Earth's Most Mind-Blowing Pre-Flood Ruins Exposed!! 🤯🌊🗿

There are countless extraordinarily sized statues scattered all over our planet that over many millennia repeatedly reclaimed as another's work entirely, altered or re-carved much later on simply to display that of the present-day ruler. Acts undertaken in their own efforts to hide this now lost legacy, to tell of it as theirs. The Sphinx, for instance, with its clearly much smaller scaled head, being a solid example of this. Yet as mentioned, many more have experienced very similar undertakings over the eons, with the Buddha of Bamiyan in the Bamiyan Valley also being of no exception. Standing at over 170 meters tall, it was mostly destroyed a few years ago. Yet compelling motive for why the powers that be may have wanted this to happen. The discovery of something hidden behind it long ago. Something that was somehow once placed here when the statue was carved. Additionally, much earlier on in its life, someone had removed its entire face just above its chin. For instead of altering the entire head to display another entirely, as we see with the Sphinx, they had simply removed it, as if looking for something, with motive for this, and indeed these modern, destructive acts, being perhaps what is now realized as hiding just a little further back in the rock. For all along, there lay a secret void, one that nobody, according to the official records, that is, aware even existed. With this chamber. One that had lay untouched for untold millennia, quickly looted, its contents conveniently vanishing. Perhaps its contents once similar to those told as being inside the Sphinx, as predicted by the infamous prophecy teller Edgar Cayce, one known as the Hall of Records. Yet alas, it would appear that whatever its contents were, they so controversial, We may never find out. Thus, I digress. When one also considers the repeated destruction of countless other monoliths, all once of a similar or even greater scale than that of the Sphinx, wonders that were once known of the world over, this damage begins to look less like unfortunate accidents, coincidences, or sheer vandalism. And more like yet another layer of history where significant efforts have occurred in an attempt to hide these many almost impossible to explain anomalies, to avoid requiring their inclusion into these more palatable, comfortable, and easy to explain modern paradigms. Yet they, fortunately, all remain as clearly the feats of pre-cataclysmic engineers. This clear deliberate destruction then. Possibly all undertaken simply due to them escaping modern explanation. Thus, even approaching such anomalies in an attempt to explain their very real existences for any and all academics, institutes, or bodies that are funded to uphold current narratives of human history within already apparently well-established timelines. To explain their origins as all the work of previous, yet permitted civilizations. A simply impossible task to accomplish. To pin them to primitive civilizations which came along far after this now hidden chapter of our planet had ended. And our modern civilizations began. Ultimately leaving us with only these almost indestructible and immovable of megaliths, and that of Earth's many gargantuan pyramids as proof of their past weightlifting and moving abilities. And I believe that they once built this way with this specific intention in mind, that they all survived the cataclysm, that they outlived them. With many of these structures constructed in the way in which they were, To serve this specific purpose, to survive into the present day, with all those who have attempted to destroy, loot, or dismantle these massive creations. Except, of course, in those most unfortunate of cases, such as within Salt Lake City and the Copper Pyramid, one turned into an entire ore quarry, nearly everywhere else, however, having been unsuccessful. With these efforts often leaving nothing more than a small dent in these ginormous builds, thus these repeated destructive acts, I feel all undertaken due to these surviving relics having an absurdly controversial academic nature, yet also I posit the main motive. Being to conceal the clues they could give us in regard to these buildings past function, this lost civilization's legacy, or their many still hidden messages. Yet, thanks to these deliberately included and intentional indestructible characteristics, they fortunately mostly remain standing. Each impossible to destroy, dismantle, lift, or move. The Olmec heads Or this most elusive of now lost civilizations itself, for example, has a hidden legacy so controversial that it remains almost completely buried, with the parts that we have so far successfully found and recovered from hundreds of different locations having now revealed that they also shared in this uncanny past, stone moving and cutting abilities with those who built this now lost world. Particularly with those who built such locations as that of Easter Island. With the Olmec unarguably once in possession of the same stone-cutting abilities as the rest of this pre-flood world, yet choosing to use it in a very similar fashion to that of the methods