《紙鈔屋》最新季幕後紀錄片：從東京到柏林（內含劇透）

Yes, I've just died, but now we're going to tell you what it was like. We're going to show you this series like you've never seen it before. I have slept with the door open all night. We have been very close for a long time. Our species has been observed during its rest, during its battles. You didn't want to be seen. That's why you may pass. We have saved the best seat for you. We want you to experience Money Heist from the front row. And without filtering. Enter our rooms. In our essays. In our training sessions. Vivid with us all the emotions of the most intense season of our lives. Welcome to our intimacy. That is my balcony. I live up there. Coming to my place after long shooting days, just a little bit of disconnect. I get off with the suitcase, I get out of the car that brought me. And before walking up four floors to get to my home, since I don't have an elevator. Well, I'm going to have a little coffee according to the time. That's what makes it enjoyable, because we're all together—everyone who goes to school and has played in the neighborhood. This is little house. Well, anyway, that little bit too, huh? Why have we stayed together and worked for so many hours. Help me out, when the weather is nice, go out of the house a bit and sit here a little. And don't make me concentrate so much. After trying out countless different things throughout life, I once did a masterclass with Tim Robbins. And He taught us His method, which is that there are only four emotions. And with that, absolutely everything is at stake in the world of interpretation. I usually use blue to represent sadness, the pink for joy, the orange for anger, the rage, and for fear. When the three of them leave, they go out to negotiate with Tamayo. In this chapter, They are very stoic, but we are filled with fear. Concerned, afraid. And here, for example, Llaga shouts out... Lisbon... Colonel Tamayo, white flag! Shout with all your rage, but deep down, the emotion that runs beneath it is... I'm so scared! They're pointing at them, and they're barefoot. And then this is the emotion that takes over, But the one who appears strong is the one you see, right? Fear. That's how we all feel. when we had to face this season. You might think that we know how to do our job, but the reality is that no. Because we had never gone to war And we had no idea how to do it. We had wanted to carry out a military escalation because we truly believed we had to give something more, but we didn't know how we were going to extinguish the warlike genre and how we were going to shoot it, That is very, very complicated. Besides getting involved in things you haven't done, about this war, It's logical because of everything you've done You've already seen it, your viewer. So, if you want to surprise him, Friend, you need to get involved in a new problem. You have to go to territories you do not master so that the one who looks may see things they have never seen. And that is worsening our quality of life. I took on the responsibility with great weight on my shoulders. It was a feeling of saying What do we have to do for the biggest season ever, We have to make the season the most epic one. We have to do the most exciting part where everything culminates and where the characters are pushed to their limits. The entire world population is waiting for this season. So, we can't just say I want to and I can't, can we? I think Vancouver always tries to get involved in the most inhospitable places to learn. Your creative ones, we tried to learn about what we don't know how to do And the delicate setting was something we had never done before. And here is the war. We were here for three and a half weeks. filming a single sequence, the 22nd. And now comes the thing. And there we discovered about the shooting and the explosions, which seems very fun, Actually, it's the most boring thing. What can be found on a film set. It's crazy. You have to repeat and repeat. Well, at El Polvorín, I don't know, We completed two sequences in three weeks. And it wears me down, it wears me down repeat a sequence so many times And I go out empty. Far from being fun, it's very tough. and very tedious, very repetitive. That is, 1,500 times the wheels with 1,500 different plans. Creatively, it's also important to us It's a bit... It's frustrating, you know? Why do you say, oysters, that I've been wearing this for two weeks doing the same thing. I hate the action. So, the truth is, I just don't like it absolutely nothing. The action was fun. What time is it? He has complained, he has complained. Groundhog Day Eleven? He arrived home vomiting dust, vomiting black. We would wake up and go back in here. They often feel as mere... dummies, right? Tiny little hands, right? On set. It's complicated. But I tell you, I repeat to you, And then I see it, and I know, right? And you're gonna say, damn, that's cool what we've been doing for two weeks because it's going to be awesome. As a kind of... Ashen-haired. They were seasoning us with pepper in a feeling that they're going to go well for me They're putting