Anne Hathaway Channels a Modern American in Paris for November 2010 Vogue
Is there another actress quite as likable as Anne Hathaway? We followed her to Paris—where she was photographed for our cover in iconic locations like the Crillon (she caused a major stir getting out of an antique car) and Maxim's—to talk about how her Oscar nomination hasn't changed her, and why she hates being the center of attention.
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Hello, Internet!
Oh, mother!
Today we are in Paris. We are here for the November cover of Vogue magazine.
The looks that we've kind of tried to achieve are kind of a glamorous American in Paris.
We got to go to Maxine's and we shot inside the Crayon and it's been really, really beautiful.
I feel like the sort of spirit that I'm channeling is a girl who doesn't mind being looked at.
And while I do have energy and like to have fun, I don't like being the center of attention.
So in a way it was a great opportunity and excuse to be in a situation that I would normally hate and kind of try to enjoy it.
Hi, I'm Dr. Knife.
And who are you?
Jamie Randall, intern.
Well, let's have a look.
Love and Other Drugs is the story of two people who are an unlikely love match.
He plays a young man making his rise in the drug world.
And I play a girl, an artist, very free-spirited person who has been diagnosed with young-onset Parkinson's disease.
This isn't about connection for you. This isn't even about sex for you.
This is about finding an hour or two of relief from the pain of being you.
And that's fine with me because this is all I want is the exact same thing.
And so it's about the way the two of them fall into each other, challenge each other, are afraid of each other, and the way they change each other.
I had assumed that being nominated for an Oscar might change my process for choosing roles, and it really hasn't.
It's just kind of, I can't say no to them.
If there's a complicated story to be told that looks at life in a way that I've never explored in film,
and I get the opportunity to explore it with a great director, I mean, how could you say no to that? That's the dream.
That's the dream.