🔔 Découvre mes techniques de dessin gratuitement, en cliquant ici : https://hitart.fr/yt/ La pierre noire est un médium ancestrale ! Utilisé et utilisé encore et encore ! C'est par ses possibilités qu'on l'utilise et non par sa complexité. Un, il est dure à tailler. Deux, il ne se gomme pas. Ca demande beaucoup de finesse dans la main.
Hi, it's Kyong. In this video, I'm going to show you how to cut your pencil as well as an artist.
So why is it important to cut it well?
It's because, for example, when you buy a Conté mine,
of black stone, HB,
in fact, the problem is that either you can write like that,
and if you want to shade a large area,
it's a little complicated, and then you see, it's not homogeneous,
like a mine that would be cut like this.
You see where you have a much smoother angle,
and a much wider mine to be able to smooth correctly
and in a much more homogeneous way.
And then, why is it important?
It's about the line too, you see,
for example, a pencil like that, you have, let's say,
only one line thickness,
even if obviously you can be light and press much harder,
but except with a mine like that, the difference is,
we go from that, a mine like that, you see, like that,
to a much more pointy mine,
and much wider, which means that we have
a single type of line here,
then we can have several types of lines, you see,
it's much richer in terms of lines,
and also you can do a lot more effect of material like that,
but also a lot more effect of length,
and that's really what's important, for example,
in length like that, you see, you can go very fast,
here I do the terminator,
then I do the hard shadow below,
and I go very, very, very fast.
You see, that's what's interesting with a mine like that,
that's the terminator,
I don't say more here, but if you want to learn more,
there are a lot of videos that teach you
how to understand light,
and how to give volume to all that,
on my channel, so subscribe
and go watch other channels after this video.
So, to really cut it well,
avoid breaking the mine,
I often hear people complain
about using black stone
and that the mine breaks,
so know that black stone, as its name suggests,
is stone, it's stone,
it's like going to the knife and cutting stone,
and inevitably, either it's your knife
that breaks,
or it's the stone that crumbles,
in fact, you don't cut a stone,
you file it, and it's really different,
which means that you need a cutter,
and a special thing,
it's a sharpening block,
which looks like this,
it's super good,
in fact, this is a thing,
it's Nitran, it's a high-end rifle brand,
in fact, it's a brick with a stick here,
but I buy this, it's largely enough,
and I sharpen on it.
Don't drop it,
otherwise, you see,
it's a used thing, it's throwable,
but I've been using it for 3 months,
a block like this,
it costs 7€, and it can last
a little more than a year,
I've been using it for 3 months,
so it's largely enough,
and let's go, I'll show you how to avoid
breaking your mine.
So, first of all,
you have to take into account that when you buy
a counted pencil, it starts with
a pencil like this,
also check that,
well, you can't check it,
but check with the head,
if it's damaged,
usually, when the head is damaged,
it means there was a lot of shaking,
you have to be careful,
so you have to sharpen it well,
the longer the mine is,
the better it is,
here it's a little short,
it should be from here,
it allows you to hold your pencil
in a particular way,
I don't talk about it here,
because it allows your hand
to draw well and to be much more fluid.
So you sharpen like this,
in a very very very
wide way at the beginning,
and then we'll get into the details,
it's a little bit like drawing itself,
and it's also interesting to do that
at the beginning of the session,
to sharpen 2-3 pencils,
because if one breaks,
you have to stop during your session
and sharpen a new one,
it can take time,
so at the beginning of the session,
sharpen about 3 or 4,
4 for your safety,
but you'll break one
and you'll be careful the last time,
and it's also good
because it calms down,
it calms down at the beginning of the session,
for example if you have a day
where it's complicated,
or you fought with your colleagues,
or you had some personal problems,
in fact, just the fact of sharpening
your pencil,
you have to do it slowly,
go slowly,
it calms you down,
it's a form of meditation,
and it's important to do that
because when you draw,
you always have to be positive,
you never have to be negative,
and if you're negative and you draw,
you'll make a link
between drawing and negativity,
and it's really not what you want,
you want to forget all your day,
all your stress,
you want to be calm,
you breathe,
the problem is that I speak at the same time,
it's difficult,
breathe well, take your time,
you sharpen, you take your time,
that's extremely important,
and it will completely change
your way of drawing,
just by taking your time
to sharpen your pencil,
and it's really
sharp what we do,
so if you're sharp in what you do,
you will automatically improve,
and it's really important,
and it's this philosophy that I would like
to share through the channel,
we go in depth
in our way of drawing,
in our way of touching the paper,
of giving life to our drawings,
necessarily,
we attack all angles,
even the pencil,
even the way of holding the pencil,
it is particular to our way of drawing,
we go a little bit more
than the simple tutorial,
this is really
what is taught in the workshops
the most traditional,
that is to say that you can find it
in the workshops of traditional drawing
in America,
even in Italy,
on the academy
of Venice,
you learn to sharpen like that,
it's really ancestral
as a way of doing,
that's why the county of Paris,
the black stone, it lasts since the Renaissance,
we use the black stone since the Renaissance
because it allows you to have a big hand
and to make a lot of effects,
and draw in a very classic way.
