now outweighed the benefits.
Now despite the Swedish East India Company going bankrupt
the enormous profits clearly influenced Swedish history and the footprints can be seen to this day.
This ship is a clear example of how the company's legacy has endured.
Originally named the East India Man the Gotterberg was built in Terranova Stockholm
and officially launched in 1738.
Now according to one Swedish writer building a three-masted sailing ship like this
could take as little as 18 months.
With a name clearly influenced by the establishment of the company in Gothenburg
the Swedish ship set sail on its maiden voyage in 1739
with a crew of 144, 30 cannon and a whopping cargo capacity of 830 tons.
Although life was harsh for the crew most trading voyages were uneventful and extremely profitable.
Pirates were a perennial issue and on one occasion
the ship was hijacked by an English frigate off the coast of Spain.
The real disaster struck on the 12th of September 1745.
The ship ran aground on a rock on its way into Gothenburg harbour
returning from its third voyage to China.
To learn more about the fate of the original ship
I spoke to the chief guide and event manager aboard the Gotterberg Cecilia Bothorp.
Cecilia first of all I know I'm pronouncing it wrong how do you pronounce it in Swedish?
In Swedish Göteborg.
Göteborg.
Okay I might stick to Gothenburg just for now.
Oh it's okay.
It was a very experienced captain on board.
Yeah.
This was a voyage that they had done like you said three times.
Yeah.
What went wrong?
We don't know.
Okay.
Yet we don't know.
It's still a mystery.
Yeah is it a mystery yeah and some scam about insurance no
because the insurance system was not as likely as today so no one knows
and this was the the date was the 12th of September 1745
and it was a really bright day a little brisk conditions were fine they could see everything
and yet they still managed to and did it sink straight away or was it
oh no it was standing on the ground and of course and no one died at this occasion
and for several months of course they were bringing up the the exotic goods
that they have brought back from China and saving the rigs and all the details
the cannons I think and as much as as it was possible
and the ship was standing on the ground for more than 100 years
wow it wasn't crash sank forgotten no but they couldn't salvage it
it was no it was it was almost it was there to see but it was exactly yeah
and the the noble persons and society in Gothenburg were conducted diving tours to the
to the ground and in it is called the porcelain ground
and today below deck you can see some of those finds on display
so when they excavated the ship in 1984 they managed to salvage roughly
10% of the cargo and we know it was exactly 10%
because we have the original amounts of cargo on board
and it would have consisted mainly of this sort of stuff here
we have ready to order Chinese porcelain that would have been silk
and here we actually have some original pieces from the excavations
and some porcelain here and the detail is still absolutely extraordinary
the ship was forgotten because on the west coast in Sweden
the water is very salty and in the water lives a worm that eats the wood
so it's mainly nothing left of the original ship
but of course all the iron nails nails yeah yeah they are still there
yeah and they can be weighed in so of course if you mark it on a paper
you can see the shape of the ship and that and contemporary paintings from that time
so all this together was giving us the idea to not just do a model
small one like this but a model with a scale one to one
and that idea was quite incredibly turned into reality
but it wasn't easy
funds had to be raised
the disused Eriksberg's wharf in Gothenburg had to be pressed back into service
and a team of modern craftsmen needed to relearn the shipbuilding techniques
of the 18th century
now the original Gothenburg may have taken less than two years to build
but this one took about eight
so construction started in 1995
it was launched in 2003
and then went on its maiden voyage around the world
ending up in China in 2005
and the reason that it took so long to build
was because so much research went into making this ship look like the original
so the Gothenburg obviously not as big as some of the huge warships of the day
but still pretty big
so 58 meters long
it's 47 meters tall
from the top of the mast down to the waterline
five decks in total
including the sun deck and a deck that's sort of below the waterline
and it's serviced today by 70 to 80 crew
and 20 of them are professional
the rest are volunteers
who kind of join the ship at the various ports that it stops at
now they also used 10 tons of hemp rope when building this ship
as well as almost 2000 square meters of linen sail
and that was all made using 18th century techniques
and just like the 18th century
maintaining the ship's wood, rope and sails provides plenty of work
so Aurelion is the sail maker of the Gothenburg
and can you just tell us a little bit about what you're doing
i mean is this intense work
are you having to repair a lot of this stuff
yeah exactly
my job is to repair sails
and to repair and fix sails
i believe there's 2000 square meters of sail on this ship
so that's quite a lot
and potentially does it does it get torn and broken quite often
if you're sailing on the ocean
they're not often broken
it's just the old sails
this one for example
have 20 years old
20 years old okay
one trip to china
many trips in europe
below deck you get a sense of how much thought
must have gone into this epic reconstruction
and where a few compromises had to be made
down here we get a really good view of the main mast here
and you can see it's made of 18 different pine trees
sort of twisted together
and the way it's fixed in position
is these iron bars would be heated to 800 degrees
they'd expand placed around the mast
and then cooled so they'd contract
and hold this in place
now there isn't loads of headroom in the reconstruction of these decks
but they're not actually quite as low as the originals would have been
they're about 10 centimeters higher
now that's to comply with working regulations
but obviously people in the 18th century
would have been a bit shorter than today
okay so we've come right to the front of the ship
to the bow
this is the modern carpenter's workshop here
you've also got the anchor chain
which would be pulled up using this lever
but kind of interestingly about this area
the toilets in the 18th century would have been here
right next to the bowsprit
so there'd have been a little opening to the open air there
you'd have gone out onto a platform
and that's where you'd have done your business
but also every nook and cranny of the ship
would have been used for storage
this was a trading vessel after all
and if we go down here
we're going to see that there's plenty more storage space
two more decks to go down beyond the waterline
another deck here that would have been full of woods and copper
and all the things that they would have traded at Cadiz
and in the far east
and then we go down even further
I mean this is right below the waterline
it's absolutely full of rope
hemp rope down here
which just shows how much you need to carry to keep this vessel going
there's a really strong musty smell down here
and I think it's from the tar that's used to coat all of these ropes
that's what they would have used on the original 18th century vessel
it's a really distinct smell
but basically it protects these ropes from fungus
and it's essential
but what I really wanted to know
was what sailing this unique ship is actually like
I spoke to a man well acquainted with the challenges of working
on an 18th century replica
what are the kind of key challenges of sailing a wooden ship today?