me in the oven already. They have fun filling it up, ---- eggs Explosion powders And you lying on the floor All this around you the more, the more more, more, more... Mommy, I'm so happy! There have been many characters. in a single dressing room We had it for eight. for ten because it started clean, Then they shot him twice, then five, Then there was blood, Then there was dirt, Then there was dust, Then there were flames. He explained everything to me very quickly. Now Manila comes, Here comes the damn bastard. I swear I was looking at him what was giving me a tic, My eye was twitching. because it is impossible to memorize How am I going to be able to do this? I think it's the most, the most complex Be constantly upholding those two great pillars What was the emotion what truly supported each scene with the entire part more technical more pyrotechnic which requires many waits in the set that requires assembly very specific, but really for them It has been very exhausting. be constantly maintaining dramatic tension so strong in such technical scenes. That was one of the first things that I rolled after the pandemic What was the camera. I wanted to take the camera. And leave me there in the dust, in the mud, because he knew that it It was supposed to be a trench and the powder magazine truly was one, It was a super narrow place. and we had a lot juices of light drifting, which made him a filming location quite hostile I couldn't hear you. then Someone appeared able to enjoy of all that and it wasn't a person, became in a dragon or to make a wink to my land in the main spandrel the pyrotechnician with the lampallama burning the fallas. No, no, it was epic It was a ******* dragon! And spitting fire a mad crazy person And He was telling us who was very willing to do whatever it takes The thing is that Of course, you have to be careful. Why does he end up carrying a weapon? Raiding, Wait a bit, extreme wear, very hot, I chose a bad day Can you still get in? Another thing It's just that later you might end up going overboard Sometimes It's impossible not to go overboard. Even I ended up doing it Fortunately For the first The Congandía We had a professional boxer Jovec in addition to being an actor He had been the Spanish champion. the heavyweights That wouldn't be the same actor if I hadn't been a boxer The pressure to be alert but being relaxed to separate yourself, to isolate yourself of the public Read the opponent Remove all that boxing stuff and you put interpretation And it's perfectly worth it In the year 97 I became the Spanish champion boxing enthusiast And in the year 99 Professional stroll In December 2004 Ten years old professional career Then when you make a sequence action well, I get everything I carry in the background I don't know, when Poga Suddenly it goes on guard and does it like that Well, the series is over already We're already ready to go home I would like you to tell me There is a stance here Because I give it to cover it Well, with all the love in the world That's the way it is And the feet like that And you place your feet parallel And you put your right leg backward And you get into position properly He is teaching me. In boxing You work so the blow isn't seen Of course, in the cinema You have to throw it It's very big. to the camera so that it can be seen And this one has to go through through Teruel, Cuenca, Albacete And then you just hit him Then it's the opposite what I am used to doing When we have to record an action scene I prefer that my partner My partner is just strolling around What do I have to be given? Give it to me That I will accuse him I will take care of welcoming with affection Let's take a look Well, I had to hold it then And as he isn't staying still So I was with the knife I had to threaten him. And the knife Instead of being the fake knife Well, it was the arm knife. And the blood rushes to him And I thought it was the zipper of the jumpsuit And when I saw the blood I mean, no, well, it's my blood Shorty, let's go Haven't you heard? I didn't notice the prick. They gave me the three stitches. To continue the fight Ah, ah, ah! I'm going to remember Bogotá All my life Yes, I can see it Today I find myself here in my Bogotá In my Bogotá But we have some actors Involved as well What does Poga say If I miss the points Will you put them back on me? It's crazy But I am a vampire And just if we're going to visit you I'm not getting the fight right This has meant a lot For a character What is coming back But to do so as well That last season Well, it has that flavor A little bit like when you read A book that you're enjoying And you're reaching the end And you're longing for it to arrive Why do you want to know what's happening? But at the same time They are always the team. Makeup and hairstyling They've already put the freckles on me. They are alcoholic. Have you cut your fringe a bit more? She is giving birth. I've put it in the perfect place. They ended up looking a bit like this I would love to Look at what a damn fine appearance With earflaps My God How to roll with Álvaro and with Álvaro? At