In this video, I review the process of recreating the Fairmont Royal York Hotel, a historic landmark built in 1929 by the Canadian Pacific Railway - in N Scale. Join me as we explore the steps involved in capturing the essence of this iconic structure for a model railroad layout. From adjusting sizes using Google Maps to experimenting with laser-cut Bristol board layers, I'll review the practical challenges and creative decisions in bringing this piece of Canadian rail history to life. Stay tuned for insights into layering, weathering techniques, and the final touches contributing to the 5mm thick backdrop.
As we witness the transformation of the Royal York, envision the potential for creating various background buildings, including the ominous presence of the financial district towers, casting a shadow over the designated Union Station area. Thanks for tuning in to this journey, where history meets a slightly dystopic twist!
#nscale #modelrailroad #dystopian
Music Credit: Matt “Darkvine” Posuniak @darkvinemusic
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the Fairmont Royal York Hotel built in
1929 by the Canadian Pacific Railway was
for a Time the tallest building in the
British Empire originally conceived as a
grand Railway Hotel it served as a
luxurious stopover for travelers
arriving in Union Station the hotel's
classic architecture is a Living
testament to the Past glamour of
Canadian rail travel and the next
dystopic land Mark to be added to the
union project let's get
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started as with past projects I began
working on the rail York hotel by
determining its basic size using Google
Maps Google Earth and photographs
after sketching the main shapes of the
hotel I realized its 900 mm height was
nearly twice as tall as my backdrop to
capture its Essence I applied selective
compression and reduced the building's
height by almost half as this is only a
background structure I wanted to
experiment with a process that could
create visually compelling background
structures that are only a few millim
thick and relatively easy to build I
decided that using layers of laser cut
Crystal board would be a quicker way to
capture the details of the building
without having to construct the entire
structure the hotel features a
significant amount of ornamentation
which I didn't want to spend excessive
time reproducing therefore I simplified
the forms and ornamentation into basic
shapes through trial and error I
developed a plan to assemble the
building using seven different layers of
card stock and one additional layer for
details the first layer of the building
was laser cut black foam core I chose
foam core due to concerns I had about
bristol board warping since the final
building was larger than the laser
cutters footprint I divided each layer
into four quadrants and assembled them
individually to maintain rigidity in the
first foam core layer I use glue and
aluminum tape to assemble the individual
quadrants
with the foam core layer assembled and
painted I began cutting priming and
painting each building layer I lightly
primed the bristol board with spray
paint given cardboards tendency to Wick
moisture and warp easily I hoped that a
light coat of enamel paint would make it
more impervious the window Mion and
Frames were painted a dark brown and the
visible Stone sections were painted with
a light creamy
color once each of the window mions were
dry I glued strips of acetate sheet
behind the windows to create a glazing
and then primed the backs of that
plastic with a flat
primer to avoid gluing each layer
together with water-based adhesives I
sprayed the backs with a solvent base
glue similar to rubber cement this
prevented any warping or buckling and
allowed me to reposition each layer
before it had fully
cured
as I added each layer I strategically
airbrushed my standard weathering
solution a mixture of rubbing alcohol
and India ink onto parts of the building
that would typically be further away
from the
viewer I focused on areas that could
have a weathering build build up as well
as other areas to help increase the
visual contrast and create the illusion
of
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depth
I painted the roof with a soft green
color to mimic the appearance of
oxidized
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copper
as each layer was applied I added
additional weathering using the airbrush
to exaggerate the layers and increase
some
contrast with all the layers assembled I
allowed nature to reclaim the building
and added ground foam to represent
overgrowth and Vines
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with the main structure weathered I
finish the sign on top of the
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building
I experimented with a series of painting
techniques as I wanted the sign to
appear if it was glowing
red the final step was to use a white
roller ball pen to represent the glowing
bulbs inside each of the red letter
forms
I added a few bits of vegetation let
everything dry
thoroughly and then added the building
to the
layout
I am very happy with how this structure
turned out and I like the depth it
creates despite its meager 5mm thickness
moving forward I'm confident I can
create various background buildings
especially the ominous black towers of
the financial district the Fairmont roal
York completely transforms the area
designated for Union state
and casts a menacing Shadow across the
platforms below thanks for stopping by
I'll see you next
time