and perhaps even the same original intentions as those once incorporated into Easter Island itself. They also once wiped out and buried by this ancient event. This lost legacy, like so many others, remains buried beneath a vast ancient sediment, or now completely consumed by a dense layer of jungle, making any exploration and excavation of these controversial civilizations incredibly challenging. With many others that still lay within our jungles, lazily argued away or often simply shrugged off as nothing more than geologically formed pareidolic anomalies. With the discovery made by Professor Angelo Pitonis, deep within the wildernesses of Sierra Leone in West Africa, a great example of this, named the Lady of Mali, she is according to his research, An ancient, pre-cataclysmic statue, which after examining the stone at the foot of her mountainous form, he claims is well over 12,000 years old. In an interview with journalist Carmen Machado, Pitoni would explain that the statue is located to the north of the city of Conakry, close to the country's border with Mali. And that he has now successfully dated the lady's age to over 12 millennia through observations of displacement motions within faults found within the statue's stone. He also spoke of legends telling of the existence of caves long said to contain mysterious ancient mummies, yet their locations, a tightly guarded secret by the locals, who tell of them as having a quote, Atlantean origin. Pompey's pillar within Alexandria, another piece of this pre-cataclysmic puzzle, which has fortunately survived the many onslaughts of time. For although the entirety of the surviving structure, now all but the pillar itself, it alone truly still one of the surviving wonders of this ancient world. One that can give us a glimpse as to the sheer scale of these original buildings, all of which once constructed from simply gargantuan blocks. One of the largest still standing stones on earth, it measures 20 meters in height with a diameter of nearly three meters wide, which just like that of the little known or shared true source location for Baalbek's pink granite columns, a swan quarry some 1,200 kilometers from the site, this enormous column also once sourced there and then carried some 900 kilometers to where it still stands today. With this incredibly tough single surviving piece, estimated to weigh some 285 tons, with it also once having stones of equal or even bigger sizes long ago, somehow set aloft this enormous weight-bearing column. Yet the great head of Guatemala, perhaps the most controversial of them all, this enormous stone face having long, if quietly indicated, that it wasn't just the Olmecs, that once called this Guatemalan jungle home a gigantic masterfully carved stone face that was once of quote fine features thin lips and a large thin nose end quote. Its initial discovery would emerge after Dr. Oscar Rafael Padilla Lara would receive a photograph of the head in 1987 along with a vague description of the find. A description stating that the photograph taken in the 1950s by the owner of the land and that the statue could be found located somewhere in the jungles of Guatemala. He would later establish that the actual site some 10 kilometers from a small village in the south of Guatemala. However, when Dr. Padilla managed to relocate it, he found that the head had predictably been destroyed. He would later state that, quote, It was destroyed by revolutionaries about 10 years ago. We had located the statue too late. It was used as target practice by rebels. This had totally disfigured it, sort of like the way the Sphinx in Egypt had its nose shot off by the Turks. Only worse, the eyes, nose, and mouth had all been completely destroyed. End quote. Another of these incredible now lost statues. And one that single-handedly pushes the size of what these ancient civilizations were once capable of working with even further. An enormous stone artifact now known only as the Colossal Hand of Hercules. For due to the find having been excavated in Amman, in very close proximity to what is now known as the Temple of Hercules, it has conveniently been academically deduced as that of the Hand of Hercules himself. Yet regardless of this hastily made identification, the past size of the statue in relation to this single hand would have undeniably still been many thousands of tons in weight. The Colossi of Memnon, however, possibly the largest and most impressive of these many still intact, astonishing ancient statues. They, perhaps even the best well-known. For although they have inevitably crumbled over the eons, records and descriptions of the statues stretch back many millennia, with the now lost characteristics that these magnificent ancient monuments once possessed, all but conveniently, and I attest, deliberately ignored by mainstream academia at large. A particularly extraordinary ability, an astonishing characteristic, one that the many who once experienced it repeatedly described as nothing short of a divine experience, one that would draw individuals from far and wide, who would set upon a pilgrimage across the desert to witness it themselves at first