I hope you enjoy this video and find it interesting!
Please subscribe and click the bell icon to be updated about new videos.
Also, if you want to get in touch, please comment down below or find me on social media: Instagram and Threads: katrina.marchant Twitter: @kat_marchant TikTok: @katrina_marchant Email: [email protected]
Cambridge (England), St. John's College, Main Gate, detail. Arms of St. John's College, Cambridge, being arms of the foundress Lady Margaret Beaufort, with Beaufort Yale supporters. With emblems of tiny flowers of the (white) Marguerite (daisy, Leucanthemum vulgare) and the (blue) Forget-me-Not (Myosotis sylvatica), a reference to the heraldic motto of Lady Margaret Beaufort Souvent me Souvient ("I often remember"). (Source: Beaufort Society's website (Google's cache of https://johnian.joh.cam.ac.uk/Beaufort-Society. It is a snapshot of the page as it appeared on 7 Dec 2020 03:27:08 GMT).
Edward VI as a baby by Hans Holbein the Younger (c.1538). Held by the National Gallery of Art, Washington.
Stained glass pannel showing Edward Tudor’s use of the Prince of Wales feathers (c.1540). Held by the V&A.
Edward VI of England in the Queen's Drawing Room, Windsor Castle attributed to William Scrots (c.1546). Scanned from Hearn, Karen, ed. Dynasties: Painting in Tudor and Jacobean England 1530-1630. New York: Rizzoli, 1995. ISBN 0-8478-1940-X.
Edward VI’s achievement of arms by Hogyncymru.
Crowned harp, Beaufort portcullis, Tudor rose and Sun in Splendour by Sodacan.
Portrait of Mary Tudor by Antonis Mor (1554). Held by the Museo del Prado.
Mary I’s achievement of arms during her marriage to Philip II of Spain by Sodacan.
Pomegranate and alter and sword badges by Sodacan.
Queen Elizabeth I by an unknown English artist (c.1600). Held by the National Portrait Gallery.
Hello and welcome back to the channel. If you're new here, hi, you are very welcome.
This is Reading The Past and I'm Dr Cat. As you can probably hear, I am still a little bit croaky.
I am much better than I was the last couple of weeks. I was really very poorly but it seems to
be on the way out. With that being said, I did wake up this morning with what appears to be
an eye infection. So if you could just try and ignore what's going on on this side of my face,
I am going to put up quite a few pictures in this episode because I think no one really
needs to see what's going on here for very long. And with that being said, let's hop right in
because I have got something I want to talk about today. A fair while back, I made a video exploring
the badges and mottos of the six wives of King Henry VIII. I will leave that video linked.
In the comments of that video, I was asked if I could make a similar video exploring the arms,
badges, symbols and mottos of Henry VIII's children. So for our purposes, I am only going
to look at the children that King Henry VIII acknowledged, whether they were legitimate
or otherwise. So without further ado, let's see what we can find out.
On the 1st of January 1511, King Henry VIII and Queen Catherine of Aragon welcomed a son.
The boy was named Henry for his father. From his birth, as he was the eldest son of the English
King, this little Henry was Duke of Cornwall. This had been the title customarily held by the heir to
the throne since the Duchy of Cornwall was originally created in 1337 by King Edward III
for his son and heir, Edward the Black Prince. The current Duke of Cornwall is Prince William
and he has held that title since his father's accession to the throne as King Charles III in
2022. For Henry and Catherine's son, little Henry, this meant that from the moment he was born,
he was connected to the arms of the Duchy of Cornwall, this being a sable or black shield
that's adorned with 15 golden circles, also known as peasants. These seem to replicate coins.
However, according to J. R. Planchet, in the case of the arms of the Duke of Cornwall, this
is no representation of coins but of peas, being the arms of Poitiers or Poitou, of which he was
Earl. There is no evidence that Henry Duke of Cornwall was ever designated as Prince of Wales,
which is the other title that's commonly held by the eldest son and heir of the monarch.
