Höher, schneller, weiter ... Wer kennt das Prinzip der heutigen Zeit nicht? Die Entwicklungen sind schon grandios, keine Frage. Aber größer ist nicht immer das wichtigste Kriterium: weder bei Sensor, noch bei der Kamera selbst. Die Canon R100 ist vergleichsweise klein, aber mit ihrem Aps-C Sensor und den richtigen Linsen ist sie genial zum Einstecken und sie einfach IMMER dabei zu haben. Und ist es nicht das, worauf es letztendlich ankommt? Die Kamera im richtigen Augenblick eingesteckt zu haben um einen tollen Moment einzufangen?
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Let's have a look at some photos.
We'll start the video in a different way, with photos.
After all, photography is about taking photos.
The photos we're about to show and see are all taken with one camera.
And I think that's a very, very, very nice introduction to this topic.
So I would say, photos off, and then we'll see each other again in a moment.
The photos that were just shown were taken with this camera, the Canon R100.
There is no smaller camera from Canon at the moment.
There is no cheaper camera from Canon.
This is the absolute smallest entry-level DSLM model.
Mirrorless system camera with APS-C sensor.
What else is there? This camera is tiny.
And also in terms of price, I think with the KIT lens at 699 euros, it is relatively low.
And if we look at the photos again,
we notice that the point of today's cameras is that they are all so good,
that you can take photos with them in a short time.
I don't think that if you upload these photos somewhere, on Instagram, on Facebook,
or even if you print them out,
that you can see which camera was used to take these photos.
Yes, sometimes these photos were also taken with very extreme lenses.
But we'll get to that in a moment, because the photo is taken with the lens,
not necessarily with the camera.
In the lens is the quality and the look and the money,
and not necessarily in the camera.
So the R100 is an APS-C camera from Canon,
and I think that this camera is really a great camera
to get this photography virus with photography.
Because the R100 is a compact DSLM with viewfinder,
just like a photo camera,
where you can screw lenses on,
where you can work your way up slowly,
from the KIT lens to maybe 35mm f1.8 to 50mm f1.2 in the end.
And that's exactly the point.
We've been thinking for a long time about how we're going to present this camera,
whether we're going to present the camera.
And I think it's about time, today, 2023,
that we just face the fact that photography is about lighting.
Seeing light, working with the model, the motif,
recognizing the motif,
and not necessarily always a new resolution class
and a new number of focus fields.
The camera somehow has 25 megapixels.
That's far enough.
That's an equivalent of 50 megapixels in full format.
That's a 1.5-fold diagonal, double sensor area,
while 50 megapixels in full format.
That means it's already a very high-resolution sensor
that makes extremely good quality pictures.
And if you screw the corresponding lenses on the front,
then you have incredibly high-quality pictures.
The R100 is a camera that really...
I've also looked through a few reviews that already exist.
It's somehow called the M50 in a new case,
old technology somehow re-implemented.
I'm a little more skeptical about that.
I have to say, I think it's become a very, very, very clever camera.
And I didn't have many limitations when I was photographing.
We took very complex sets.
I think the most difficult thing was the direct backlight,
with 50.1.2, with fog, with misfilter,
with the most brutal 1.2 aperture settings.
And yet the camera mostly recognized the face,
actually always took sharp photos,
and everything was wonderful.
Of course there are unsharp photos,
but honestly, I also produce them with the Z8
or top-end, high-end Z9 camera,
or with an Alpha 1,
that there are never unsharp pictures.
That's a utopia.
The question is just, is it too much and too little?
And I didn't think the exposure was somehow too high,
but I was really able to photograph very, very, very comfortably.
So I don't want to disassemble the camera at all,
in the sense of what the camera can do,
maybe the R10 better,
and does it have a touchscreen or does it not have a touchscreen?
I didn't miss it.
I think you can set the camera beautifully here.
What I first deactivated was this baby menu.
I think that's really annoying.
So I want this classic menu,
which I've known for years,
but I can also understand that someone who has a new camera
is also overwhelmed with it,
and with a thousand settings,
may also want to have the whole thing reduced.
I have one thing,
and I believe that this camera can give you the opportunity
to design pictures yourself.
I have a comparison photo here,
which I would like to show.
It was created at a workshop of ours,
where we were in the Heide,
and there we photographed a model in the backlight.
And the one photo that we are seeing now
was taken with the Canon camera,
with the nice open aperture.
And the other photo,
with the R100,
and the other photo was taken with an iPhone,
the most recent crazy iPhone in this blur mode.
And I think it looks so disgustingly bad.
Not the camera, but the iPhone.
The iPhone is trimmed for situations that are not special.
If you have such an opposite situation,
which is really blatant,
then the iPhone tries to work against it,
and really bad pictures come out.
Here, on such a camera,
you can set the whole thing very nicely.
You can choose the look,
and you can take exactly the photos you want.
And that's exactly what it's all about.
You set the light, you set the motif,
you choose the moment,
you want to achieve a certain look.
And you can do that perfectly with this camera.
You actually have to get into photography
to set the right focus.
And I don't mean the focus,
I mean the concentration.
Lenses, light, motif.
And then find the right style,
and then take the right picture,
and enjoy it.
By the way, all the photos we see today
are out of cam.
And if we're talking about information right now,
hashtag transparency.
We got to know this as a rental camera
for two weeks.
That's why there are these barcodes.
