Sony 1000X The Collexion Review These Luxurious Headphones Are Serious AirPods Max 2 Rivals

Future Publishing - TechRadar
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1 Video View·Oct 13, 2026
These are Sony's new higher-end noise cancelling
headphones called WH-1000X The Collection.
And yes, I am pronouncing collection with an X
in the middle of it, can't you tell?
If you're looking for a pair of headphones
that offer the sort of expansiveness that Apple's
AirPods Max 2 can, with the same kind of cutting edge features,
but you don't want the restrictions
that Apple's headphones impose on non-Apple devices,
then these are really the closest
thing available. However they're lighter weight
and more comfortable at the same time in true
Sony style. The collection costs $649 or £549
so they are a big step up over the $459 or £349
that you officially pay for the Sony WH-1000XM6.
But they have a new audio driver, new processor,
new features and a new design and engineering over the XM6.
So are they worth the extra price?
Well, yes and no. These headphones do deserve their premium price,
but you actually might still be better off paying less.
So let's get into the details.
Unsurprisingly, the collection have
a very similar feature set to the XM6 headphones,
although there are some things that are exclusive to this new model,
and some things it doesn't do quite as well as the XM6.
Let's start with the new stuff. One great addition is the DSEE Ultimate.
This technology has never featured
in a pair of Sony headphones until now.
It had only been used in Sony's music players,
which have more powerful processors.
But there is a new integrated processor V3 chip inside
these cans that can run it.
DSEE Ultimate uses supposedly AI-powered tech
to upscale the sample rate of an audio file
to 96kHz. When using this on Spotify,
we found that a lot of tracks we listened to regularly
did sound a touch more detailed
and we highly recommend keeping this setting on
it is actually not enabled out of the box
so fire up the Sony SoundConnect app and find it.
On top of this the collection bring native Hi-Res listening
to the table via wireless and wired
means. There's LDAC for Hi-Res Bluetooth listening
but that is still lossy and doesn't work for Apple
devices so you can also connect these via USB-C
for lossless digital sound or over a 3.5 millimeter
jack naturally. Also enabled by the new V3 chip I mentioned before
are the collection's new 360
upmix modes providing spatial audio from any source.
There's no Dolby Atmos support and Sony
told me when I asked about
this that this is because it wants everyone to have the same
experience no matter the device.
So there are music, cinema and game modes all of which take
a basic audio signal
and up convert it into a more expansive format moving the sound beyond
the speakers being right on your head.
Unfortunately we found that these up-mixed spatial modes
produced poorer audio quality, which I'll come back to later,
but it meant that we didn't really
want to use them. Although I think
that the background music mode is one that deservedly
has its fans for using while working,
creating the vibe of just listening to ambient sound in
the room around you. But that is also available on the XM6 anyway.
When it comes to active noise
cancellation you get the choice to use full ANC,
no ANC at all or a transparent ambient sound mode
and the adaptive sound control feature can switch settings depending
on your environment and your
behavior. So just how good is the ANC here?
Well Sony was clear with me that the collection is
not expected to be as strong as the XM6 for noise blocking.
That's because the collection have a bit
more of a focus on comfort and the softer ear pads
and lower clamping pressure can affect the
seal around the ears. And yes,
it means that while the noise cancelling is still very good
on the collection headphones,
even at medium listening volumes, we could tell the difference
against the XM6. While listening to music,
some higher pitch sounds and louder sounds broke
through more often wearing these than the XM6.
If you want best in class ANC, I would stick with the
Sony XM6 or the Bose Ultra headphones.
But to be clear, these are still great and better than
similarly priced audiophile wireless headphones such
as the DALI IO-8 when it comes to noise
cancellation and are about at the same level as AirPods Max 2.
One other feature that has received
a downgrade from the XM6 is the battery life.
You only get 24 hours here compared to 30 in Sony's
previous headphones including the XM6.