This is in spite of the fact that Henry's birth was celebrated with the extravagant tournament
that is memorialised in the Westminster tournament roll. Sadly, little Henry Duke of Cornwall would
die from unknown causes around 10 days after this tournament took place. At that point,
he was not yet two months old. Before we look at Henry VIII's children that would survive him
and rule after him, let's take a look at his acknowledged son Henry Fitzroy. Fitzroy was the
natural but illegitimate son by Elizabeth Blount who was born in 1519. When Fitzroy was around six
years old, his father saw to it that he was raised in the peerage through the unrivaled honour of a
double dukedom. Fitzroy was made Duke of Richmond and Somerset. These titles connected him to his
paternal family. His grandfather, King Henry VII, had been Earl of Richmond, while the Somerset
title linked all the way back through the Beaufort line to the son of John of Gaunt. The title of
Richmond is linked to the white greyhound of Richmond and thus to ideas of bravery and loyalty.
While the Beaufort beast was a Yale, a symbol of strong defence. In the same year that he was
granted this double dukedom, Fitzroy also became a Knight of the Garter and this allowed him to
encircle his heraldic shield with a garter. As we can see on this garter is the motto of the order
which translates to shame on him who thinks evil of it. I have made a video on this particular
chivaric order and its history which I will be leaving linked. As we can see Henry Fitzroy's
shield, also called an escutcheon, is pretty densely decorated. It is quartered with the
Lions of England and the Fleurs-de-lis of France. This is in common with the shield of his father
the King. Fitzroy's shield is however bordered and that border is also quartered with the first
quarter being ermine, the fur that was reserved for the upper echelons of the nobility and for
The rest of the border is an alternating band of squares of gold and blue. These are colours that
connect to chivalry, nobility and fidelity. The silver band or baton that runs diagonally across
the shield which is known as a baton sinister based upon the direction in which it is travelling.
These were frequently used to designate the illegitimacy of the individual who is being
represented by the arms in question. The inclusion of an overlaid shield which we see being used here
is a way of differentiating between individuals usually by connecting them to a name, title or
role that they have. In the overlaid shield we have a lion which as king of beasts is commonly
used as a royal symbol. The tower is linked to protection and piety while the stags represent
peace and protection as well. The stag was frequently viewed as being a fairly calm animal,
one that would not fight unless it was pushed to do so. However when it was so pushed it was thought
to prove to be devastatingly effective. Fitzroy's guarded shield is topped by a ducal crown or
coronet. According to John and Rosemary Pinches when Fitzroy's arms were displayed with supporters
those supporters were on the dexter side a lion with a ducal crown around its neck
with a gold chain and on the sinister side a silver heraldic antelope adorned with peasants
or coins with a gold coronet and a chain around its neck. However I have not come across an extant
version of these arms that show these supporters in place. When Fitzroy died in 1536 he was 17
and childless thus his titles his badges and his arms became extinct. A little over a year after
Fitzroy's death Henry VIII's third wife and queen Jane Seymour would give birth to their son Edward.
Like his short-lived brother Henry Edward was also entitled to be styled as Duke of Cornwall
from his birth although like Henry he was also never formally invested as Prince of Wales.
That other title which since the start of the 14th century had been commonly bestowed upon
the heir to the English throne Edward was eligible to make use of the imagery connected to that title
prior to his accession to the throne. That imagery being the three ostrich feathers
that are most commonly called the Prince of Wales feathers today. The origins of this badge are hotly
It may connect to the jousting shield of Edward the Black Prince. He may have taken up the ostrich
feathers as a way of paying homage to his mother Philippa of Hainault. She was descended from the
Counts of Hainault and within this dynasty the eldest sons were known as the Counts of Ostravent
and so it is suggested that the ostrich feathers may be a heraldic pun on the name Ostravent.