It's not like I'm going to buy it,
because I already have too good of a Canon camera.
The last time I got the R8.
But as I said,
we talked to the Canon press office,
and said,
we'd like to look at the camera in neutral.
And I'm really, really, really fascinated.
It's a camera that just gives a different feeling.
You can hold it in your hand.
It's an incredibly small camera.
Almost too small for my hands.
And I also have a little problem on the side here.
But I always compare it
to some kind of working tool.
And that's a camera
that you might have with you.
Especially with the 35mm f1.8,
it's actually my most beautiful combo.
It corresponds to a 50mm.
And attention,
don't look and say,
but it's still a 35mm.
No, the angle of view corresponds to a 50mm.
And that's an incredibly beautiful normal focal length.
And that's a combo
with which you can take super great pictures.
The keto lens is also wonderful,
but it just doesn't give this blurred look
that I actually want.
35mm f1.8 with R100.
That would be such a combo
with which I could just happily take great photos.
Also for a very long time.
Of course there are better ones.
Of course there are more elaborate ones.
Of course there are more blatant ones.
R5, always awesome.
But that's not what it's about.
You can also speak ill of such a camera.
To everyone out there,
who may have a Canon R5
and somehow a very large Canon camera,
I would still take a look at the R100.
Because the R100 is so cheap,
that you can maybe take this camera a little more with you.
Can have more with you.
Can take more photos.
The best camera is the one you have with you.
And that's also something I've noticed.
This combo,
you can also put it in somewhere.
If they get a scratch,
then it's not as bad as with the R5.
You will simply have a lot of photo situations,
which are really great.
I've actually always worked in manual mode.
I've always worked with the corresponding image styles.
I think the camera can do everything
that a large camera has.
And that's exactly the point.
I have an APS-C sensor with a solid resolution.
The autofocus works.
I even have a flash that I can use.
I often do that in dark situations,
you have to be honest.
Of course, it is also manually exposed,
with long exposure and combination of freezing.
You can take great pictures.
But I just have a very, very, very potent tool in my hand,
which can create incredibly great pictures
with the right background knowledge.
I think we've become too critical.
I think we've become too annoying.
The new camera disappoints me.
The new camera is not good enough.
Then you don't have to buy a new one.
So if you have one that is good enough
and the new one is not so much better,
then you just don't buy a new one.
But this camera is for those
who just want to get into photography enthusiastically.
A really great camera.
I have now photographed most of the time over the display,
but I would never recommend it to a beginner
to photograph over the display.
I would always say, look at the top,
preferably through the viewfinder,
so that you can expose very precisely
and can also adjust very precisely.
And I was able to take all these photos
JPEG out of cam without any editing afterwards.
And of course that also has to do with the fact
that I can look through the display.
The ISO could be higher.
12,800 is, I think, the maximum ISO value.
Yes, but to be honest,
if such light situations were photographed
where a Blende 1.8 lens with ISO 12,800 does not work,
I don't know if you shouldn't just turn on the flash
and work with a longer exposure time.
You notice the practice again.
It's not just about pumping up the ISO,
but it's about taking clever photos.
In this sense, I would just say
that this is a very, very, very chic camera.
The direct competition is the Nikon Z30.
I'm also a hard fan,
but you can tell that the Nikon Z30
is just such a vlogging camera.
Almost the same price level,
display, folding,
which is also better in many situations.
But it's not this feeling
that this look of this camera contains.
I feel a little shrunk with this camera.
So favorite.
I shrunk my parents.
Or how do you say that?
Children shrunk.
That's what the movie was about.
But I still feel like a photographer
because I still have a camera in it.
With the Z30, I feel a bit like a vlogging victim.
I'm sorry about that.
I'm also a very hard fan of the Z8,
but for me it just has to be a camera.
That's why the lenses.
And again,
I think if I would see someone
at my workshops
who comes with an R100,
but has a 50mm F1.2, 85mm F1.2
or some crazy lens on it,
I would have more respect
than for someone who arrives
with an R5
and has the standard KIT lens
and does something with 24-105.
I know it's a decent lens
in the landscape area,
but in the portrait or lifestyle area
where you take situational photos,
you need a lens of 2.0.
Or best known lens ever, 28-70.
Greatest lens I know from Canon.
If you have it on an R100,
then that's a deadly combo.
Really killer, killer combo.
Okay, that was very negative.
That's an incredibly great combo.
So I would have respect for that.
Respect for someone who takes
a R100 with a 28-70.
Respect.
Okay, maybe I could take an R8,
but that's not the point.
I hope the message got through.
To everyone out there,
no matter if you're a Nikonianer,
Fujianer, Nikonianer or whatever,
it's all about taking great photos.
And I don't think we appreciate
how great the camera has become.
Lately, I've been taking a lot of photos
with the Canon 5D,
because we're doing a comparison
of all the Canon cameras
that have existed so far,
full-frame, from 5D, digital.
And it's so crazy,
how much more pleasant it is
to take photos with the R100
than, for example,
with a 5D Mark I, II or III.
So it's all about the comfortability,
especially with face recognition and co.,
live view, all kinds of things.
All full-frame cameras from the past
in the shadows.
Maybe not the look,
but definitely the luxury.
In this sense,
there's a thunderstorm coming,
we should have put a light in front,
but I hope it's not too hard to see.
We showed a lot of scenes,
a lot of photo shoots,
and with that I say goodbye
here at Kohler Ungehrt.
