Why The Cast Of 'One Battle After Another' Can't Describe Their Own Movie
Oct 22, 2026
Video Summary
AI GeneratedThis video features a discussion about a new large-scale epic film directed by Paul Thomas Anderson (PTA), starring Leonardo DiCaprio and Sean Penn. The speakers emphasize the film's unique energy and tonal complexity, arguing that it is an original cinematic event that must be experienced on the big screen rather than described.
Here's Paul Thomas Anderson, one of the, you know,
great writer, director, visionaries of our generation,
doing a large-scale epic with comedy and action.
We do our best, and we give it up to the critics and the audience
and the people that hand out awards to make those decisions.
But I'll say this, it's definitely Paul's time.
You know what freedom is?
What?
No fear.
PTA's tone is so specific.
so it's like how do you even describe this movie
to people maybe you should have studied the
rebellion text a little harder we say this all
the time you know it's interesting because i've
had friends say well what's it about and then
when you say it's hard they think you're they
think you're being lazy purposefully being vague
that you don't want to tell them and i'm like no
it's hard to describe they're like all right it's
a movie just tell me what it's about and you're
like i know but and then
when you say what it's about it can't convey it so then you don't want
because it almost minimizes the truth of what the movie is.
You just gotta see it.
Like, you ever see that quote,
you just had to be there?
It's like, yeah, you just gotta see it.
September 26th.
Because it has an energy.
The film has an energy.
It's hard to convey what something feels like.
I didn't even know how to begin
describing tonally what it was.
How would you describe it?
I just think it's layered in every which way,
with like, most of the movies,
when I was younger and going to the movies
in the late 70s, early 80s,
it feels like these movies that were like an event,
like, I don't know, I remember going to see The Mission,
and it was like, there was a line around,
and all you had was a poster,
and that's what, and the name, Robert De Niro,
and you're going like, okay, I wanna go see that,
or like a Scorsese movie, The Color of Money,
it's like, you have the name,
You have the director, the actor,
you just go and see it and you're taken.
But here, and here is the same thing.
You got Paul and you got Leo
and you got this two titans going at it
and doing one hell of a picture
that is gonna be a lot of fun.
And you got Sean Penn as well.
You know, I mean, those are the names
that you recognize off the bat, you know?
And it's like, are you kidding me?
And it is that good.
I'll be seeing you very soon.
Not if I see you first.
Do you think if you read that script
and it wasn't a PTA script,
do you think that you still would have been on board
or would you have been like, this is too bonkers,
I don't know if this makes sense?
I don't know if anybody else would have been able
to pull off this script if it was in PTA,
so I don't even think this script would even exist
if it wasn't PTA, so that's a hard question to answer
because it just would not exist.
This script would not exist if it was in PTA.
And if it did, it wouldn't be the same.
You would just look at it and be like,
this is, I don't even know what,
but you know with Paul, you're like, got it.
The second that this gaggle of journalists
left the screening, you know,
everyone's talking about how great it is
and starts speculating about Oscars
and major awards and stuff.
Is that exciting to you or at this point in your careers,
do you really not think about that stuff?
You know, I think you would just want people
to see this movie in the theaters.
I mean, it's important, you know,
people are always asking about original ideas,
original concepts.
Here's Paul Thomas Anderson,
one of the, you know, great writer, director,
visionaries of our generation
doing a large scale epic with comedy and action
and you know that that we make these films we do
our best and we give it up to the critics
and the audience and the people that hand out awards to
make those decisions but i'll say this it's definitely paul's time
and i think like listen
if that thing happens there's no control over
that if that if it happens great but i'm with leo
I hope people go to see this movie on the big screen
because if not you're missing out
You're gonna get this a lot. But do you have a favorite in his catalog?
You know, what's crazy
Honestly, I think I think yeah, we love all his stuff,
but I think he really set a new tone
Well, yeah, one battle after another
another I think he really set a new tone
This is definitely one of my new favorites.
I always get torn between Phantom Thread
and and There Will Be Blood and maybe
And Magnolia, but I love Phantom.
Something about Phantom Thread was special to me.
I love that movie.
What's going down with Sensei's Underground Railroad right now?
Where did that end up?
And likewise, I want to know, is Bob still providing explosives?
Is he running the pirate radio?
Where did you guys end up?
Where did our characters end up?
You'll be playing something, some band or something, right?
You bought some stuff.
Yeah.
A block past normal, I'll go with the local band,
play at the local pub.
you know actually there was there was one i there
was one scene i think there was something we shot
like for after yeah that he didn't use
but i was back in the dojo teaching so that's official
that's good i think i'd be there too right i'll be back he
and he seemed pretty blasé about the
whole thing he wasn't scared he's like yeah i'll handle
this yeah i know some people in high places
yeah yeah yeah yeah i think my character is going
to continue to smoke pot and try to relate to his daughter
That's just how the cards were rolled out for me.
It's not cards. You don't roll cards. It's dice.
Dad, what is wrong with you?
Where's Deandra at? What's she doing?
I think Deandra's in prison. It doesn't look like it.
Yeah, I think she got some time. Don't you?
I couldn't tell, honestly.
I mean, it was like a harsh interrogation,
but with the tone of this movie, you don't really know.
You know what? That's the thing.
She could have been bailed out.
That is the thing. You never know.
Like, you know, she's somewhere in Mexico.
I'm somewhere, somewhere.
Melissa's back home fighting the call.
You don't know where these three women are.
Speaking of Mexico, wherever you are,
what do you think her day-to-day life is like?
Like, what's she doing out there?
Any closure, you think?
Ooh, I don't think there's any closure.
She never broke some man's heart.
Probably so, because, you know, Perfidia is a heartbreaker.
But I also think that per her letter, you know,
I think she's doing a lot of reflecting.
I think there's a lot of reflecting.
I think she's sorry.
and I think that, you know, I think she's just hoping for the day
that it's safe enough to get back to her baby.
God damn it!

