Fra Angelico Egg Tempera Technique Paintings

Hello my name is Antonis and I'm the photographer behind this video In this video I'll show you the process of creating the face of Queen Maria after a shot taken by Frantzeliko who was the heir to the ancient Eastern throne I'll explain my process step by step and I'm pretty sure Frantzelikos was used e same procedure and the same steps o finish the beautiful masterpiece of Eastern Basilica Maria Of course you see the pieces I'm taking e head of Queen Maria And I've already made my sketch and I've transferred my diagram my diagram So in the next video I'll expla How do I create these shapes And how do I transfer the diagram to the diagram but more importantly I am forming from the productive characteristic of the diagram It is very important because such an approac Can you draw your diagram every situation you desire and I think it's very helpful utorial on how to do it So watch closely and I'll show you This tutorial is very brief So for today I'm starting this video with that following the preform of characterization and capital of Queen Maria And after that I watch this pre-plasma like the Byzantine preside e Byzantine formatio I'm starting to follow my own writings As you can see here The rigid characteristics of the schematic The preform used here It's much less than it was whe I'm following a Byzantine formation I have used the same features like when I'm watching a formation but a bit lighter in color And a little more egg Thus the final preform must be far less characteristic from the hard-packed ear of the Byzantine formation I'm trying to keep up examples from Frantzeliko as much as I can and I use a very close approach when I follow these writings I'm trying to see how hard it is as been monitoring the formation I'm trying to shoot a scene at Frantzelikos must have played the preliminary stage of the process That's why I say that the writings in the file They are extremely important and if you play them right en the hardest part of your tough job She's ready Try to keep up your examples whatever is What are hard facts who has played Frantzelikos the preliminary stage Try to understand Which parts of the lens are hardened by pre-forming And which elements are fewer I've seen many a frantzelikos when they set up a factory from ancient realities or actual productions from the old masters They do things in segments They will play for example the tru and they will finish the trunk and then they will proceed on the trunk and they will finish the trunk I don't believe this was it The real program of these masters I think they're working e capital letters in their command They don't just work on broken things Photographers specifically from this period Try to work with your head as a whole and not in small chopped pieces Play when you play the writings Don't be slow and try to speak up These writings with the prelude where we need it before we proceed the first photograph As you can see here when I'm certain at I haven't progressed with any of the writings at I needed to play I'll prepare a color for the first photograph that is highly releva with this Byzantine ico and with this first color I'll take the first photograph This first photograph takes place at ocker white and some current I'm using a chainsaw and white canvas White and with always watching over as an example for me I 'm trying to see where Franzeliко must have turned on the lights This first photograph I know this might seem extraordinary For many of you it's actually quite simple The program is truly simple and if you have your photograp readythe I believe you should try s program and see what result You will receive these The first photograph I ever too It must be exceptional quite but not without ability must close the preform effectivelyand I work I'm working with small small lines As you can see here This is impressiveperhaps but also so very very blessed to be able to see this photographic appearance and be so [-] exceptional e way Frantzeliko photographed You can play some nice music ruly enjoy Your time in the chair becomes chairs themselves e way I feel today toward those old ones masters can be the best masters and it's a beautifulconnection with the pas see what they can teach us and You will truly enjoy their work much better simply by trying to cut Their wor Here you see me attemptingthe second step the photograph where I try to spea e first light with my prelude I'm making a color that 's betweenpre -mixing and first light and I'm trying to see where I should go o speak the first light with the prelude The importance here is to work with a small team I have a verynice swimmingcolor and I'm trying o work at a place of this color many peopleasking whatcolor type using The mark I use is calledDavinci and it is colors made from swimmingpool color It' strulyamazing and holds colorwell e more so than syntheticcolors and [-] [-] They work betterwith encumbrance now you see o make a secondcolor tha I'm preparing a color that 's close to the first illumination the first light and with I'm trying to make it even better I'm trying to create the first lighting with the firs color I always tell my studentsthat it' struly It's important for them to know what they have in their palette ow their colors and never forget them What color are theypreparing and what is the color that is They know for example now I know at the secondcolor I know o I don't just know I trulyhave some right one Of course I can go back and back again in case successbut you must remember and ow where you are in the process and of course when you do many colors your palette you must remember which color What is it for and why is it for and why is it for You have prepared these colors I know that this might seem childhood and I don't know but it's really Truth sometimeswe forget and destroy on progress and where we are in progress I' m trying to do a few things adventure here and now I 'm making a color that is e first flash but just a little with that flas I'll add a littleextra color rying to create this first one photosome I want the light to be above the lig e color I illuminateI want it to be above the ard color of the milo that' s why I do this e last color of the first flash aga and after I' vecreatedthis first one light spot and the color will Please be specific and use your own experience of course along with your own examples and insights If you make a mistake go back use some primer or tinted base and build up from there As I often say I don't know any recipes at least Now when you intend to take your mind observe the mind you are taking from your example And try to imagine and visualize what colors you should have used to achieve this result The