Perhaps though the most popular story about the connection between these feathers
and the Prince of Wales is that they are said to memorialise the Black Prince's victory at Cressy
and in particular his capturing of the ostrich feather adorned helmet of his enemy John I of
Bohemia. Certainly the motto that now goes with these feathers was John of Bohemia's namely
meaning I serve. As King Edward VI used his father's achievement of arms. A shield
quartered with the lions of England and the fleur-de-lis of France surrounded by the garter
circlet. This is topped with the crowned royal helm which has itself got a crowned lion on top
of that. It is mantled in golden ermine. The armorial supporters are a crowned lion on the
dexter side and the red dragon of Cadwaladr on the left or sinister side. The dragon of
Cadwaladr had been used by Edward's grandfather King Henry VII as a reminder of his Welsh origins
and his claimed descent from that famed King of Gwenedd, Cadwaladr. The traditional motto on these
arms is visible. God and my right. This is a reference to what they believed supported
and made possible their rule over their people. Edward VI also made use of other symbols.
We have encountered the white greyhound of Richmond before. In addition he made use of a
golden harp. The harp has long been used to symbolise Ireland but it also connotes a person
of temperate judgement. In addition harps are the instruments of heaven and of the angels.
Thus they connect to faith and to notions of the divine and as such it might have been a useful
symbol for a young king who along with his advisors was seeking to remake the faith of his
nation in the reformed manner that he deemed to be the best. Edward also used a golden portcullis
commonly referred to as the Beaufort portcullis. This symbol may have been intended to remind
people of his connection to Margaret Beaufort and more importantly to her royal blood. Upon which
Edward's grandfather King Henry VII grounded his claim to the throne. Unsurprisingly Edward also
used a Tudor rose. This was something he would share with his other royal family members.
He also deployed the sun in splendour. This was a favoured symbol of his great grandfather
King Edward IV. It represents glory and perhaps also a sense of hope. Is it perhaps a reminder
that Edward is a new day for the Tudor line with the promise of sons to follow him once he became
a man. If this was the intended significance of the sun in splendour symbol it would prove
to be a forlorn hope. Edward died childless on the 6th of July 1553. The next of King Henry VIII's
children to take up his throne was his eldest daughter by Catherine of Aragon, Mary. Mary had
been born on the 18th of February 1516. When she became queen she used the same arms as her brother
and her father. However on occasion the white greyhound of Richmond would support her arms
rather than the dragon. After Mary I's marriage to Philip II of Spain the royal arms would also
on occasion incorporate his eagle. Mary chose for her motto Veritas temporis filia or truth
is the daughter of time. Mary may well have felt that there had been multiple deceptions
that had affected her life. From the nullification of her parents marriage to her being made
to the separation of England from Rome and the denial of papal authority to the temporary
accession of Jane Grey to the throne rather than Mary and that's to name just a few.
Now though time had passed. Mary was 37 years old. She was Queen of England and she could restore the
truth of things at least as far as she saw them. Like her brother Mary used the symbols of the
the harp. Presumably though if she was seeking to invoke the divine and notions of faith with the
use of the harp that's going to be in line with her Roman Catholic beliefs rather than her
brother's Protestant faith. In a similar vein Mary also deployed this symbol. We see a holy altar.
Upon it is a sword likely a sword of justice. It stands upright on top of the altar. In seeking to
return England into obedience with the Holy See of Rome Mary viewed herself as acting justly as if
she was wielding that sword of justice. However the sword that we are seeing is placed atop an
altar and altars are sacrificial spaces just as swords are weapons. Is this symbol then perhaps
also a promise maybe even a threat of just how far Mary was prepared to go in the name of her faith.
Queen Mary I also made use in various forms of her mother's badge the pomegranate. The pomegranate
is a fruit filled with seeds and this made it an ideal representation of a promise of fertility
and Mary was certainly hopeful that her marriage to Philip II would prove to be fruitful that she
would like the pomegranate be full of potential life and in particular with a Roman Catholic heir
for her throne. In this though she was to be disappointed. Mary died at 42 years old in 1558.
