ExclusiveMendelssohn: Piano Quartet no. 2 in F Minor, Op. 2 - I. Allegro molto 門德爾松：F小調鋼琴四重奏，作品2 - 1. 快板

【Classical music and nature 古典音樂小站】Felix Mendelssohn: Piano Quartet no. 2 in F minor, Op. 2 - I. Allegro molto. This beautiful piece was preserved by European Archive. It has Creative Commons license (PDM 1.0 DEED, Public Domain Mark 1.0 Universal) and is provided through www.musopen.org.

When Mendelssohn was eight years old, his parents arranged for him to have a music teacher: Carl Friedrich Zelter. Zelter taught Mendelssohn composition and music theory. He was always described as "crude", "coarse" and conservative. However, he always remained neutral in his lessons. He was so impressed by Felix that he wrote letters to Goethe about him and eventually took him on a trip to Weimar to meet Goethe in 1820. In one of Zelter's letters to Goethe, he mentioned that it was extremely rare for a Jew to make music professionally, but this did not change his opinion of Mendelssohn as a student, but encouraged him to introduce Mendelssohn to the world because he was so impressive. When Felix travelled to Weimar, he played the piano for Goethe for two hours, performing works by composers such as Bach, improvisations and some of his own compositions. After Goethe had seen with his own eyes what Zelter was talking about, he kept Felix there for sixteen days to work with him, and Felix made further trips to Goethe in his youth accompanied by Zelter[2] Overall, the relationship between Mendelssohn and Zelter was very strong due to the influence Zelter had on him, and Mendelssohn later composed his own first works. For example, Mendelssohn dedicated the Piano Quartet No. 2 in F minor to Zelter.

The video was shot by Simone Schlegel in the Bernese Oberland, Switzerland. It was edited by Wenjing Ma.

【古典音樂小站】門德爾松（孟德爾頌）：F小調鋼琴四重奏，作品2 - 1. 快板。這件美麗的作品由歐洲檔案館保存。它擁有創用CC授權（PDM 1.0 DEED，公眾領域標記1.0通用版）並通過www.musopen.org提供。

孟德爾頌八歲時，他的父母為他安排了一位音樂老師：卡爾·弗里德里希·策爾特。策爾特教授孟德爾頌作曲和音樂理論。他總是被描述為“粗糙”、“粗俗”和保守。然而，他在課程中始終保持中立。他對費利克斯印象如此深刻，以至於他給歌德寫信談論他，並最終在1820年帶他去魏瑪見歌德。在策爾特給歌德的信中，他提到猶太人從事音樂專業是極為罕見的，但這並沒有改變他對孟德爾頌作為學生的看法，反而鼓勵他將孟德爾頌介紹給世界，因為他太令人印象深刻了。當費利克斯前往魏瑪時，他為歌德彈奏了兩個小時的鋼琴，演奏了巴赫等作曲家的作品、即興曲以及一些他自己的作品。在歌德親眼見到策爾特所說的之後，他讓費利克斯在那裡待了十六天與他一起工作，費利克斯在青少年時期還在策爾特的陪同下多次前往魏瑪。總的來說，由於策爾特對他的影響，孟德爾頌與策爾特之間的關係非常牢固，後來孟德爾頌創作了自己的首批作品。例如，孟德爾頌將第2號F小調鋼琴四重奏獻給了策爾特。

該視頻由西蒙娜·舍勒格爾在瑞士伯恩高地拍攝。由馬文璟編輯。





#classicalmusic, #Music, #古典音樂, #klassischemusik, #GJWexclusive, #Switzerland, #Schweiz, #Natur, #Nature, #KlassischeMusikundNatur, #ClassicalMusicAndNature, #古典音樂小站,