mind you acquire will teach you more than what you need to do Here for example I can see that I need to make a second piece of writing that's a bit tougher I'll observe which parts of the sky need to be harder and how Frantzeliko has used the pieces The mind the pieces of the mind what colors has it used I won't move on to the second light here until I've decided on these elements of the mind I won't be transferred to the second shift Franzeliko is a spiritual figure from the Catholic Church I think this is right because I can sense it solely through the mind's creation I can feel this wonderful sensation within me Extremely sensitive It's easier for me to pray and feel the presence of the mind e good sense of mind Thus I feel my eyes the way my production tells me I should feel them with a white color that is slightly more blue More chill from the colors I use And here you see my second light positioned on the face of the Partial Production unit And for this second light I'll add only white for my first light Also I'll be closely monitoring my production and will try to figure out how to keep it bright Subtitles AUTHORWAVE I'll explain the process in another video where I illuminate the Ancient Maitho Gabriel forgive me for the openness You can watch this video in my library It would be good to see how you tried to illuminate this Italian light Now you see my second light alongside my first light I'm using only one color that's between the two And I'm trying to speak according to Frantzeliko If you'd like to try this light one but you're not sure how to set up the office You can simply present the light of Ancient Maite From Frantzeliko and use this office for your work Of course it's better to do the paperwork yourself This will help you play better afterward because you'll have a better grasp of what's happening Regarding the plans and forms of capital But if you feel impressed or feel that your activities aren't strong enoug or if you'd like to go ahead and proceed with the office process Then you feel free to play Frantzelikos's office and bring it to your office As I said I'll be doing a tutorial shortly about how I create my designs and how I transfer and design something that interests me an office space So keep watching and keep watching until you sign up and support this channel Then more videos will follow and it's truly wonderful to see so many people It's interesting what I do Here you see me drawing s second lig I can also shoot with a third light Only with a third light that isn't very strong And then to speak again with that second light At this point in the photograph I can go back and back again Let me see what the image app tells me at needs to be photographed and I'm just trying to make it happe as close to the original as possible I'll make a few final applications I'll try not to close something beautiful I've photographed why I go there so carefully and as modern and modern I'll say aga I suggest you photograph using the contemporary standards of photography I think this is the most important thing Be subtle and careful For this program and you will be extremely satisfied Given the size of the hammer if you do it The applications of Kolinsky sable hair are very very satisfied to work w and the more I do these chores The more I encourage and love the temperamental the more it flourishes The word on photography from the old masters It's not just about having a beautiful photograp For our home or to give us a gif but the real advantage is when we do these things It's that we learn many things which we can later apply for the photograph we want to take For our photographs not just for the productions but when we use our personality A good photograph is always a good photograp and we must never make decisions at some point or in some style of photography believing that it offers us nothing Here you see the first photograph which we will use for the photograp on Virginiella's head For the photograph I have used a preform that is slightly differe color from the photo's pre-press stage This preform is a bit hard — just a little And in this preform I'll add a color which is white sweet and sour And with this color I'll begin playing plans and plans on Virgine's head Also I'd suggest you play your card now and closely monitor your plans Don't be slow And don't forget we're not robots And it's fine if we don 't play exactly the same It's really okay We are always here to be defined o enjoy the richness of mea And let's learn something It would make me very happy f you send me your creative efforts on my channel and especially if these efforts They are designed with the videos and these creative ones of yours It would be great if you could see at you tried to label her as a creature These creative ones are for me They are absolutely wonderful It's something I don't do very often characterizing it in a different style and it's so wonderful to see e characteristic of coming and appear before my eyes I'm sure that if you try You will be impressed and truly delighted and happy to be with you as artists at you have allowed to be characterized as Such a beautiful photograph After this first photograp I will try to describe the photographs of the characteristic Franzeliko is my teacher here and he tells me What is the procedure and how should I proceed with what colors How good will this photo be How much red should I add How much black and You are distinctive you are free I think that when these photographers They were taking photos here They were photographing with a more relaxed and自由 style quick way Now I'm taking a second photograph on Ginmery's head A little white and a little egg the first photograp o take this second photograp We decided to believe tha e exact color is similar to the photograp and in many cases it's truly It's two watered-dow undreds are truly very similar bu The photograph is so specific and even more beautiful to photograp At this point I would like to I'll send you good thoughts or a prayer Frantzellico I would like to thank Frantzeliko at taught me and continues to teach me How to photograph the King of Gimmer Franzelliko who was let's call the father of Michelangelo's artistry e studio belonged to Dominikos Gyrlandios Domenico Girlandaio was the teacher of Michelangelo so I give my wish to Frantzeliko and o all of you who are here who support this channel and for the creation of these videos I would also like to thank e people who support me on Patreon com and elp me keep this video free and open to all Thank you so much and Wishing you a blessed week ahead I'll send you a short video shortly And please register me for your upcoming event on my channel which is linked to the video I'll send it to you shortly bye