first glance I have to say And I a priori I thought they weren't going to get along. Absolutely nothing between them It may not work Action! The chemistry may not work. No matter how hard you try Only good education matters. Álvaro is Like a terminator There is no other way What a fight Ultracerebral Ultra-technical What knows that turns on even cameras And she asks you about the optics And here you're going with a 20 Yes, I'm asking the cameras What are they wearing? Not only to Inspector Amorillo I also asked the cameras. You know he's always going to do it to you However you ask for it Or how you reach the agreement How do you think the sequence should go? You're telling the truth, that's for sure. I really enjoy working on little things a lot There's a moment when I already say What's up? And on the other hand, Inayua is pure visceralness. It's just the opposite. And I'm not going to lose my damn country For your damn fault, you bastard! Don't miss it! Inayua es It is an animal. It is a wild animal. It's not a little puppy. I am, in principle, more chaotic I see her working. And I'm on my way, it's already done It's already enclosed. It's already in another place. And I really liked it It's very loud because of the two of them Interestingly, they understand each other very well Damn it! He is very correct in appearance, always I love that you work, dude No, I don't **** their damn lives! That's where we used to do a review And when it comes to sense of humor, we find ourselves My God! We have not had Not a single day Not a single day when we haven't had a good time Look how beautiful! But we are helping each other a lot Not since the I'll try to do this sequence myself. Let's see how we can find our way between the two of us The best way to perform the sequence And based on the two elections And when we all breathe easily Upon seeing that harmony Did the unexpected happen? No At the worst possible moment I didn't get to enjoy it That's the side life, isn't it? Describe a childbirth you have never witnessed In a place full of water, full of garbage But with that character, close What is it So peculiar Don't be ridiculous! It is the most forged birth in history Well, of course I'm going into labor, huh? I'm going into labor! I'm going to give birth all by myself! There were moments when it seemed like I was heading toward Gollum. Damn it! Grandma! What do we do? I mean, let's take a look. First, you grab onto something Aaaah! You get into position Once you start, ¡Gollum! Millions! Of women! No, you take the mattress and bring it over. I'm telling you, but The weapon! Even so! With a guy there dragging the mattress And so, with the bow there And totally Unfastened Welcome to the show From life! She was pulling me through the filming schedule for the birth Screaming Eight hours! Ah! It's there Holding her tightly Ah! I can't! Ah! Ah! Damn it! Aaaah! Spain! They say, I like Madrid. I like the plots of land And the door! And corruption! I'm not going to lose my ******* country! Because of you, you bastard! How can that text be said? Thus, in that situation And that I get excited because I say Yes, me too! Always more! The most surreal aspect was obviously Verla a Nayo there With a prosthesis When she played all this, well, not The vagina, for those planes In which she records herself With a ruler and with the mobile device It is very realistic because It is painted from inside to outside. With all the layers of skin color Of course, as always We want to do things in reality I wish I had a little refinement A baby, at the very least To have delivered a baby there And a cry, having had a cry or something But of course, we couldn't And we did it with a doll The baby is made of silicone. And moves his eyes, his eyebrows The eyelids, the mouth And breathe They used to say something like, I don't know Some creams and others So that this placental thing would look like this The newborn baby And then with this cream It slipped away from us And then you were going to grab it And it was being downloaded And you were still following along a bit with the sequence To lift it up, there you go! As if he were the Lion King Here it is! It's a robot! A doll that looked like a real baby Because it moved, moved its eyes It's extremely well done It makes sounds that scare you It's very chucky Cut! What sounds? The doll is ringing! There are some sounds that are very strange It must be a very mythical moment. It is one of the most important moments of the season. Álvaro, can you turn it? Here? Put your profile toward us I was telling him, Álvaro, put it against the window And thus, with the light, I leave him in silhouette They were there as if interpreting But trying to make and do everything super organic Super beautiful And truly, everything was very dirty. We were there with everything scattered around Full of dirt and grime I think this is what I had assembled when I had put it together With all the bank's activity The thing about the staged chapter He said, it seems like the end of a season And I believe, in part, moreover Yes, as I said, it is heavily