She would be followed on the throne by her Protestant half-sister the daughter of Anne
Boleyn Elizabeth. Elizabeth was born on September the 7th 1533. She came to the throne on November
the 17th 1558 meaning that at that time she was 25 years old. Elizabeth used the same achievement
of arms as her siblings and her father. Like her sister though these supporters would sometimes
change. Occasionally the white greyhound of Richmond would support her arms rather than the
dragon. Additionally on occasion the red dragon would be exchanged for a golden one. Elizabeth
took Semper Aedan as her motto which translates to always the same. Around a century later
another monarch Queen Anne would take on this same motto as her own. On the aptness of this
motto for Elizabeth I think many of her advisors might muster a wry smile at the idea she was
always the same. Rather I think Elizabeth was frequently a mercurial slippery equivocator
and she was this in a variety of matters. However many others might point out that
this is a very apt motto for this queen who would never marry, never bear children and
at least if we look at her portraiture alone would seemingly never grow old.
Like the rest of her family Elizabeth made extensive use of symbols and badges throughout
her reign and I have made dedicated videos on these symbols that I will be leaving linked.
Like her other family members Elizabeth deployed the Tudor rose, the portcullis and the harp.
She also used her mother's emblem of a crowned falcon holding a golden sceptre.
The sceptre and the crown are signs of royal authority while the falcon is a bird of prey
known for its resolute determination to achieve its aims. Anne's falcon was perched on a tree stump
from which red and white roses bloomed. This was apparently Anne's promise that she would
bring forth new life to reinvigorate the barren stump of the Tudor dynasty. At the time her
promise had been her potential to provide Henry VIII with a son and heir. In actuality what she
gave him was Elizabeth. Elizabeth was that dynasty's last and some would argue most successful
monarch. Elizabeth also used a symbol that had previously been used by her first stepmother
Jane Seymour. Elizabeth deployed the phoenix a symbol of resurrection, eternal life and sacrifice
because of course the old phoenix must burn itself down to ash so that a new phoenix could rise out
of those ashes. Elizabeth would also use the pelican for similar sacrificial significance
as it was once believed the pelican pecked her own breast until it bled so that she could feed
her young. Last but by no means least Elizabeth also used sieves as powerful symbols. These were
intended to remind the audience of the story of those Roman Vestal virgins who were so inviolate
in their virginity that they were said to be able to carry water in a sieve without spilling a
single drop. Thus the symbol of the sieve when it's being used in images connected to Elizabeth
is I think working in two ways. Firstly it's reminding the audience of the constant virginal
state of their queen but it's also connecting her rule and her nation to the aspirational state
of the classical world of imperial Rome. At least it was aspirational as far as early modern England
was concerned. So what do you think of these symbols? How effective do you think they would
have been? Do you have any particular favourites? As always I'm looking forward to reading your
conversations in the comments section underneath this video but I'd also love it if you could pop
an emoji or a social glyph in the comments too because that will help to boost the engagement
and the more engaged video gets the more YouTube apparently shares it out and that should help us
to grow our community. I'm thinking there have been lots of symbols mentioned today so maybe
you find an emoji version of one of those maybe a lion or a unicorn or some such. You can also find
me elsewhere on social media. I will leave links to all the places you can find me on the internet
in my description box. Please do follow me over on some or all of those so we can continue this
conversation and start some others. I do hope you enjoyed this video and found it useful.
If you did please share with your friends. If you like my channel let some pals know about it.
You can tell me about this video in particular by hitting the thumbs up. Please do subscribe to the
channel and if you think you are subscribed have a check to make sure you've not been unsubscribed
against your will. While you are there checking subscribing maybe resubscribing please do hit
the bell icon that sits beside the subscribe button and select all in the drop down that
will appear and that way YouTube plain they will tell you when I'm next uploaded but also
when I'm next going to go live which I will do to talk about the history news and you are not
going to want to miss that. We have of course got our failsafe. Head over to my website it will be linked
it is www.katrinamarchant.com. If you head to the contact page of that website you will see a box.
Put your email address in that box hit submit and that will let me send you out an email once a
week to let you know what I've been up to but also to send you useful links to my content for the
coming days. I hope you're going to have a great day whatever you're doing and I look forward to
speaking to you all in my next video. Take care of yourselves. Bye bye for now.