My FIRST Concealer!!! 💫

Hello everyone, so, new year, new release. I'm finally releasing my first correction. I'm working on four different formulas. Actually, this was the third one I started, but it's ready first and, honestly, that's how it happens sometimes. So, welcome to my pinpoint correction. This is my micro-correction pencil correction. Honestly, it's a game share. It's incredibly accurate. It has a tip of 1.5mm. So, all these years I used tiny brushes. This does exactly that. It camouflages completely. So, it doesn't matter if you have broken pots, if you have marks, pigmentation, whatever it is. It really disguises and covers. It's self-sealing. It's waterproof. It's sweat proof. It's long-lasting. So, after applying, after covering whatever is necessary. It simply dries and doesn't come off. And we tested it. It was tested in laboratories. It was clinically tested. We tested it while people swam all summer, going to gymnastics classes. You can use it on top of the base, on top of your toning, your moisturizer with color or just on bare skin. So, what can this little miracle man do? Well, it's really like a Swiss canivet. It's the Swiss canivet of corrections. It can lighten micro-shadows, cover blemishes, redness, marks left by spots, pigmentation and correct your makeup. If you ruin your makeup, it can correct it. It's a micro-precision camouflage. So, why does the correction need it? Why have I been talking about it since the beginning? And anyone of you who has been following me since the beginning of my YouTube knows that one of my first videos was a video about how to cover acne. Where I demonstrated my technique. And the reason why I had this technique, this precise correction technique, is because I myself suffered from very strong acne. When I was a teenager, I had it on my back, but I only started to have it when I was in my twenties. So, when I was starting my career, living in Paris and participating in all these amazing photographic rehearsals, that's when I started to have constant thorns on my face. And I felt so destroyed by it. I went to the photographic rehearsals and it was not a time when you could wear heavy makeup, it was not in fashion. It was the 90s, so everyone was grunge and hardly wore foundation or makeup on their faces. And I felt so destroyed by it that I really started to improve this technique on myself. How can I cover all my spots to feel confident, feel good when entering an environment and not look like I'm completely covered in makeup? So, I practiced and got to a point where I was so good at it that people praised my skin all the time, saying, my God, you have such perfect skin naturally and things like that. And I remember that I started working with a musician who had a lot of acne and I did my technique on her. And she was so impressed that she told several people. Her press advisor told people, her businessman told people, and it kind of spread that I was the person who could work with anyone who had a lot of acne. So, they were models, they made a line for me and hired me, and I did my corrective technique on them and often I taught them to do it on their own too. So, in fact, it was born from this need, from my own need to, you know, I remember how it was to wake up in the morning and go to the bathroom mirror on the day of a big photo shoot and see, you know, a huge and new thorn with which I had to deal and deal. So I knew how it was. So, after that, I was just holding and using it on all my clients, it didn't matter what I was doing, I always used my corrective technique. And I became very known for creating skin with a more natural appearance without heavy makeup. And it's something that I have to such an extent that I think that all the videos I've posted on YouTube contain the word Pimpoint Concealing, or that I'm really doing this. And many times people come to me on the street and say, My God, are you Elisa Eudride? And they always tell me the same thing, which is that the first video you posted about how to cover acne and your spot correction technique changed my life. This really gave me a totally new perspective on skin. That's why Pimpoint Concealing got to a point where I even registered this name, Pimpoint Concealing. I have a trademark for it, it's a trademark. It's not just me. It's me in my amago. It's me as a makeup artist, but it's also me in my amago. So, now I'm only using it on my bare skin, I don't have my skin tone or base. So, I'm going to take this off and show you how I like to apply it and how my technique works as well as my precise concealer pencils. So, I'm launching with 16 tones. If you go to my website, you'll see the final rehearsal I did with all the models who had skin problems. And there are no retouches in any of the images. So there's before and after and no retouches. And I just wanted people to be happy and show any problems they were having with their skin and also show how we could use concealer to obliterate them and how to do an almost digital retouch, but in real life. And throughout this process, we met a lot of people. So we were constantly testing. The most important thing is that everyone, like, when this pencil is going to arrive, I want it. But we got to the point where we created a matrix where we had all the tones that worked. So, if you're someone who wants to combine the base or the shade or just want to use it for a specific skin problem, we've improved this technique and improved the color combination. So, please, get in touch with my assistant or go to my website and see the matrix we created, which was really found in concrete facts of hundreds and hundreds of faces made with these pencils. So, let me show you my technique on naked skin. So, as I said, there's a 1.5mm tip. The pencil is rotatable, so you only turn it when you need to and there's a pointer at the base of the pencil. It's completely self-sealing, waterproof and long-lasting. For this reason, when you finish using it, you should always put the lid back on firmly, because otherwise it will dry. So, put the lid back on when you finish using it. So, how to apply it? It works just as well at the end of the makeup. So, maybe you've put all the base, put a liquid under the eyes, put a concealer, finished the makeup and realized that some spots are still appearing or that you want to give an up in your makeup. You can use it that way at the end of the makeup. Obviously, you can use it while applying the concealer and at the beginning of the makeup and also over the tone. So, I took off all the makeup, except a little highlighter and I'll show you