supported. To the entire skeleton of the chapter It's Sierra's character's childbirth. And an element so intimate That converges simultaneously With something so beastly Like an explosion in a building In front of hundreds of extras Hostia, it seems like it's also It might not have worked, but it worked like a charm. It's in those moments of shouting By bullets And from explosions What we like most is talking Of emotions The ones who drown When you shoot someone You feel like a damn piece of ----. The most powerful Then I would like to give you a kiss Those that come from within Like love That is absolutely classic. Money Heist Love in Impossible Places Love in Impossible Moments It's okay. It is the justification. Of these stories Of such intense love And these moments so intense Why is it that I've carried this all my life In love with him No, I'm not joking. There must be love There must always be love. There has to be love in series But there has to be love in life There is nothing more important. Love be upon you To have a month-end payroll That's also fine And it gratifies I am the person More interested In how lives end Of these characters How many bombs? They are going to release it physically Although they are very flashy And have fun going These are moments that might perhaps One says Well then At this moment They're going to start talking about this And I think Yes, of course. We are going to die Why is this getting so ugly? I'll say it later No, I'm telling you Just as in moments So much tension Suddenly burst into laughter And at that moment would fit perfectly But it is true What is difficult to do What a fuss there is today Here, not even God dies Okay I'm really obsessed with it It's impossible not to be moved That education What goes with a thriller's tension That never ceases When they're shooting at you And you're saving your life And the other one is dying With one leg down From a statue Yes, find that moment It is a dramaturgical success. It's right here, obviously It's here now already And with this urgency Yes, with this urgency Well, let's see what we do Eh Yes, that's how it should be In war as well Martense! I'm saying nothing, commander Don't get out! From the kitchen came all the bad ones Of course, you see that crew over there Also by G. Joe And it was just like already You entered an absolutely Much physical activity A lot of dust as well A lot of noise And then also Well, I think That's not the best moment To talk about these things Then All of these dynamics What you can say at first glance I can't believe it Let all this be unleashed In the midst of a war I think precisely It's war and it's the heist. What makes it unleash All of these sentences We're in a damn war, okay? And I'm fully into this, overwhelmed And come on, right? In fact, the creation of paper You're like an actor If you want to work Everything What is happening to the character? The sequence will never come out Are you in love with her? Well, if at that moment I I am thinking Before entering the heist I told the teacher That he didn't want to enter Why had they killed my father? And I didn't want my son I was in a damn mess. I'm head over heels in love. Come here I know who you are I know what you like What are your dreams? Sometimes we twist the plot In this case, the triangles We twist because we have had A journey already sentimental And why Denver and Stockholm? They already have a route. Manila once again serves as a new stimulus Among them My life seems like a ******* advertisement And if I am white to you I have no idea at all.必不可少 I think they can take her away Wherever you want Yes, it is a festival Stockholm this season All sequences Money Heist They have an incredibly intense vibe I always say it In all sequences You are fighting for your life. Or for the life of someone you care about On the verge of killing someone On the verge of saving him I have had to prepare myself Quite physically For the Stockholm character Why in the third And in the fourth season I fought as if trying to find His place, his action I think in the fifth It has small, great moments. Heroic And it was important Prepare them consciously It's like a challenge. I absolutely love it In the end, I have always been In a situation That I knew it was difficult For me, it seemed like a challenge. But what do you have to walk? Inside a ventilation duct That I had not seen But what were they telling me it was Quite small, claustrophobic And I was saying, I'm not going to do this I wanted to try Since crawling on all fours With the knees To do an exercise It was very helpful to me Yes, it is a way Very good That's where I have to dodge you. That obviously there was a wonderful Specialist who was in charge From the big jump That I arrived motivated If I can, I'll do it And I said, no, no, no I had to do the part Rosy Hanging around Just like a little chick Two meters above the ground Arthur! You must have very strong arms. And you said, that I can't Yeah, like, yes, you can Of course you can And the little chick helps you And suddenly you arrive at the set And you do