Basic Strokes: The Overturn Stroke

iNK & Brush
4 followers
Jul 9, 2026
Basic stroke series (Part 3 of 8): OVERTURN STROKE
Learn the importance of the overturn stroke and how to create it. Start at the baseline. Create a thin upstroke. Curve slightly as you approach the waistline. After touching the waistline with your hairline stroke, begin making your way down to the baseline. Gradually increase pressure to create a thick downstroke and then end with full pressure at the baseline.
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Video Summary
AI GeneratedCherise from Pieces Calligraphy demonstrates the overturned stroke, a fundamental element of brush calligraphy. She explains the technique of transitioning from a thin upstroke to a thick downstroke, identifies the letters that utilize this shape, and provides specific practice exercises to master the form and connection.
Hi guys, Cherise here from Pieces Calligraphy.
In this video we're going to review the overturned stroke.
The overturned stroke is another basic stroke every brush calligrapher should
know, and if you've been tuning in the past
few weeks you've seen the other strokes in my basic
stroke series, the entrance stroke and the underturned
stroke. And to those of you who are sharing your
Thank you so much. I really love seeing your progress
and it helps to see what your questions are. So keep on posting and
if you want to join us on Instagram post a photo of your practice
and include the hashtag pieces underscore basic strokes.
I check out the hashtag when I get a chance and I love
just connecting with you all and practicing these basic strokes with
So let's get into the overturned stroke.
The overturned stroke is an upside down u shape
and it's actually only used in a few letters.
These are underturned strokes here and what it what I'm basically doing is
if you can imagine this is the waistline and this is the baseline of my
of my letters. I'm starting at the baseline with a thin
upstroke and then I touch the waistline still with a thin upstroke and then
after I come around for the curve going down
is when I apply thicker is when I create the thick downstroke by applying
more pressure. So if you've seen in previous videos on
on pressure and thin and thick strokes you'll
remember thin up and thick down. So thin upstroke or light pressure
touch the waistline and when I curve back around
that's when I do the thick downstroke and apply more pressure.
And the key to know is that that transition
doesn't start until after you hit the waistline.
Don't start the thick downstroke until after you touch the
waistline curve back around. It's pretty quick it's not halfway down
or anything it's it's just right after but you don't
want to get too thick up high.
It's just not as elegant as if you have that
if you could keep the thinness and then transition
afterward. Let's do the two letters that I've identified that have
the overturned stroke the letter M and then the letter N.
You'll see that the letter M has two overturned strokes and then the letter
N has one and it's these two are followed by the
compound stroke which we'll actually talk about next week.
Spoiler alert. Okay and then I'm going to quickly go over a
couple of practices that you can try. You can simply just do the overturned
stroke by itself and repeat it. Do just single ones
isolate the stroke just like that and as I
mentioned in previous videos go back and critique yourself.
I went a little too past the baseline here
and some of these are a little too upright so
you really want to work on that slant and we'll talk later
about whether or not you need to do that slant and how to find your own style but
in keeping up with my style I like to do them at more of a slant
and then you can also connect them together
like a bunch of ends and the key to connecting them is that you're actually
not connecting them in one fluid motion.
See how I'm lifting up my pen? You probably noticed
with my other videos that I do lift up the pen
even though the goal is to make it look like a connected
stream of strokes here
and just a tip when I'm lifting up the pen for the overturned stroke
I'm lifting it up so that my thin hairline starts
on the outside of that thick down stroke.
See that? This is different than if I did not lift it up and just
you know did my thin upstroke there. See how now
there's less space in this connection between
the strokes so make sure to start your thin upstroke on the outside
of that down stroke.
And then just for fun I'm excited to do this word for you because it
has an overload of overturned strokes and you can try practicing this word too.
The fun thing about this word is it actually uses
a couple of strokes we've already talked about so there's your overturned stroke
there's your entrant stroke if you can notice it here
followed quickly by the underturned stroke in the eye and then again
more overturned strokes and here's an
underturned stroke. Isn't that fun? The only stroke that's in here that we
haven't discussed is the compound stroke which is when you, I'll do a
quick preview, when you when you do a thin upstroke transition to
a thick downstroke and then you transition again to a thin
upstroke so the thickness is really isolated in between here. Okay so thanks
for watching I hope this was helpful for you leave a
comment below and tell me what you think and also follow me on instagram to see
my latest work and to keep up with my pieces basic stroke series. Please post
your work I love hearing from you and seeing your progress
and also I will have a link to the actual blog post that goes along with
this video with pictures and more of an explanation in
case you missed it in the video. Thanks again for watching and have a
great week!
