How to Light Cinematically with NO LIGHTING GEAR

Filmmaking Techniques
4 followers
Sep 11, 2024
Hello there! My name is Brady Bouren, I am a filmmaker and photographer who loves creating art. I have worked on over five feature films, various shorts and promos, and wrote and directed my first short film “EMBER”.
Lighting. It's easily the most overlooked aspect of filmmaking. And whether that's because people
don't understand how important it is, they think they need expensive lighting gear, or whatever
the reason may be, lighting is ironically the number one thing that will transform everything
about your videos. First off, I need to shine some truth on a lie you may have been telling yourself.
The lie is, I don't have any lights. And that couldn't be further from the truth.
Start walking around and identify any item you have access to that puts off light. From
lamps and flashlights, to windows and computer screens, not to mention the sun, you have lights.
And you don't need a lot of light either. Less light is almost always more cinematic.
The key is being creative. We're prone to let the lack of perfect circumstances and resources
prevent us from creating. This scene here is from a project I did a while back. The whole scene is
lit from the headlights of this car and a couple of phone flashlights, one of which I'm actually
holding right off screen. Now let's take a close look at this shot. I lit the whole scene with two
lights. A fridge, acting as the key light, and a porch light outside the window to add some more
depth to the scene. All I needed here was some creative framing and usage of the existing space
and lights. And these lighting principles apply to literally any camera. I've seen footage shot
on high-end cinema cameras. It looks horrible due to bad lighting. And I've also seen incredible
footage shot on cameras worse than an iPhone because the lighting was good. And in case you
were wondering, this fridge scene was shot on an iPhone. Shooting outside is probably the most
difficult because you can't control the sun. What you can do, however, is plan ahead. The time of day
and weather you're shooting in make a huge difference. If you didn't know, the best time to
shoot is golden hour, which is the hour after sunrise and the hour before sunset. And now while
you can shoot any direction during golden hour, the best images are when you point the camera directly
at the sun. Overcast days are great for filming because the clouds diffuse the hard light of the
sun evenly, allowing you to shoot any direction. And early in the morning or at higher elevations
will often get you fog, which will add depth to your image and generally just look epic.
Also, weather like rain or snow, a time when most people stay inside is the time you need to get out
and shoot, especially slow motion as the elements in the sky slow down the entire atmosphere,
not just the subject. Moving inside now, day interiors can be fairly simple. The first thing
you do is turn off ceiling lights and rely on window light. That provides a nice soft
light source from the side instead of a hard source from the top. Also, putting lamps and
showing light sources in your shot can add interest to the image. Now, I think the one thing
that people often neglect when talking about weather and lighting is the storytelling. Because
while golden hour looks nice, it may not always tell the story the best way. And while there's
stereotypes that you don't have to follow, such as golden hour being romantic or rain being
emotional, you do need everything to be consistent within each project. So there you go. You
don't need to buy a bunch of lights. You can use what you already have and still put lighting
principles to use to get cinematic images. Stop neglecting lighting because it's the number one
thing that will transform everything about your videos.
