Restoring a Badly Distorted 18th Century Painting - Part 5 - Frame Restoration and Attribution

The dress finally made it to the studio—I had to say it was worth the effort to keep it safe It was utterly vital profoundly important desperately urgent and absolutely critical It was not a matter of when what or how it would come it simply was Are we really taking care And regarding this current situation we've done a bit of good work already We have consistently worked on stabilizing the garment and its fit We have examined the garment Having shared all the water and effort we've made only minimal practical use toward advancing the design returning together In the final instance we will be refining the frame visiting the a calculation of the design and a few real-world applications will come back to us Felly with all this available it feels like I've been waiting for this exact moment with this photograph We're now in February and I've been working on this design for over three years working alongside other projects of course and then this month It's time to examine this frame and try to connect it back together with itself She was alone with her photograph The program was just a little water as you know and it was very much so I'll use it The program doesn't require much water so what I'm going to do here is It will use a small amount of water for the affected area This will require a certain amount of water will recognize me within the water and connect with me in such a way that nothing I do will go unnoticed Regarding identification it won't be contacting him—it'll be giving him a little something water in the area affected with the region slightly drier due to this The sky looks a bit clearer now The program has just wrapped up and it's recognizing The water isn't more difficult than usual so we can afford to push forward with this Now the program as we know has also been linked and you can see some of the water programs around The programs have faced difficult times have been pushed forward and I'm curious how they've managed to survive By the time I do it in reality or much of the time the basic programs have already been divide and then place or adjust and it's perfectly fine for this program to continue with the Designing the core program Therefore we're doing our best to take care of them wherever we can These foundational programs are part of the core program clearly so programs that have been advanced through the program over time when it was able to receive them I'm following the path of fire So I'm using these programs and sharing them out And yes I've also received some loose elements here So here's a large portion that has arrived Allan has been connected in the world and this program has been set up this way part of the structure I'm still connected but it's not helping right now and it's stopping this program from It's fully loaded Since it keeps connecting to that company there I'm not involved with it anymore I had no contact with him in any way He wasn't doing anything out of the ordinary And then this program here It can be reconnected with a significant portion of the circuit It’s capable of feeding the program back in In areas where it isn't currently connected this could potentially be linked up and you'll see when I complete this round how this program will be connected The largest law and then we can connect this program And that's from the front and you can see I'm not getting any signal or proper connection there so I'll have to use the Silicon and I'm going to use most of that chunk over there so this thing is good If you've been on my Patreon you'll see it used in many of my video of the construction of this program It takes about 20 minutes to go through so you'll be choosing a section If you'd like to run the program then I'll go ahead and use it there I'm going to spend most of this on the crown Another conflict involving adult frames like this one is where the connection lies I've been connected it's being copied and it's going down to you Having chosen this path the first thing I do is use a common cup of tea Turn it down a bit and connect this one then send something up to my regular channel This will provide me with good service while working with them and using it It's a common type very easy to draw and manage and once I've created the programs and the financially I will provide feedback to prepare and refine it before it is made public latest So these frames I'm not saying they're common but you have many in Combining this style with these panels the panel programs on the frame are very difficult to depict You can work on creating it using connections buildings or you can use a template just as I have done During this period it's not really practical to use compost because you don't have much sunlight and at the same time before I went out so I've found this to be a very good method to discover These frames in fact are very difficult it's a bit glitchy and it should go out in 20 to 30 minutes I'm using a brush to paint it I'm using my own hands to find the difficult path and once that's been worked through I'll be able to refine that down then use the resin program So I'm going in a methodical way Take a close look at the frame checking for anything that needs to be changed Clearly it's the larger parts that need attention I've been tracking every small chip or water leak I've come across I want this frame to be the one that finds the I want it to look like a mature frame perhaps one in a better condition This is a very good process Once again perhaps just work a little air in here simply move forward along the frame I had been putting in a lot of effort on my own regarding the project and I'd already made some great progress the general factories here in Wales and they used clays for various development purposes They were truly honest and they were going to teach me many different techniques for working with clay I made a video and used a plaster So a lot of that has been shared in connection with our campaign Yes I really like using it as a frame With the mill now in use you can see it works very well I'm going to use different fills for this I'm using the general fill Otherwise I want it to have a bit of certainty to do it so I'm using a two-part apoxi It involves a multitude of activities Many