The flatter design of the ear cups here compared to the
bulkier design on the XM6 is the reason for the drop Sony told me.
Let's be frank 24 hours is
disappointing. It's enough for a long flight,
it'll get you through a few days at the office,
but it absolutely means you're gonna need to charge more often
and you'll notice it. Ultimately
the standard, the average really, in this bracket is 30 hours.
Although Sony still outdoes Apple
with the AirPods Max 2 only managing 20 hours.
There are plenty more great features on board
though, such as the collection's top tier touch controls.
These are the same as the XM6. You can
simply swipe to skip tracks and adjust the volume.
You can cover the right ear
cup to enable transparency mode just for a moment
so you can speak to someone.
And you can double tap to play or pause your music.
The touch controls are super
responsive and using double tap to play and pause
means that we never accidentally triggered anything we didn't mean to.
There's a new button on them as well
but this is used to switch to spatial modes
and as I said we didn't largely want to use those so
eh, fine. Within the app you have a 10 band equalizer
and presets for personalized audio plus
multi-point connectivity that is actually
turned on by default unlike a lot of its competitors.
There's also voice assistant
compatibility and third-party software integrations such as Spotify tap
and YouTube music quick access.
A lot of these settings are available through Sony's SoundConnect app
which is relatively easy
to use but so many key settings are buried way too deep
in numerous sub-menus which can be kind
of annoying at times. It's an ongoing irritation we have
with Sony's headphones. Finally, call
quality is great on these. They are perfect for speaking to people.
The collection conjures up an
incredibly wide and spacious soundstage.
Using them feels as if you're listening to music from
speakers away from you, even without engaging the spatial audio modes.
They use a new 30mm driver
which has been redeveloped with softer edges and a harder center.
Using a higher proportion of
carbon fibre than in Sony's previous drivers
for enhanced detail and balance.
In Voyager by Daft Punk,
airy synths sounded pleasantly forward while percussion occupied
its own individual pocket with plenty of room to express itself.
Bass then enters the fray
with tremendous impact
and came through with an almost three-dimensional quality
while guitar licks danced away in the backdrop.
Everything has room to exist just the way it
should. They performed really well
no matter what genre we threw at them. With a deep house track
like Planet 34 by Jesse Moss,
bass came through with admirable depth and agility, meaning the
low end sounded really full
and energetic rather than lethargic and booming. Higher
pitched percussion in the treble range
also maintained tight control but never sounded
blunt or underpowered. Just generally there
is a really pleasant balance right across the frequency
range and instrument separation is incredibly refined.
Pair that with the headphones great
attention to detail
and you're in for a truly nuanced listening experience. However, I want
to note clearly that these headphones
are absolutely at their best with some form of
higher res mode of listening. We found in a lot
of tracks that using LDAC made a noticeable difference
over standard Bluetooth. Vocals came through more naturally
and articulately while instruments
such as soft acoustic guitars sounded a little more expressive.
Tunes often just had a more
open detailed sound overall in high res listening.
This was also the case when using the wired high
res connection so for the collection to really feel like
their best value for sound use one of
those options LDAC or USB-C.
You might think well duh isn't it obvious that high res would be better
but to be clear we had the DSEE Ultimate turned
on for regular Bluetooth listening but it didn't
bridge the gap like you might hope it would.
And not all high-end wireless headphones have such a
clear gap between high-res and regular Bluetooth.
AirPods Max 2's sound is competitive with the
higher quality version of what the collection can
do just from regular AAC Bluetooth quality.
But you're surely wondering how the collection compare
to the XM6 for sounds. The collection
go for a more expansive and spacious sound than the XM6,
while the XM6 offer a tighter,
punchier interpretation. In Satoru Watanabe's Down East we could tell
a huge difference in the way
that they handled the funky bass.
On the XM6 it was by no means overwhelming but certainly quite
impactful and slightly forward.