it And he says, yes, I can For what it's done for me Train so much this year It's not just that either Through concrete physical actions As well as by a capability Of effort, of sacrifice Exciting Well, how do I deal with this? And I say, suddenly you have to Create a sequence In which I am absolutely high Falling to the ground Using the bodycam It's something I had never done before And then suddenly they told me But do you want to do it? And I said, of course, please I want to do it all They gave me a huge structure I was in marathons During the following days In shape Well, bad I'm a very simple guy. I like to define myself Like a neighborhood uncle Well, I'm taking my son to school It's also here in the neighborhood Then I'm going to the bar Can you get me a glass of sparkling water? Well, I'll take my script then. The lines that I have I'll record them with my phone. I promise you that when we get out of here I'm going to show you For three consecutive nights The best in the world, huh? And then, what? You will take me to the cinema. I am awake Hurry up They are here The thing is, I started listening to myself. Because of course, everything I prepare here Living in Spain It is in Spanish That's not my language And then I realized What could be better for me It's studying by listening to me Reading my phrases And then this And down to the court Trapped leg Massive hemorrhage Open wound Get me out! Please don't fall asleep We're here already, huh? So what? It's just that this one will take me to the cinema They are here In this second robbery We had three seasons And we thought we had spent A lot of material in one and two And that we need an escalation In the drama, in the emotion Truly pushing the viewer to their limit We're gonna fly through this damn coffered ceiling! And that could only be war already. And suddenly the word war In a series that has so many genres Different together Introduce the military It was very stimulating. And sometimes when it is stimulating For you to write You've just hit the right key That can also work for the viewer The day he raids the Bank of Spain The army had to enter. Ours had to face off Face to face In an open war And we thought that the moment had arrived Come on! It's like an additional level of tension So far we have tried Don't get your hands too dirty But now we are going to go further I had the sensation What were we talking about regarding Vietnam? Absolutely A cubierto And all that military pressure It was going to fall onto the set More luxurious than anything in our lives It's a real luxury See that this space has an evolution An evolution that's on top of it At this moment it is going to degrade It's going to break, it's going to explode To blow up into the air Even in each piece of the museum What you can see The tables, the table tops painted It was made by us Through our hands And we already knew from minute one Each piece that we were making It was going to break. I had to make a dossier. With everything that is really there Inside the Bank of Spain All the references that exist Through the official bulletin Of the State When purchasing any artwork If you look We have passed by this museum Throughout the entire timeline In the story Regarding gold We are talking about up to May our private collection I'd have even a Goya For example There are Goya paintings inside. The Gold of the Kilbayas We're under pressure International mission What's up? Do you want us to face off? Also to UNESCO or what? More than one hundred eighty days Painters? Yes, you can print it Can you texture it? Why do we paint it by hand? Why can we When you have to tell something You must do it with honesty. And we built something wonderful In order to destroy it And remain faithful to what we wanted to tell And to the genre with which we wanted to work And you, mentally preparing? It's not going to stay here Nor the pointer Nothing should be left behind. If a statue remains standing We have failed. Let's make the place the POSITION From the Bank of Spain A gala dining room with a museum of gold And with this gold, can't it be melted down, or what happens? And we wanted a coffered ceiling That was something non-negotiable. We were so looking forward to it A ceiling panel to break it? Yes, to break it But imagine if it had been Pladur No one would want to see him I'm going to show you how I break it An 18th-century ceiling fresco Let's go This ceiling is from the 18th century They brought him during the civil war From a villa in Jaén Precisely to protect him from the bombings And truly, when I read the script myself I said, but if there is a sequence There is a single sequence. In which the set is In its natural habitat Every time I was reading the scripts I admit that I was suffering from the seven ailments In the world war, Berlin burned its balls. And no one said It's just so beautiful! My goodness That's what you think when you read the script And you say, is the skylight falling down? And you say, uh, okay, let's see how we do this And then you do it Because yes, we built all of that So that it would be