Inside Her Cosy Victorian Home in Glasgow

Interior layout ideas
68 followers
May 1, 2026
What do you do when your house is dark by nature — and white paint only makes it worse?
Anne Marie moved into a converted servants’ quarters of a Victorian townhouse in Glasgow’s West End. Every room was the same shade of dirty magnolia. All the windows face one side. The skies can be grey for weeks.
Then life slowed down, and she started painting.
What followed was a house transformed into one of the most distinctive and cocooning interiors in the city. And alongside it, a whole new life.
My house is converted servants' quarters of a Victorian townhouse in the west end of Glasgow.
So it was built in around 1870. It didn't have the fancy period features or big banisters or
entrance halls, but it's still very much a Victorian home. In the winter months it is a
So I embraced the darkness and decided to make the darkness a cosy cocooning feature.
My name is Anne-Marie and I live in Glasgow. Until relatively recently I was in a full-time
legal career and then I retired and now I'm very much involved in the homes and interiors
community in Scotland. We've lived here now for eight years. I live here with my husband.
It's quite hard to describe the layout of my house. When you enter in the ground floor
there's a dining kitchen and a downstairs toilet, but then there's a small flight of
stairs to the living room and then a large flight of stairs to our bedroom and an ensuite
and then another flight of stairs to two more bedrooms and the family bathroom. So it's what
I would call a quirky house. It's got a very unusual layout, but I think that adds to the
character. So when we moved into this house every single room was the same colour. It actually was
depressing. The thing was having decided to change one room and the first room I actually did was the
dining kitchen. It was very much a kitchen that had a table in it. We don't have two public rooms
so I very much wanted the dining area to be a comfortable place where you could sit while
someone was cooking or have a chat. It is the room that looks out onto the garden so I decided
it should be a green to sort of bring the outside in. I do like to bring in old things to the room
though so I have a tram sign from Highland which is actually an original tram sign that I acquired
at a market in Glasgow. I like to think that my rooms tell a wee bit of a story about us.
You get the idea that we enjoy our cooking, that we enjoy relaxing. We've got various
cookery books and I love plants and that idea of a wee bit of our local heritage with the tram sign.
My favourite spot in the kitchen is definitely my green love seat which I've had in various
places in the kitchen but I think it's found its home in the corner it's in now.
I totally enjoy sitting there with a glass of wine while my husband makes my dinner.
Up until 2020 I don't think I really noticed particularly interiors and design and styling
for houses. Then in 2020 just before Covid I was diagnosed with stage 3 bowel cancer
which meant that when the world locked down I was very much locked down. I was shielding
and was to a certain extent in my house and gardens. I'm not very good at sitting still and
doing nothing so I started to upcycle pieces of furniture and add colour that way. The more I
experimented with colour in the house the more it gave me comfort. I mistakenly thought that to
deal with the darkness I had to paint everything white and I painted the whole hall white
and it looked like a very depressing hospital corridor.
So then I realised that actually I really had to embrace the darkness.
When I realised that I really really enjoyed it and was going to be bold with it
was having painted the living room in haig blue. I genuinely felt slightly terrified but when it
was finished I did have that moment of thinking now I've done something that I'm really proud of
and I'm really special and I love the way the colour of the room looks different in different
lights. The ceiling is exactly the same as the walls but the ceiling looks different from the walls.
It's just the most cosy cocooning room. It's so comfortable. It feels so warm.
It suits every sort of weather. When it's dark then you light candles and you have lamps.
I think I have an obsession with candles. I like candles of all shapes and sizes.
I think it complements the idea of the decor being cosy and cocooning to have candlelight.
I have candlelight throughout the year.
Nostalgia means to me the idea of remembering or giving a nod to people or places or memories
that were really important to you. So I think it's important to mix old with new.
I have an antique Singer sewing machine table alongside some more modern furniture. First of
all I think they're just beautiful objects and it's a beautiful table but it's a wee bit of that
sort of industrial and social heritage of both our families so that feels quite special and they all
have serial numbers. So the Singer sewing machine that I have was built in Clydebank in 1904.
The hall in this house is narrow and dark. It in particular needed something to give it an idea
of life and the idea that it was a stairway worth noticing as against just a place that took you from
one floor to another. So the hall is a gallery wall of travel prints and the rule of the gallery
wall is that the prints can only be in the wall if my husband and I have visited the
place together and really enjoyed it and that's a rule I won't break.
The bedroom upstairs again was that extraordinarily bland
neutral colour and just had no character at all and it's a beautiful big room.
So I obviously wanted to do something with it. Again initially it was just the walls and we
didn't do the windows or the ceiling. The white ceiling just seemed very stark against the black.
I decided I wanted to get rid of the white ceiling. I admit to being slightly terrified
because it seemed to be probably the boldest decision I've made to have a black bedroom with a
Etruscan red ceiling. When it was finished my sons actually said it's as if you're just going
to sleep in a perpetual sunset and that has just stayed in my mind. I was brought up with white
ceilings. I think we were all brought up with white ceilings. Once I started painting ceilings
in the same colour as the room or even a contrasting colour, to be honest I found it extremely
attractive to the point now that in the whole house I only have two white ceilings left.
In the black bedroom I have as a piece of art on my wall an antique optician's chart which actually
is from an optician's in the west end of Glasgow. I've had glasses since I was two and I always
loved going to opticians. I just immediately bought it because I thought it was just me
and I really like it even though I know it's a bit weird. The ensuite bathroom that comes off
the black bedroom needed a complete revamp and refurbishment. It had to look like the
ensuite of a boutique hotel and to feel luxurious and to fit with the black bedroom.
We don't have the best of weather so the idea of having a garden room in Glasgow is maybe quite
novel especially because it's a room that is only three-sided and isn't completely enclosed.
I start my day sitting outside having a cup of tea or a cup of coffee in the garden room
and just taking in the outdoors, getting some fresh air and deciding where I'm going for the day.
It is a shelter from the sun in the summer, it is a warm cosy nook with a chimney in the winter
and there's something very lovely about just spending time in the outdoors.
This whole homes and interiors journey was very much part of my rehabilitation from illness. My
whole life has changed because of the interest in colour and styling interiors that I got through
this house. I write for a Glasgow magazine and I have my own company organising homes
and interiors events for enthusiasts across the country. Despite the fact that that all started
from something very scary, I would honestly say it's taken me on a journey that has been one of
the best things that's ever happened to me and it does really feel like a lovely home to come into
and a lovely warm home to be in.