light. Orientated towards the sunrise on winter solstice, they were each cut from a single 1,000-plus-ton block of quartzite sandstone, once quarried at El Gabal el Amar near modern-day Cairo, which, just like that of the trilithon or the stone of the pregnant woman, they were then somehow transported over 400 miles to where they sit today within Thebes. Although modern academia would like to attribute these feats to our more modern ancestors, any logical explanation as to how these feats were once achieved, or how they could have carved them so precisely, remains completely absent from the many attempted academic explanations for the origins of these monumental statues, absent any methodologies From transportation and construction. Not only their transport and creation, but as mentioned, their many unique yet now lost characteristics, one being how these ancient monuments were once able to sing. With early Greek and Roman tourists all once flocking to the statues to experience their song, with the earliest written reference to the singing coming from the Greek historian and geographer Strabo, who claimed to have heard their song during a visit in 20 BC. With second century Greek traveler and geographer Pausanias comparing it to the string of a lyre breaking, thus it clearly was a very subjective noise. With others describing it as the striking of brass or a strange ghostly whistling, another extraordinary example which has long exhibited this lost civilization's mind-bending abilities, undoubtedly that of the ancient complex of Persepolis. With its many griffins, its perfectly cut stone architecture, and its countless false doors or portals, unquestionably making it yet another of these most astonishing anomalies from a pre- cataclysmic world, which along with having survived the tests of time, seemingly slipped through the clutches of these repeated attempted destructions of many similar sites, once found the world over. With perhaps the most mysterious and impressive of its many ancient creations, one that once stood guard over these strange ancient openings, one now found predictably all but buried yet perfectly preserved under several meters of sediment, those which are known as the Lamassu. In addition to being one of the most mysterious and impressively sized of all the zoomorphic depictions to be found throughout this once astonishing ancient world, it can also be used as one of the most solid pieces of evidence which all but proves, instead of the long-held academic claim of them being the work of ancestors placed some two thousand years ago, these incredible The incredible Lamassu, indeed that of the entire site. Not only beyond their capabilities, but beyond even that of our own a mere 100 years ago. If we look to the efforts of Henry Layard, for example, made within 1847, one soon realizes just how big of a mammoth scale, and the still unexplained simply enormous ancient undertakings, that these statues and that of their past placements once were. After discovering more than half a dozen pairs of these colossal statues, weighing around 10 to 30 metric tons each, Layard decided that he would attempt to bring two of the smaller specimens, each weighing in at a mere 10 tons, back from the site in Iran to the British Museum in England, which after an 18-month painstaking and tortuous journey, including several near disasters, he eventually succeeded in doing so. Although, upon their arrival, they required loading onto a custom-built wheeled cart and then lowered with a complex system of pulleys and levers, a contraption operated by dozens of men and built at tremendous cost. When moving them from the site, he first tried to hook a huge cart to a team of buffalo, but they would refuse to move. He then selected a reinforced cart for their transport, requiring over 300 men. Yet, this too was soon realized to be far too hazardous. Thus, he would eventually opt for loading them onto a barge. After arriving in London, a custom-built ramp was then constructed, just to allow the crew of dozens of men to slowly haul them up the few front steps and into the museum itself, an astonishing and clearly exhaustive exercise. and one which demonstrates that the civilization capable of constructing and once placing these statues in their original positions once of far greater capabilities than even that of our own recent ancestors a mere century ago. This dramatic sequence of events is also clear supportive evidence of my ongoing claim that these national museums involved in the funding and the transporting of such exhibits, even back in 1847. Clearly all too aware of the astonishing feats and the massive unexplained undertakings that these monuments once were, yet they the ones who are paradoxically far too committed to a conspiracy to ever admit it. It is an ancient cover-up and an ongoing mission to expose it, which I hope you too continue to find highly compelling. My first book, Life Before the Flood, A Definitive Guide to the Lost World is now available on Amazon, so don't forget to check it out. The second book, Ruined Earth, is now available. The quest to unravel the true history of our Earth has officially begun.