From there, you can start to sharpen,
you try to remove
all the pieces of rubber,
it's a kind of glue that allows
to avoid...
it dampens the angles,
it's a bit annoying,
it's like if you had a leg
stuck here,
so it's not very practical to draw,
but you have to remove it well.
Obviously, you will have black fingers
when you do that.
I like when the mine is a little bit longer.
I'm going a little bit fast because I'm used to it,
I would advise you to take your time.
If you break the mine, don't be nervous,
it's...
breathe, the breathing,
it calms down,
so...
I broke it 5 minutes ago,
5 minutes ago,
so don't worry, calm down,
if you break it, it's ok,
you can start again.
When you buy black stone,
try to buy 5, 6 or 10,
a big package.
It's true that it's expensive,
it costs 2.50€,
but it's the basis of an artist,
a designer,
and it's really
an ancestral tool,
traditional.
Then you take the cutter
and you cut the beginning.
It's faster to do that.
You can sharpen it right away,
sharpen it,
but it would take a little more time,
so you just take the cutter
and you cut the beginning.
I also put my finger forward
without putting too much pressure,
it's to avoid breaking the mine.
Here, the mine is really fragile,
if you drop it, you break it.
So stay until the end,
I'll show you how I do that
to avoid it rolling.
Once in two, it avoids the mine
from falling and breaking,
because if it falls, you start again
and it goes fast.
The problem is that black stone
goes so fast and it's expensive,
if you're wondering
what black stone I use,
I use B.
This is an HB.
At first I used B,
but it was too soft for me.
I switched to HB,
but you start to get used to
drawing in a very light way
and HB becomes too light.
So I went back to B,
but I don't have B anymore.
With the confinement,
I can't buy it again.
It's a little bit thicker.
That's it.
You can cut blood mine
everywhere,
but I don't advise you to mix
the colors,
because if you cut
the blood with black,
it will mix with the blood
and you will start to draw
black, so it's not what you want.
To cut,
you have to turn the pencil
around
and do this.
It's very simple.
You try to start from here,
you go up
until here.
Don't do it like me.
It's a little bit like going to the sawmill.
You try to use the most
dry areas
and you go through here.
You try to sharpen it
as much as possible
and really be like this.
You don't have to press.
If you press,
you're going to break the mine.
When the dust fills the space,
you change the space.
You try to find a new corner
and you sharpen your mine.
You do this in a chain
before each drawing session.
Once it's well filled,
you try to
give big hits
in the trash.
I avoid doing it here on my table
or it's going to go everywhere.
I put myself in danger just for you.
Don't be afraid to give.
The mine is not bad.
I don't know if you can see it.
I like to make it
a little bit more
angular,
on the corners.
Here it's still a little bit too much.
Like this.
It should be a lot thinner
on
this part.
Normally,
if you're used to drawing
and have a well-sharpened mine,
you don't sharpen it
for hours.
By drawing,
by giving hits,
the way of drawing, as I teach
on E-Tart,
you automatically sharpen your mine
by your drawing.
Then,
I recommend to have a cloth
and clean the mine.
It's not bad.
Let's do the test.
We have
very homogeneous flats.
Very,
very nice.
We can make interesting dynamics.
We can work on soft shadows
and hard shadows.
If you don't know what soft shadows and hard shadows are,
I'll talk about it later on the channel.
For now,
I talked about it a little bit
in all the videos. I recommend you to watch them.
But I didn't make a particular video on it.
If you have questions or if you want
this video as soon as possible,
leave a comment.
It's a mine like this, it's perfect.
Then, for the final touch,
very slowly, you can mess up.
Here, I messed up.
I'll show you how to avoid
the mine falling
if you go too deep
by just cutting a little line here.
That's what I do. I cut a little line to avoid it from rolling.
You see, it falls directly like that.
It doesn't roll.
It avoids it from falling to the ground.
You just try to make a little line like that.
You try to go very slowly.
You remove a little line like that.
It avoids it from rolling.
A little line and it's good.
It's largely enough.
It may not be practical in the outfit,
but since I often drop
my pencils,
we'll say that it stays.
It's perfect.
I'll give you another example.
It really slows down
the pencil
and it avoids it from falling.
It's perfect for drawing.
You hold the pencil like that.
And the next video will be for the Nitram
mill. I'll show you the Nitram mill.
It's really, really good.
As I said, it's a high-end brand.
I'll show you how to cut it
in the next video. Subscribe and
see you next time. Bye!