MUD - Native American Pottery

These shards that we usually find here out in the country, I like this piece a lot more than any other pieces that I have found, and I think it's very impressive. And I always wonder how these, the earliest inhabitants in this country, they did all of this. This is a piece that I found in the country, and I like it a lot more than any other piece that I have found, and I think it's very impressive. And I always wonder how these, the earliest inhabitants in this country, they did all of this. And I always wonder how these, the earliest inhabitants in this country, they did all of this. And I always wonder how these, the earliest inhabitants in this country, they did all of this. And I always wonder how these, the earliest inhabitants in this country, they did all of this. And I always wonder how these, the earliest inhabitants in this country, they did all of this. And I always wonder how these, the earliest inhabitants in this country, they did all of this. And I always wonder how these, the earliest inhabitants in this country, they did all of this. And I always wonder how these, the earliest inhabitants in this country, they did all of this. And I always wonder how these, the earliest inhabitants in this country, they did all of this. And I always wonder how these, the earliest inhabitants in this country, they did all of this. And I always wonder how these, the earliest inhabitants in this country, they did all of this. I If I was working on this, it should have been a lot of work, but it was a lot of fun. It's just a piece of art, it's like the clay is saying to you that do this to me, form me this way or make me this way, and this is the way these individual pieces are made. It seems like these potteries, they take their own shape when you're making them. It's just a piece of art, it's like the clay is saying to you that do this to me, form me this way or make me this way, and this is the way these individual pieces are made. It seems like these potteries, they take their own shape when you're making them. It's just a piece of art, it's like the clay is saying to you that do this to me, form me this way or make me this way, and this is the way these individual pieces are made. The yellow line means that the compass is working. But if you look at the orange line, the compass is working. You can see that the yellow lines are on both sides. A yellow line means that the compass is working. I hope you enjoyed this video, and I will see you in the next video. I got the clear engine. Oh, it's the new show. Oh, yeah. Oh, yeah. No, it's a little bit. I don't want that Take a engine for a bit saggy Oh, hey, you got it. Oh, that's it. Oh, that's a go. Hey, what's up? It's a gibberish. Ah, it's the new year. So it's kinda awesome. Oh, what's up? Now, with this, designs like this one, you see the design, here it comes, and it goes in a different form, and it all has its meaning. You have a symbol that looks like this. And then the next symbol that it has is the same, but the only distinction is this one has a round end. Like this symbol represents the cloud. This would be, let's just put clouds. This would represent the male, and there's always this female and the male row in symbols that we put on these potteries. Lines make a lot of difference. Sometimes we make lines like this. We make lines in a vertical and horizontal line. This just represents, again, it's always the female and the male. That's how we distinguish these designs from each other. And then you have designs that goes in this zigzag formation, and that means this represents male. And then you have your design that goes in this formation, straight, kind of slight curve. That would represent the female. That was the traditional form of pottery. But in this case, these lines here, around, it's supposed to kind of like in a ring type. They never meet, actually. There's usually a gap. There's usually an opening. If there was a design that was taking place in the middle of this squareness, there always has to be this opening here. You call them, to prevent sickness or to prevent getting in a bind, you always have an opening. The other formation is like to work with the rain. You have rain formation, and that's what I define on this pottery. This signifies rain. And then also you can distinguish the rain. There's one in this formation, and it also represents the male. But I would assume this is the female rain, and over here would be the male rain. In America, you find this form as a star, a vise. The Indian star, especially Navajo star, is kind of like a diamond shape. This is what we call star. We do have step formation, meaning that usually our design goes in this fashion, and that's called step formation. Then we also have formations like this. This is how we do. These are called trees. These are called mountains. The reason why we put them in there is then we usually put a line through here, and then vice versa, this, like this, this formation, and same way with this step formation. If it goes the opposite like this, like they have in the Indian Navajo ceremonial basket, this is called reflection of the mountain with a lake. We do have a symbol of this. We do have a symbol of the big plus, and we do have the plus symbol going in that formation. Then we do have fours, and we do have seventh formation, and then we have a vice versa seventh formation. Then we also work with the big L. We call it the big L. That's the big L. That's the oldest design that we work with. This means marriage. You only use this symbol in terms of a married individual, but for this, it's called unity and strength when it's crisscrossed. I always like this idea of crisscross. This represents here the coronal direction. When it gets to this, these are all having to do with the anything native plants when it comes to be in this multiple points in here. Then when people are sitting, usually when they cross legs, if they have big feet here, big shoe and pants here, sometimes we sit like this with legs crossed, and it makes a four. For this, we call it the foot. We usually look at it as this. That's called seven. The big L is supposed to be like in a night chant. We use this as we call it a whirling log. That means on these logs, usually there's a sand painting standing on this, so it goes like in this formation. That's why we use those symbols. We use this to find the person that we want to be. We have different kinds of symbols for this. For example, if we had a lot of trees here, we would use this. If we had a lot of trees here, we would use this. We would use this to represent the tree that's Shri Narsangha, Shri Narsangha, Late Khor Zorla Iyahi, Naya Siddhi Teno Zorla Khor Narsangha, Shri Kesh Teno Zorla Khor Narsangha, Shri Akya Khor Zorla Khor Narsangha, Shri Ika Khor Zorla Khor Narsangha, Shri Natte Yatak Tso Zorla Khor Narsangha, Shri Narsangha, Shri Narsangha, Late Khor Zorla Iyahi, Naya Shri Narsangha, Shri Narsangha, Late Khor Zorla Iyahi, Naya Ahla Ahla Khor Narsangha, Ahla Ahla Khor Narsangha,