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This video explores various ancient megalithic structures, primarily in India, arguing that their precision and scale suggest the existence of a lost, technologically advanced global civilization. By highlighting anomalies like the Kailash Temple and the Kachari ruins, the narrator challenges mainstream academic timelines and posits that these sites were built to survive catastrophic planetary resets.
A few months ago we did a video regarding an enigmatic mountain which rests within modern
day Tibet.
We touched upon the amazing legends, speaking of the mountain actually being that of an
ancient man-made pyramid, which according to such legends is placed at the center of
the universe.
They spoke of a mysterious giant eye placed upon the top of the mountain, an eye which
according to said legends will reveal itself when the ice and snow within the area melts
away.
Akin to a story containing the eye of Mordor, yet hopefully not as malevolent.
Although Mount Kailash can be found within modern day Tibet, its location is very close
to the borders of India, a place which few know possesses one of, if not the most amazing
ancient structure to have ever been discovered or indeed built upon our planet.
A structure which dwarfs the Great Pyramids, and indeed the Great Sphinx with artistic
wonder.
Actually known as the Kailash Temple, it is an exquisitely cut series of supposed praying
temples and other communal buildings which was, many thousands of years ago, carved straight
out of an enormous horseshoe-shaped rock resting within a hillside.
According to mainstream academia, Kailash Temple was somehow built by a primitive people
using primitive tools, during a duration of 400 years, from 200 BC to 600 BC.
However, no one seems to be able to explain how such a primitive culture could have possibly
created something so awe-inspiring, something so artistically accurate and wonderful, something
we would indeed struggle to recreate today.
A structure not only architecturally accurate, but also drenched in a masterpiece of sculpture.
Largely accepted as a flawless piece of art, no less than 200,000 tons of stone was masterfully
carved away, creating several separate temples, each drenched in tiny artistic detail.
Rediscovered in 1819, is it possible that the Hindu decorations found within were merely
later additions?
Additions to a relic left actually built by a civilization far more advanced and far more
ancient than we are allowed to publicly believe?
It is understandable for one to wonder, how did a primitive civilization create such a
wonder with primitive tools, attaining such a perfection, such refined finish to each
tiny detail?
It is conveniently unexplained just how they managed to cut into this single block of rock
with such precision and indeed vision, adorning the structure with thousands of animals.
It seems as if it were a tribute, a gift, depicting what can be found on our planet.
Is Mount Kailash, as legends say, really the center of the universe?
Is this mind-bogglingly detailed, most intricately built ancient temple by a long way, actually
a tribute to this fact?
Made up of temples which are all now perceived to be shared between three faiths, Buddhist,
Hindu and Jain, are these multiple faiths further evidence of a re-inhabitation rather
than a construction?
The 200,000 tons of rock, for example, is nowhere to be found.
And as previously covered in the Kailash video, the same is seen with the apparent enormous
excavation found around the base of Mount Kailash itself.
Compelling evidence for manipulation of the landscape, giving credence to the legends
of it being, in fact, an enormous pyramid.
Regardless of this, the fact that the temple carries the same name as this mysterious and
still unclimbed mountain within Tibet, we find highly compelling.
The Earth, the blue marble, the third rock from the Sun, and the place we all call home.
Our entire existence, the entirety of humanity's experience, apart from a few space missions
of course, all occurred here upon our planet.
The entirety of humanity, and as so far discovered, or publicly disclosed, home to the entire
fabric of advanced multicellular life, within the entire infinity of our universe.
All resting upon this tiny, water-covered sphere, spinning its way through what would
appear to be an endless space, a vast darkness, an unending void, yet one that is far from
empty.
For example, just within the observable universe, every nanometer of the sky, drenched in fusion
producing balls of fire, stars, and other bodies, many of which are nearly identical
to our Sun.
Yet our living planet has a double-edged sword, violent volcanic eruption, whose core is still
molten, a geological consequence of a relatively young planet.
All of life's complex ecosystems, many of which we depend upon each day, live on a knife
edge.
The sheer size of space, the vast emptiness, could be seen as a safety cushion.
For in such an empty place, our tiny planetary body fills hardly a fraction of even our own
galaxy.
However, it's filled with moving bodies, comets, set hurtling through space by past
ancient events, could one day hit our Earth, and have indeed done so in the past.
And as mentioned in our previous video, we believe man may have experienced at least
one of these events before, yet by luck or preparation, we survived.
This assertion due to our in-depth research into the evidence of the many lost civilizations.
In an instant, all this natural beauty, all this seemingly fanatical trial and evolutionary
error, gone.
All these marvelous creations, innovations, varieties, and even entire genuses, gone in
an instant, wiped from all but fossilized memory.