how you can use the product only on the skin and how to use it better that way. These tips also apply if you are using base or tone. Anyway, these are my main tips and, as I said, this is my best known technique. So, there's nothing I don't know about this technique and how to make it look very, very natural. So, the first thing to say is when you're hiding something. For example, let's say you have, like, maybe I don't have many thorns at the moment, but here, where I have a brown spot, what you don't want is to make a very solid circle where you don't mix. You just let it dry because it will have a hard edge. And since this is a very camouflaged product, you should never apply it that way. The best way to apply it is, for example, to say, I have small dots here. They are a mixture of broken capillaries and a little bit of pigmentation too. The best thing to do is to lightly brush over the area, blend with your fingers. This is particularly good if you're not wearing any other makeup because it helps to mix it with your skin. And then go back and lightly brush the mark, leaving these almost irregular edges and blending in a thinner edge. It's like you can only look at a map when you're looking at, I don't know, a mountain or something like that. And you have those lines that tell you what the landscape gradient is where you have that kind of center or, let's say, if there's a volcano and you see those maps that show in the news if a volcano is erupting and it shows you, like, the center where the most concentrated thing is. This is exactly the best way to use this pencil. It's a bit like digital retouching. It's something so exact and precise and full coverage that whenever I used to do this technique, I wanted this pencil to have existed when I had my acne facial. That's what I needed because I always tried to mix my concealer with a tiny brush and then tried to apply it with my brush. And although this is something you can keep in your pocket, we tested it with people who go swimming, do F45 gymnastics classes and it's very good for erasing anything. So, around my nose, I have a lot of redness and broken pores. So, if I wanted to do this area, I would start kind of poking over the area. You can also use a brush, by the way. Now, as this is a very large area of redness, I'm just going to... And if I had used a tint or a base, most of it would be covered. I would only do one or two things. But since I'm not, I just applied a thin layer there. And now I'm going to go in and take this red vein that I have there and just tap it to put it in place. I was hoping to wake up with a big spot today because I needed it. But we have many models with, you know, several problems with which we work in photography. So, going back to the area of my chin here again, I have... Actually, let's do this here. I have a little brown spot here. I'm going to go there. Erase, erase, erase. The goal is that, in the end, even if I'm using my tint or my base, it never looks like you're using a lot of makeup. This is the fundamental principle behind my precise correction technique. You have a light base coverage all over your face and then you apply exactly where you need that coverage. In the common area as a whole, although I have a lot of camouflage product here, it still doesn't look like I'm wearing makeup. So, continuing here, obviously, I have a lot of redness in my chin and, in addition, many little things to hide. So, these are just marks, previous spots, small pieces of pigmentation, some broken red capillaries there. So, actually, I'm going to start going back to the common area as a whole. This is the step that is not necessary if you have already applied the ink or the base. Now, after doing this, I'm going in and I don't know if you can see these two red capillaries. I'm going in and erasing these two. Bye, they're gone. A little more redness here. Ah, it's a spot coming up here. I have another brown pigmentation. And if you're doing this without any other makeup, you can do it with a brush too. You don't have to use your fingers, but let's say here, I have a lot of redness coming up in this whole area. So, I would just polish with my concealer. And then I would go in and take what's left, which is a broken capillary there and a broken capillary there. So, this is the best way to camouflage if you're not wearing any other makeup. You can find out that, if you've applied the base, they're just little things that are standing out, like the smaller things, except for the larger areas, because the base and the toning will nullify these larger areas and you'll only be dealing with these little details. I'll also show you how I love to use this for micro-lifting of shadows and it works so well. What is micro-lifting of shadows? You know, this is for me, at least. Sometimes I look over here and it's not so much redness, but it creates this kind of shadow here. Sometimes I see it coming up here and going up. It's like a kind of format like this one here. And honestly, when I use this pencil, it's like a cosmetic procedure because it lifts completely and takes all those signs of aging and fatigue, which is simply a miracle. For that, I could use a lighter pencil. So, this is the tone 3, which is another golden tone and it's lighter, but it's good because I'm very red here. So the shadows tend to be red, kind of grayish. So, let's say here, for example, if I just wanted to lighten a shadow, if I went to an event, I'd kind of just draw a line where the shadow hits and then I'd just apply it. It appears here. I don't know if you can see the difference there. I mean, I'm very bright today. So, but this was one that we definitely use a lot and I use it a lot on clients. If I only see a little shadow, it also works very well under the eyes. Now, it's not the kind of formula you'd use all over the area under the eyes, you know, like a kind of full concealer, but if you've had the concealer or have a day like mine today, where I'm not wearing makeup, but I only have small areas. So, for me, it would be here where it's almost like a dark blue shadow and I just wanted to lighten it up. This is so perfect for that. It's also very perfect when sometimes you apply the concealer under the eyes and there's only one shadow left, usually in this format, almost like a semicircle. And I would only use it in the inner corner. And I can even use the lightest one there just to light up that dark corner. So it can be used at the beginning, it can be used at the end. Certainly, with some of the trial models, I did all the lightening of the pigment at the beginning, then