on screen One minute and thirty seconds This time no Very crucial In some way, in the beauty of chaos War destroys And this was the essence of what we had to tell And it was absolutely beautiful And it was molars Our references were For example, the photograph of Gervasio Sánchez From the Sarajevo Library It is the aesthetics of destruction. What we have sought It gives you a very easy metaphor With the mental state of our characters The Running of the Bulls The siege And the dining room pulls When I saw it, I said Are you going to take all of this to the museum? What a pity Yes, yes My goodness, how much money This is going to break more than one heart I didn't sleep at all that night In fact, I dreamed several times With the explosion going very badly Action, the action will be for everyone Obviously, this is a single take. The set crashes down on us in action Basically, this is the idea You have only one take To tell all the things you want to tell As the ceiling collapses The glasses are returning And the lamps return I sat in the combo I crossed my fingers Jali Jali arrives And that bursts open Everything is going to be destroyed. And everything is going to break apart And it's going to blow up everything Through the air With Seguri crystals We blew them up. Of the sculptures This comes with a hinge The sculpture of the tables We have been working for a long time Since the lockdown We were dealing with this Well, here we have the remains From this little firecracker Yes, the remnants of the day We've gone through our thing Until being able to do it But in the end, it has turned out As we wanted I saw myself very far away Of the character Now he will come and work his magic. What a beautiful scene Yes, Auntie You're dying, aren't you? I'm dying for the next chapter When? On the 5th I got myself involved You sacrifice I keep thinking that That a timely death It is a victory The characters have a journey. And stretch them further I think it's better Finish him off completely With pleasure When they shoot us in the head And suddenly I say How nice that they have written In the end What matters to her is Having lived Something real with someone With the people I would like them to say What did you feel about me? But really Real things It is chapter 4 My character dies on the 5th. And it seems kind of halfway As a spoiler How are we speeding this up? But it wasn't a spoiler It was a plan. When Nairobi and Tokyo Talk We are anticipating a fatalism And we are additionally anticipating That conversation is death So then We believe that the viewer When it arrives here Starts to have a sensation On the one hand What they will not dare to do We want May the death of Tokyo hurt you Then we're going to tell you Life, the past, love in Tokyo The pain of Tokyo And who is she really? The day we're going to kill her For me, it has always been A cursed character We need to see it We need to feel What was that love like We need to feel The importance it had In its structure What they needed to escape I want to have you all the time I think everything about Lisbon It has something like a De It was a dream As if dreamlike What a series addiction He renounced I have suffered Of course, then there's something Damn What excites me the most From this series, it's the people And that is certainly I don't know if I'm going to find it again Throughout my career, you know? Meeting people so You know, he gives everything. That excites me Jesús Colmenar excites me a lot. Actors excite me a lot. Alex Sancho excites me a lot Everyone, that is, it's like I feel Let them leave everything behind And that is something very much ours From our culture as well It has to do with With our passion, right? There's something very passionate about it. In what we do, the things We have gathered Very nice people Very dedicated And I think that has been the jackpot From the series I think that is Hello, hello, hello Hello Well, I'm going to enter the set Last day of Money Heist It is a very symbolic closure. For Tokyo There's a distant moral behind it, you know? Also Enjoy life I think it is It is interesting and it is Easy as touching it In the chapter And with five bullets inside I remembered my samurai And there it is How do they mix? Different Lives Of those already mentioned What they have been going through After all The teacher gave him a Second Life That is very beautiful. How generous Tokyo's gesture is To immolate oneself for one's comrades But at the same time Gift to Rio This teaching That she has had throughout her life What is it Cut a story and live the next one Why life It is full of good moments This season What is it How many lives am I capable of having? How many hearts? How many lives are there? The thing is, I'm at home. Listening to the track And suddenly I say Wow, absolutely Everything that is happening At this moment It fits very well Yes, it is true. There may be some truth to that. On the subject It's difficult How is my brain I understand it And us We want you We wish you many lives Thank you for these years Whisper and serve In all chains What is coming