Resetting our flourishing planet to a near ball of dust and ash, something we claim the
academically denied ancient civilizations were also aware of.
Here on our channel, we posit that the event the dinosaurs experienced, a catastrophic
natural event, one which nearly wiped them all from the face of the Earth, leaving only
a handful of small-scale creatures, that man have experienced such events, and that the
survivors of such not only went on to flourish, but went to great effort to not only prove
they were once here, but were incredibly capable.
Thus, as such, we believe ancients from all over the world who are in communication with
each other, please peruse our work on metal clamps, polygonal masonry, on the Bosda Caves,
and our many other videos, tool signatures, and so on, for support of this claim of a
once world-going superpower.
They deliberately chose incredibly hard stone, often sourced from many miles away, incredibly
hard to work, these granite, basalt, sandstone, and other stone megaliths, additionally often
of gigantic size, would survive the test of time, resisting a tremendous amount before
fading into the chasm of history.
We claim this to have been done to say we were here.
Longyou Caves and Yangshan Quarry, China, Petra, Jordan, Aswan Quarry, Egypt, Bosda
Cave, and many other sites display the same curious stone cut as our anomaly in question
in tonight's video.
Located within India, a country drenched in antiquity, much mysterious, baffling, and
just as awe-inspiring as any other sites found anywhere else on Earth.
One such feature is the Butterwell.
It's located within a group of monuments at Mahabalipuram.
Not only does it appear as a giant drill hole into solid rock, but the tool marks, far too
symmetrical to have been created with primitive tools, as suggested, is but yet another anomaly
which we claim displays several proofs of a hidden history, and indeed, technological
creation.
We find the Butterwell highly compelling.
There are many intriguing ancient ruins still to be explored, still in existence dotting
our planet, many of which are yet to be fully explained.
Enigmatic stone carvings, and often tool marks left upon quarried or cracked or broken stones,
each indicative of lost technology, and thus, a lost civilization.
We have in the past covered a number of these ancient anomalies, the Plain of Jars located
in Laos being but one of these extraordinary sites.
Enormous stone jars that would simply be illogical to create in the modern era, yet would have
been even more illogical for our well-studied, yet far less capable ancient ancestors to
have created them.
Why these mysterious sculptures were created, and possibly most important of all, when they
were made, is an enigma still left within our past.
And the Kachari ruins are of no exception, a set of stone ruins located in Dimapur, Nagaland,
northeast India.
According to academia, their history dates back to the 10th century, when they apparently
appeared during what is now known as the Kachari civilization.
According to this hypothesis, they were created by the Kachari kingdom, which ruled the area
before the Annam invasion during the 13th century AD.
They are a series of mushroom dome pillars, which, just like that of the ancient jars
of Laos, their original purpose remains a complete mystery.
And although of considerable size and weight, are still considered to have once been a part
of a game similar to that of chess, yet any explanation of how these enormous statues
were moved remains conveniently unexplained.
As expected, due to their inexplicable nature, this site has been largely overlooked by funded
academia.
It seems that the fact that these remnants are clearly indicative of a civilization of
tremendous capabilities, including the refined finish of the sculptures, has meant that academics
simply avoid discussing or exploring the site in its entirety.
Not only is the site neglected by academic study, but the vast majority of these ancient
artifacts have, unfortunately, crumbled during their long life, which has led many alternative
researchers to volley against the Indian government, demanding that more be done to protect the
site and to subsequently avoid the ancient site from suffering even more erosion or of
unfortunate vandalism.
Who created the Kachari ruins?
When were they created?
What was its original purpose?
It seems, regardless of these questions being of great historical importance, what is apparently
more precious to funded individuals, and the institutions in which their conformity
to existing, yet highly disputed chronologies of man, subsequently prop up their selected
fields of apparent study, and are more than willing to aid in the continuation of fallacies
if that means the continued survival of their field of choice.
It would appear that these ancient stoneworks, each of an enormous size, are all ancient
Uparts, whose sheer existence is enough of a deterrent for academia to even mention the
existence of, let alone publish any explanatory studies of the ruins, absent any published
journals.
Away from academic ignorance, however, the local population inevitably has their own
supposed surviving story regarding the creation and origins of the stones, which now forms
a nice amalgam of Indian mythology.
As per this mythology, Bahim and Hidimba got married at the site in antiquity, later giving
birth to Godokan at the site.
And according to this local folklore, it's said that Bahim and his child used to play
chess here with these pieces.
And although clearly of mythology, it is better to attribute the ruins and to attempt an explanation
in regards to a creator of tremendous capabilities, we feel.
Better this than what we currently experience – complete ignorance of this precious yet
highly delicate, still surviving ancient ruins.
It is a place which we find highly compelling.