What does it mean for a house to tread lightly in a coastal landscape? At Point Lonsdale, Field Office Architects shaped a home that responds first to ecology, outlook and a sense of calm drawn from its surroundings.
Organised around a north-facing orientation, the house flips the idea of a backyard. Outdoor living is brought to the front of the site, creating a generous, light-filled space that engages with both garden and street.
Material restraint reinforces the architecture. Grey blockwork and timber detailing pick up the muted coastal tones, working together to provide thermal comfort, warmth and durability. Rather than seeking attention, the house offers a measured, enduring presence, one designed to support life as it unfolds.
00:00 – Introduction to the Coastal Home 00:43 – A Unique Coastal Setting 01:13 – Flipping the Backyard Idea 02:11 – Ageing in Place 03:03 – What is Simplicity 04:06 – The Ground Floor Layout 04:59 – Upstairs' Layout 05:50 – The Role of Materials 08:01 – An Understated Home
Our first impressions of the site was how calm and layered it was.
It was surrounded by shrubs and coastal ecology
and we felt really immediately that we had to tread quite lightly.
And so a lot of the decisions that were made, whether it was the layout,
the materiality, the connection with views, connection with nature,
a lot of that was driven by this sense of trying to create something
that felt like a real sanctuary, felt really calm.
We are in Point Lawnsdale.
We are on a site that is relatively rectangular.
One of the most unique aspects to it is that it overlooks the Ballarat Estate.
What's unique about that is it's protected with heritage controls
and was actually owned previously by Australia's second Prime Minister,
Alfred Deakin.
What's unique with this site is that at the south of the property
you've got the estate which has those beautiful views
and then you've got some views to the water as well
which is more towards the south east.
And then you've got north which is the front of the site
which is where you get that beautiful natural light throughout the day.
So the early decision making was where we wanted our external spaces,
where we wanted our entertaining zones.
And for us, one of the things that really unlocked this project
was this idea of flipping the idea of the backyard
having to be at the back, we actually put it to the front
and we put that entertaining zone to the front
which spills out from the meal space.
And what that does is it creates a really nice engaging area at the front
that gets basically a bunch of northern light throughout the day.
For the client, they'd lived in the area for a long time
and essentially looking for a home that would service them
for the next phase of their life.
They were a couple who really loved entertaining.
They had adult children who were building their young families
and for them it was really about creating something
that would support the ability for a house that could
have a lot of people, entertain a lot of people
but also contract and feel like a really practical home,
have moments of intimacy, not feel like a really big house
or anything like that.
For us, simplicity really means clarity in the decisions that we make
and in our practice we spend a lot of time working through
what might seem like really simple decisions
but a lot of those simple decisions have a huge impact.
When you say the word simplicity, it's really about thinking
what's the view that you get when you're walking along a hallway
or how does the light shine across a bench
when you're potentially doing the dishes at a certain time of day.
It's about these little moments throughout the house
and for us it takes a long time to get those things right
but when you're aiming for that sense of calmness
and sanctuary and retreat, it's about getting those little things right.
One of the key parts of the brief was any potential future
mobility challenges that may be there
and so for them that meant a layout that had the main bedroom,
all the services etc and entertaining living spaces on ground floor.
It's also important to note that you can actually close off
the meals and living area from the rest of the house
and there's a thermal advantage to doing that,
there's also a functionality.
Whilst this house can feel quite generous I suppose
in terms of the quality of the spaces,
it also has the ability to contract as needed
and that flexibility was really important to the client.
You walk up the stairs, you arrive at the top,
you're greeted with this beautiful view of the estate
and you can also get coastal views when you look south-eastly.
You've also got a fairly extensive rumpus room up there
which has the ability to open right up to the balcony
and what the client has told us is that
they spend quite a lot of time, particularly in the summer months,
the sunset light that sort of shines across that facade
and also across the estate.
So that's a real win for the house
and something that we really love to hear.
And then you've also got the guest bedrooms up there and bathroom.
We wanted to create something that felt like it was meant to be here
so a lot of the decision making around materiality,
particularly you've got the block work
which is obviously somewhat uniform and grey in nature
but it feels really grounded
and then you've got that tension between that
and the much finer timber elements
which we have throughout the interior of the house obviously
and then obviously the facade as well.
There's a fineness that we were trying to create a dialogue between
and a lot of the conversations that we had with the client
and also in the team in the early days
was about what is a beach house
and how will it look over time
and how will it look in the sense that
we don't want something we want to have to recoat every five years.
It had to be durable but it also had to patina
and change the way that local site does.
The coastal cues were really important
in terms of the sort of weathered, muted tones
and that informed certainly our use of timber
but also the grounded nature of the block work
which sat really comfortably against the tones of the local area
and particularly the sort of shrubs and the trees
that sort of sit on the site and around the site
when it came to heating and cooling.
The block work which is all insulated
provides a really nice amount of thermal mass
and the ability for the extensive glazing to open right up
has been huge for the client
just in terms of that sort of cross-flow ventilation.
And then on top of that we have solar panels on the roof
that's all captured by a battery.
Recycled rainwater is used for greywater throughout the house.
I would say that there's a certain level of understatedness
about the house and also restraint.
A lot of time that went into
figuring out a lot of the finer details
where certain views are,
what tree or shrub you see when you walk past a certain window
or how the light shines across different nooks and staircases etc.
throughout the day.
So I think that was something that was really important.
There's just a real layering and depth to this house
which I really love and the client really loves as well.
It really does what we set out to achieve.
The house is about balance,
light and shade,
openness and retreat,
practicality and warmth.
I think as a result we've been able to create a home
that is super adaptable for the client
and really suits not only their needs at the moment
but their needs for the next 20 years.