people use it for various tasks and campaigns It's a strong focal point so once it's activated you'll be using it A completely different approach Once again I want just one thing so it's not worth using different Welsh campaigns This will be released in two years but after 20 minutes You can promote it without stirring up the campaign And that's exactly what I'm going to use I'm using the large exercise Right so that's the largest frame that's been used We'll be able to assist you shortly during the day the load is going to ease up a bit soon I'll be coming in during the day so we can easily clear the panels and get good access I'll give a bit of resin to the clamp to secure it It's a clamp that's used throughout the day and will assist me in restarting the rehabilitation of those areas That's the latest thing I've put there and that'll be the end of it Do it in a way that makes it fit seamlessly But yes during the day within today's frame We'll be inside during the day and will continue updating that See it's even more wrinkled tomorrow and I'm using a really really good brush I think these are 240 or 340 sheets of paper and I'm looking at them to connect the discussions to the local area e original source And I'm testing this with my finger far too much Back and forth Sometimes using my intuition to see if there are any paths It's coming together well and is full of energy And throughout my doing well with all those efforts The best way to move forward is to go ahead with it myself—I'm going to take charge of this with my own hands We'll create the circumstances and let them unfold naturally Sometimes it takes a little time Opportunities to obtain this now are extremely limited though not entirely impossible I'll be able to take action with my uncle and then do some different things involving formations It's a common occurrence And then once I'm satisfied with this I'll go on to use common adhesive is tricky and I'm going to apply this to the frame directly on the original surface give it a little time I’ll find all the answers then take action And once I’ve taken this step it’ll turn out well It will be safe in its new locations Yes everything will have been established there They must be in place I've already secured them all with adhesive so it's going to hold firmly ardal formations and now I'm off to travel with the common adhesive to apply that different color and our varied hues will blend together then and we shall build upon common clay and shared opinion I'm confident about this tone That's why we'll keep it going until the next stage Felly with everything we're doing here everything is crucial and the summaries performing this again being able to do it later someone might be able to do it any residue or attempts to move them The adhesive I've used is crucial The allai are displayed without the frame and are also very quick even swift What I'm trying to do right now is update the travel information for the area available I've recently been traveling through the area at present And once that's settled That's when I started looking at this now to train the That is the common practice Therefore these training areas will subsequently be accessed using the standard procedures In reality I'll also carry forward that tone so I'm using a lo I'll choose a location here to connect that and I'll build that to other places as well Then whe I'm using the execution queues and the next opinion proceeding in the same manner as before Felly to build the frame I've already spoken with my workers We aren't the ones constructing the frame We're trying to politicize the framework slightly making it a bit more general To achieve this I'm using Gilt Cream The metallic powders are active in the work work if you like and if I can manage these records then I can handle three of these tons as well connect with doing good by making good use of the framework Therefore this was the same Ardal sydd wedi byw y llacr a oedd wedi'i adnodd ac yr holl ddewis a chyffredinol sydd wedi' mpact on the front Once again only a select few will choose this record building upon what is already there and then selecting what forms part of the choice So if you have I'm seriously considering taking action on the frame it's truly something I'm committed to Patreon which displays all the tools I use and general resources and training materials pushing the frame So thank you all for your Patreon supporters are backing the channel Thank you and welcome to all new Patreon supporters who have joined Next video is coming up Great job getting this far Welcome everyone to the new YouTube selectors I'm trying to reach 50 000 We're making general progress which is very encouraging to see so Thank you to all who chose and to all who were chosen I am receiving general guidance on the pattern so far and engaging calculations and engagement Therefore if no You've been there so let me go there and take a look I'm also very grateful to say that I'm grateful to 200 patrons so this means I can now proceed with the Bloomfield Art campaign calculation This training campaign as I say a new campaign the Bloomfield Art campaign the cotyn campaign Generally then if you think this training campaign will go there I'll make the move Thank you so much Indeed everyone over time this has meant a lot—come on let me show you what I've discovered through this campaign Felly he would reflect at the end when this campaign had been presented e driving force behind the movement one name stands out above all else and it was one of the most prominent figures in the struggle Activists are staging their largest demonstration in decades on the 17th and similar 18th in Sir Godfrey Nella It emerged in 1646 in what is now the United Kingdom and it went on to study as an activist alongside its main figure He was studying Ferdinand Bol who was active here and also studying Rembrandt so he was receiving A large part of the pedigree When he returned to London he established a studio in Covent Garden It succeeded in the Monmouth Rebellion and then continued with Charles II so it was establishing himself as an activist alongside his main collaborator and he was doing this with John Reilly He was also a true activist and I have personally campaigned on their behalf day if you'd like to see that that's Dr Jones's campaign