I mean you have some kind of modern appliances aboard
you have an engine of course to kind of you know to get you places
but what are the kind of key challenges of a wooden ship?
I think one of our biggest challenges from the practical side
is that modern harbours are not designed for sailing ships
so we do have to motor in and out
as a matter of safety we have the engines
in addition they would have had twice as many people
on a ship like this back in the day
labour was cheap and how do you say wages were cheap
but now we do it with half the number of people
but it's still just as heavy
to use this stuff right
not too many people have the skills to work this kind of ship today presumably
no it's rather niche
one thing that's very iconic is the spritzels
in Swedish we call it the blinda and the skuvblinda
you don't see that on modern ships so much anymore
but it's interesting because they're actually incredibly important
to the balance of the ship
and to be able to keep the rudder as straight as possible
if you have to counter any turning with the rudder
you create drag in the water and you go slower
so it's in our best interest to do our job right
and trim all the sails evenly across the length of the vessel
so we can steer as straight as possible
and go as fast as possible
our topsails are incredibly heavy
if you look at for instance this line here
which is one of the topsail sheets
around all four sides of the topsail
this size line is stitched into the side
and just this rope weighs a lot
and that's without accounting for the the flax canvas
and then when it's wet too and has absorbed a lot of water
it's uh i think it's 500 to 700 kilograms dry
wow so you can imagine what that is saturated with water
yeah so they are yeah incredibly heavy
takes a lot of effort to put a good stow in
yeah i mean i guess that's the challenge
of having a slightly smaller crew on board
but if you if you see these guys we
there's so much technique involved
we very seldom just pull on a line
we often more jerk on a line
and to quote the famous captain Irving Johnson
it's like the difference between pushing a nail into a piece of wood
versus hitting it with a hammer
you can generate a lot more force in an instant
by everybody in unison jerking at the same time
and so these guys are getting ready to brace around the foreyard here
and they're probably going to try to sharpen it up more
so they're pulling on the port side
to pull this end of the yard closer to them
and giving slack on this side to allow it to go out
with the new volunteers working hard to ready the ship for departure
i thought i'd lend a hand
and it's most effective to have outstretched arms
using your grip strength not wasting your arm strength
and use your strong muscles and your legs to lean back into it
and keep a foot behind you in case it becomes slack very quickly
you don't land on your ass
great so this is like the anchor position and tug of war right
so dave this is the the ship's wheel the helm
is the right term right exactly
i mean the first thing i notice about this is
you can't really see where you're going can you
no not on this ship but you don't really need to
we have a skylight here and one of these panels opens up
so the navigator the mate on the watch can tell you a compass course
or a rudder angle to maintain and then you just do it here
you can see a bit of the horizon so you can see some relative motion
to see how fast you're turning
but we also have some modern gear to help us with that
so the technical job the kind of the officer would probably be standing up there right
yeah exactly
they're the ones kind of who are sort of assessing the course
and this guy's just following instructions
we're just the dumb muscle
got it and so essentially this wheel turns the rudder at the back of the ship
and that's what
yeah to give a good explanation you can see it here
we have the helm up here with this rope
this rope made from 14 moose pelts
it's a leather rope so it doesn't stretch as much
it goes down two decks to the steering flats
where it then goes outboard through a block and inboard
attaching to this massive tiller like this big
which is attached to the rudder
so you can see the comparative size of the wheel
yeah a huge rudder that's turning
excellent
much as we'd have loved to stow ourselves aboard as the ship headed for open seas
it was time for us and London to wave goodbye to the Gothenburg
so Luke just remind me how you pronounce the name of this ship
I think it's Jotaboyn
it's all about the confidence
anyway don't quote me on that
excellent but what a fantastic reconstruction of a ship
yeah I think the history of the original ship is absolutely fascinating
but this ship has a history of its own doesn't it?
it does yeah and what really strikes me is that people can volunteer to sail on this ship today
and actually get that experience of what it would have been like in the 18th century
I don't think we've really seen that before have you?
members of the public on board learning how to sort of set the sails
incredible stuff
and it's just the size isn't it it's the sheer scale
this is the largest wooden ship in the world
it's absolutely insane
heading off to China
heading off to China well we wish you luck
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