There was still a solid amount of low end weight on the collection
but it had a more spacious quality.
You could actually say that the track lost a bit of its
bite as a result of that.
There's no doubt that the collection are capable of offering more space
for individual instrumental elements to work
their magic over what the XM6 can do. And these are more
revealing overall, but in some tracks some may actually prefer
the slightly tighter approach
of the XM6. One thing that did disappoint us however,
as I mentioned earlier, was the quality
of the 360 upmix modes.
When using the music mode, tracks sounded glaringly worse. Vocals lost
clarity, drums had a tinier edge,
and keys in the mid-range lost their tonal accuracy. The cinema
mode was a bit better but we still found speech to be less clear
and defined making for a weaker
overall viewing experience with movies than just watching regularly.
This is a shame given that the
360 up mix modes are a major feature of this pair
and even have that dedicated button but we just
don't think they're good enough to really warrant using.
The collection headphones look in the same
family and yet strikingly different in person from the Sony XM6
and the XM5. Even when using
the touch controls the textured feel
of the faux leather is incredibly satisfying and small
satisfaction goes a long way when you are spending
this much on headphones. Where the XM6 went for an
ultra fluid singular design the collection goes
for more of a contrasting look. We've always
thought that the XM6 headphones have slightly bulky looking ear cups
but the collections are
much flatter and slimmer similar to that of the Sonos Ace
which these headphones generally bear
a really strong resemblance to, which is no bad thing.
They look fantastic overall.
Most importantly, we love how they feel in use.
Their plush ear cups, cushioned headband,
and low pressure feel on the sides of the head are all sensational
and make for an incredibly
comfortable listening session no matter how long it is.
There's a wider headband on this model
than we saw on the XM6,
which also means the headphones won't clamp too hard if you place
them around your neck the weight is also
a big factor here at 320 grams they are heavier than
the xm6 but the change in cushioning
and clamping force means they're still super comfortable and
they are considerably lighter than the 380 grams
of the airpods max 2. all that said the collection
do have a few potential drawbacks worth pointing
to in the design the first is that they are not
foldable. Although Sony said that making
the ear cups slimmer was part of making them still
very portable. But we really love foldable headphones.
They are also not officially
waterproof. Although not that many over ear headphones
are so I don't hold that massively
against them. But to be clear there is no IP rating at all
so be careful if you want something
that also works for exercise.
The last is the case design which looks like a handbag this time.
I actually quite like it because it takes up as little space as it can
and the handle is quite practical for grabbing it quickly.
I think it's exactly what the AirPods Max's little smart case
is trying to be and failing.
However, I have colleagues on TechRadar
who much prefer the simple rounder case of the Sony XM6
and I'm sure that's going to be true for others as well.
The collection have a very high asking price
and in many areas this feels absolutely justified.
The design feels premium enough to the price,
the comfort is outstanding
and for those who wanted more nuance
from their headphones sound compared to the XM6
the audio has taken a clear step up as well.
But on features overall they have few differences
to the XM6 that we actually love
and are weaker when it comes to noise cancellation and battery life.
So it'll come down to whether you're
on the same train as Sony for these.
Is it worth paying the extra for a higher quality build
and extra comfort and the more spacious sound?
We think overall they do earn their price
but you know kind of just about.
As a kind of Android friendly alternative to the AirPods Max 2
they absolutely do that job
and look especially nice while achieving it.
If you're an Apple user though
is it worth having these over the AirPods Max 2?
Well that depends.
The Macs have enough features and genuinely great spatial audio
that they are probably just about better value overall.
However the Sony headphones are a lot more universally comfortable.
Not everyone loves the strong clamp of the AirPods
but we haven't met a single person
who didn't love sinking into the Sony's.
So if comfort is your priority these would be our pick.
So that is our review of the Sony WH-1000X The Collection.
If you've got any questions about them,
want to ask about more comparisons
with other headphones please let us know in the comments below