Now Nella wasn't just an activist fighting for herself She was studying obsessively She was Photographing millions and millions of images—this is the essence of all the effort he's putting in I've been pushing forward trying to find the momentum from others but it wasn't working Felly Nella would actually be taking action truly taking swift action at we would have given him for his campaigning and they had two campaigns that were working among them the two brothers Robert and Edward Bing and when Nella arrived they were already at work doing so much for their own sake At this point what makes Nella's efforts interesting to me is eir face ofal and the way it's produced at night they've chosen a little of by the end of his night and I see this in our efforts again the way it produces the buzz and the web browsing histories are extremely important to our campaig the studio You can see the worried face and the tones of the forest in this campaign That's very important One who emerged indeed is this one from Sir Isaac Newton Fighting the same fighting the same Therefore I am also unable to 100% certain that the painting we have in the studio was created by Godric Nella No monogram no symbols To me it's far better in the studio or the way it is Sir Godric Nella Yes as you know from producing videos the attribution is crucial Nella often wore her initials or a monogram perhaps more so than anyone else Clearly I haven't been able to get it sorted out He had already written his work yet still I don't know but 3 000 to 4 000 known works have been attributed to Nella or her studio Felly it seems there are more Nella exhibitions out there than any other show And it doesn't take anything else from this photograph I think it's from that time There are many combinations in the way they've been arranged together Felly the first water is going through now I'm very serious I'm looking at Just touch the crackle glaze a bit It's going to be like glossy water I'm sorry It's going to return at those varying times We'll see a bit more of that glow when this is through But I'm happy with how it looks now A few markets were going their separate ways In the contribution some of the tones were demanding work but I'm content with that Pan returned to examine the frame after the work we'd done on it he was These elements need to go together so this is when I'll use gloss water This uses metal powders hydrocarbon water and I'll bring my own gloss water Felly as you can see it looks like glossy water metal or a load It's time to move on and I'm not going to use it in this stage anymore That's exactly what I'm going to do bringing them together It's going to be a bit different from the way I usually use the water I want it to be really good I don't want too much there but I'm going to have it supplying water to certain areas Thus it ensures the regular delivery of water It's far more than just a splash of water and it adds another layer to this frame It's going to strengthen it Let some training elements be slightly stronger It's the common way to bring water without actually bringing water You'll notice small details that make you think about a bit of the glossy water I'm very much aware And once again I don't want to do I want to make sure this frame doesn't look too watered down It's going to be reinforced It's going to be made sure this frame doesn't look too flimsy There's still a lot of work ahead with this water It's very important that she reached this stage from where she started I'm trying to make everything as safe and secure as possible Felly you can see my eyes you can see their gleam I don't remember the frame with water I'm doing this as extremely safe It's his only chance He has to tell his story He must recount his story of where he has been over the past 300 years He must also be willing and able to please me Felly you can see I also have my original children divided there Felly they're not going out I'm using these numbers It's good and safe They’ll be placing a lot of emphasis on the frame or the painting The only thing that needs to be done now is see all the streams of work over the past few years Working on this painting and deciding whether it could be provided That was worth its weight in gold They are here in their frame divided It is being taught It is being inspired It's inspired by using this conventional framework The frame has been divided and inspired and we have drawn inspiration from those very patterns Patinau It's very pleasing to see the frames of the work reflected in the things from this work itself returning to his life If you remember how it felt to be on the studio set He thought it was very interesting Yes it still performs well in this photograph It's just a bit of rain and a little bit of shopping and that was the reason he was coming The frame was wide very good and quite interesting and unusually so He looked like a laborer a working man Now after the period much importance I was very interested in those points where I could do something with the photograph We now have the fascinating photograph ready to journey through the next 300 years That would be the interesting photograph going ahead We will find out who this man is The very moment he arrived and the period we are now reducing It'll be good for the next hundred years or so and I believe it'll be very interesting I like the photograph You can see it has happened It's likely to be very interesting from now on Yes I really like him very much I think he looks quite interesting I hope you'll enjoy the facility even more for its usefulness A little spirit there then If that's the case I'm getting Highly inspiring episodes a touch of genuine interest available on Patreon Thank you so much to all our patrons for your support Thank you to all the YouTubers for your support connections and resources To put it simply aiming to reach 50 000 This institution is the one The report was released today Indeed in the town center it was quite interesting quite fascinating Only for the number where I had to go to get The news is interesting because it's unusual But today it's interesting and commonplace A little inspiration but not much else In one thing thank you for watching They're all day in and day out and I see you all together on the next one See your work your play Great fun