#119 CAMERA Book Review: Raymond Depardon - Glasgow
A look through a most wonderful observation of Glasgow in the 1980's from photographer Raymond Depardon.
In 1980 Raymond Depardon fulfils an order for the Sunday Times Magazine, but the reportage will never be published. The pictures will wait in the photographer’s boxes until the exhibition Un moment si doux (Such a sweet moment) at the Grand Palais (14th November 2013 – 10th February 2014), where the audience discovers a sample of the Glasgow series and goes into raptures about it. Depardon grasps the light of Scotland as never before and sublimes the end of a working world. Glasgow’s cloudy skies and soaked ground give an extraordinary beauty to the wanderings of working people, hanging around in front of the shops, walking towards the factories’ walls and even playing about ruined houses.
72 colour photographs.
Paperback: 112 pages
Publisher: Abrams (1 Mar. 2016)
Language: English
Product Dimensions: 29.7 x 1.6 x 22.7 cm
Raymond Depardon, born in France in 1942, began taking photographs on his family farm in Garet at the age of 12. Apprenticed to a photographer-optician in Villefranche-sur-Saône, he left for Paris in 1958.
He joined the Dalmas agency in Paris in 1960 as a reporter, and in 1966, he co-founded the Gamma agency, reporting from all over the world. From 1974 to 1977, as a photographer and filmmaker, he covered the kidnap of a French ethnologist, François Claustre, in northern Chad. Alongside his photographic career, he began to make documentary films: 1974, Une Partie de Campagne, and San Clemente.
In 1978, Depardon joined Magnum Photos (he became a full member the following year, and is now a contributor). He continued his reportage work until the publication of Notes in 1979 and Correspondance New Yorkaise in 1981. In that same year, Reporters came out and stayed on the program of a cinema in the Latin Quarter for seven months.
In 1984, he took part in the DATAR project in the French countryside. While still pursuing his film-making career, he received the Grand Prix National de la Photographie in 1991, but his films also won recognition. In 1995, his film Délits Flagrants, on the French justice system, received a César Award for best documentary. In 1998, he undertook the first in a series of three films devoted to the French rural world. The Maison Européenne de la Photographie in Paris mounted an important exhibition of his work in 2000. The sequel to his work on French justice was shown as part of the official selection at the Cannes Film Festival in 2004.
As part of an initiative by the Fondation Cartier for Contemporary Art, Depardon made an installation of films on 12 large cities, shown in Paris, Tokyo, and Berlin between 2004 and 2007. In 2006, he was invited to be artistic director of the Rencontres d’Arles. He has made 18 feature-length films and published 47 books.
Camera is on
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