Three Point Perspective - How To Draw A 3-Point Perspective Of A House

Okay, let's go for the three-point perspective. So we've got obviously a top-down perspective with a third perspective point. And the third perspective point isn't the one I've sketched there, it's actually much lower, but it's kind of, yeah, it's kind of deformed. Okay, so we want that effect. We want to make the image look like it's like in 3ds Max or any 3d software we've got a short angle for the camera. So it's like it tapers in, right? So we are going to draw a small house. We're marking the entrance right there to our little house and you know, with an alley and yeah, a bit of information around the house. Again, it's typically stuff that you know, you'd use for all your work. And yeah, I recommend you from time to time experiment with all these sorts of crazy drawings. Yeah, it's kind of hard sometimes to not, you know, let mistakes you know, appear by mistake, right? They, you know, when you're focused on on practicing some parts of your drawing, there are parts that are going to obviously go wrong, but you will be able to correct them. Why? So we've got a cast shadow on the left-hand side. Makes sense. The left-hand side face is shorter, right? And the other face is longer. Okay. Well, there's a little window there. Yeah. Correct that perspective mistake. Okay. And we are, we are going to go for a complete line drawing. This piece is going to look very well when you go and you can actually, you can go and scan it and use a Photoshop or any other 2D coloring software to finish this. Or we can finish it by rendering it right here and now. And that's what we are going to do. Adding a bit of entourage, trees, some buildings around our main house. Okay. A little wall, some stairs in the foreground just to mark the entrance way, a bit of a texture there just to get a bit of a rhythm. Yeah. It's just simple copy paste stuff. So let's see some markers. Boom. Magic. We've added a couple of, you know, shadows with markers, just simple, simple stuff. You know, it's, it's a gray for shadows, a bit of liner on the shadows, open camera error there, and a bit of a liner on top of our line drawing. So we get something that's a bit more clear. Architecture drawings need to be very clear and crisp. That's what makes them good. Right. So we're adding detailing there as well. We need to make this stand out. You can squint your eyes and tell that obviously we need to have a focus point that could be with line drawing and it could be with color. I did here with orange, right? Cause orange kind of contrasts that blue shading. Right. That's good. Obviously we need to add a bit more detailing. We can use a pencil. Yeah. For sketches, you can go crazy. You can draw like a really quick border just to, to make like a little layout for our, for our drawing perspective. Obviously a bit more orange to get a bit more contrast. And this is starting to look good. You know, you get 10 of these sketches and you're sorted for any site study or anything. And it's, you know, it's 10, 15 minutes sketch. It's something special. I don't know why people just love sketching on, I've noticed on the internet. Don't forget, you've got a lot more to cover besides sketching, like constructed perspective and lots more. So we're detailing the background. We've got like a little background there with gray and this is starting to look good.