I applied the ink and then I applied a little more concealer. But in most cases, it's more or less at the end of the makeup that you're just perfecting it. Or as I said, it's a day like today, when you're not really wearing makeup, but you just want to cover up a few things and make sure they're hidden. You know, they won't come out. We did several clinical tests with that, so it really stays in place after it dries. Another thing it's very good for is for micro-correction of makeup. So, if you're doing makeup all over your face and you realize you're trying to make your eyebrows look very clean, as I have a little pigment above the eyebrows, you can use it to lift and hide around them. In the same way, you can use it around the lips. If you're using my technique of lip lift, it will not only help to hide around the lips, but as it fixes and is totally waterproof, it will prevent any migration of the lipstick. So, it's very, very good for the contour of the lips and the last minute touch before applying the lipstick. And it's particularly good if you want to do a lip lift too. The other thing I really like to use is, and I use a lighter color for that, under my apple of the face here, I have a red spot or a, I think it's pigmented red. So, I use a lighter tone and just brush and blend. And that means that, whatever I'm applying to my cheek, or if I'm using a little contour, the whole thing is not dragged down by a pigment stain that is just below. I really don't have that on this side. I have a little, actually. I'll show you what I mean. It just uniforms that dark spot that I have there. So, I'm going to continue and just hide everything. Ah, here's another place that I always use. Between my eyebrows, I have, I don't know what it is, but it always looks like a shadow. And if I just hide it, I'm using pencil 5. It just takes it away completely. Another place I really like to use is just on the outer edge of the eye. If you're doing a eyeliner, you know, and kind of went through the eyeliner and then maybe used a little cotton swab to blend and then you think, wow, it looks a little messy underneath. You apply this and just draw a line, whether you're wearing makeup or not, and it lifts everything and you just tap to fix it in place. If you can see the effect. So, now I'm going to do what I usually do, which is erase, erase, erase everything I don't want to see. The other thing you can use for this is, and it's fantastic, to cover text tattoos to use on the back of your hands. So, if you have small marks on the back of your hands, on your neck, on your legs. I used it on the ingrown hairs that never come out at the bottom of my leg and I used it on that and it covered it completely and I used it in the summer. It didn't come out, it was hidden all day. So, anything you feel you want to lift and hide, sometimes, when I've already done the complete makeup, I see the sun damage showing up and I just scribble. I literally go in and scribble and then randomly and then I hit, hit, hit with my finger and it just takes completely the look of that. You can't see it. And, again, it's creating that kind of perfect dissolution around the edge, you know? Not drawing that circle. It's just being a kind of scribble. It's very similar to an art pencil in that aspect. The finish is kind of a soft matte finish. So, obviously, I'm looking very oily at the moment because, basically, my skin is very oily. But you don't need to apply powder after using this. But, obviously, I'm going to apply powder on my face because my skin usually needs powder. But you don't need powder to close it. I'm going to use the lightest tone again just to microlift the shadows on this side too. But it's very good for this line if you're the kind of person who can hide everything around the eyes perfectly. But there's always a tiny area that needs a microlift. And, honestly, the devil is in the details of the makeup. You kind of apply and discover that these little things don't really matter. So, I probably used a little more than usual because 9 out of 10 times, I put a little of concealer first and then apply and just take the rest off. But I wanted to show you how it works on naked skin and how you can do it in a little bigger areas and just dot a little more. But yes, it works as well depending on how you use it. And I feel that if you are the kind of person who doesn't use concealer, it's the dream because it's very easy to use. It's very precise and, after applying, it doesn't get out of place. I'm going to use a little powder. Seriously, just for my skin, not to fix the concealer, because you're probably thinking, well, it's nothing different from how I was 10 minutes ago, but I want to show you one before and then side by side now so you can see how I just finished my makeup. I just put on a touch of blush. In general, I'm only using moisturizer, a little intense glow, gel for eyebrows, mascara, a little shadow, lip liner and very thin concealer. And that's it. I also put on a little powder. I can't wait for you to try it. As I said in the introduction, they are like a Swiss canivete. They do everything, whether to give the perfect finish or just cover something quickly. Honestly, it changes the game. They are very precise. It's really a micro-precision with a macro impact. In addition, there is a small surprise, it is a new limited edition gift bag. And this is a little different from my usual bags. It's very soft vegan leather in this beautiful olive green color. And it has a zipper all around. And this is so good to keep your toning, your pencils, any other makeup in motion. If you have more questions, please let me know in the comments. If you are waiting for that liquid reseller, consider the first one. It won't take long. And I know I say that every time, but I'll say it again. I have the best service to the client. So, if you need help to combine shades, please get in touch. Honestly, we use these shades in hundreds and hundreds of faces. So, we had so many people arriving with birthmarks, tattoos, pigmentation. We have tested the colors, also combining with my base or my toning. So we know exactly which shades work. So, please get in touch. We also created a very good matrix that will be on the site. So, access the site where you can find all our recommendations, depending on your problem, depending on your tones. So, you won't have any more doubts. And if you are in the UK, I am available in some stores around the country. Get in touch. We can also inform you which store is closest. I can't wait for you to try. You will love it. See you soon.