Fran Drescher opens up about her wild second act, the legacy of ‘The Nanny’ and the powerful new chapter she’s stepping into now. She reflects on growing up in Queens and being told by teachers that she’d never have a serious career unless she changed the way she spoke. After briefly trying a vocal coach’s “low, slow, flow” approach, Fran realized her power was in embracing exactly what made her different: “I’m a comedienne. A pretty girl with a funny voice. That’s my sweet spot.” She also shares the serendipitous moments that led to ‘The Nanny’ — from spotting the president of CBS on a flight and thinking “Carpe Diem” to later finding inspiration while “schlepping” her friend Twiggy’s 12-year-old daughter around London.
Fran reflects on surviving uterine cancer in her early 40s, her divorce from her “gay ex-husband” who she calls her soulmate — and why they remain creative partners to this day — and stepping into leadership as President of SAG-AFTRA during the pandemic and historic labor strikes. Now back on screen in ‘Marty Supreme’ alongside Timothée Chalamet, she looks back on a life shaped by the belief that opportunity is always there if you have “the tenacity and the chutzpah.”
Even the high school teacher said,
you know, if you want to have a serious career,
you got to get rid of that voice.
My mom said at a very young age,
I was watching all of Lucy reruns.
And I said to my mom, I can do that.
I did Dad's Root Beer and a McDonald's commercial,
neither of which they let me speak in.
I went to a woman and she tried to teach me
what she called low, slow flow.
I auditioned for Winds of War
and my manager at the time was very eager to find out
how I did with my low, slow flow voice.
And the casting director said, you know,
she spoke very slow
and it's only an 18-hour miniseries.
So I said, you know what, I'm a comedian
and it's like a pretty girl with a funny voice
that can do comedy.
That's my sweet spot.
Let's just call it what it is.
I'm not going to have Meryl Streep's career,
but I can play all different emotions of women
close to where I come from in the world.
I had done a short-lived series with Twiggy and Joey Haggerty.
Didn't go anywhere.
I did a pilot after that.
Didn't go anywhere.
And there I was by myself on TWA
and I'm thinking, oh my God,
that's the president of CBS, Jeff Zaganski.
Well, I just worked for him.
And I said, Jeff, and he said, Fran,
and I thought, thank you, Lord,
and I ran into the bathroom to put some makeup on.
And I'm thinking as I'm patting my face,
because I saw it as an opportunity
that I was not going to get in my way.
I was just going to push that door open
because it was, you know, I mean,
opportunity knocks every day.
If you have the, you know, like the tenacity
and the chutzpah to recognize it
and then do something about it on the spot.
Do it.
Just do it.
Don't get in your way.
And so I said, oh, I can't bother him on the plane.
He's a big, important man.
No.
So when I came out, I guess he, you know,
he kind of said, you know,
I'm sorry that last pilot didn't get picked up.
And, you know, there's a lot of things coming down the pike
and we'll find something else for you.
And I said to him, you won't find anything
that's going to fit me hand in glove
unless you hear me, let me pitch to you
with Peter, who eventually became my gay ex-husband
but still writing partner.
But I said, we know my brand of comedy
and you got to let us pitch.
And nine and a half hours later he said,
okay, when we all get back to L.A.,
call my office and I'll set you up
with the head of comedy development
and I'll let you pitch.
And it was like, I didn't have the idea
when I was talking to him on the plane.
But I was visiting Twiggy,
I did that short-lived series with,
and her and her husband were working
so I ended up with their 12-year-old daughter
schlepping her all over London with me
so I would have a companion to go touring with.
And she all of a sudden says,
I found my new shoes are hurting me.
And I'm thinking, why is she telling me?
Does she want me to take her home?
Because I'm not ready yet.
So I said, oh honey, just step on the backs of them.
And she said innocently, won't that break them?
And I said, break them in.
I just couldn't get this unorthodox relationship
between an adult and a child out of my head
because I wasn't telling her what was good for her.
I was telling her what was good for me.
I didn't want to sacrifice my afternoon for her.
I wanted her to break her shoes
so I could keep touring London.
So I called Peter.
I already told him I ran into Jeff
and he said that we could pitch something.
So I said, I think I have the idea.
What do you think about a spin on The Sound of Music?
Only instead of Julie Andrews, I come to the door.
And he thought for only a moment,
he's got a very good sense for these things,
and he said, that's it.
That's the show we're going to pitch to CBS.
The minute you get home, we'll flesh it out,
we'll develop it a little more.
And that's what we went in with.
We got what they call a log line.
They green-lighted it right there.
Hi, I'm Fran Fine.
Do come in.
Oh, boy, do you have gorgeous tchotchkes.
People that are, you know, like, mad for it
and, I mean, just obsessed on it
weren't even alive when we were shooting it,
and it was airing initially on CBS.
We were right on the cusp of social media,
and everything, the Internet,
you know, the whole dot-com era
exploded while we were shooting The Nanny.
And those people,
those families that were watching it
from 93 to 96,
then, you know, the kids grew up
and just found,
started to understand
how great it was on levels
that they didn't cognize when they were kids.
Then, suddenly, it's like,
the clothes, the jokes,
the, like, gay humor,
the sexual tension,
all of that kind of went over their head.
But they just liked this, you know,
immature, funny nanny
that kind of treated the kids like equals
and yet would be treated like a kid herself by her boss.
You know, it operated on many different levels.
I'm madly in love with Peter.
We're so tight.
We talk a few times a day.
We're writing, always writing together,
and we're in each other's business,
and we're family.
My family says,
you're still married,
you just don't seem to know it.
We are soulmates,
so soulmates really can't ever,
they're like magnets.
And we just had to figure out
how to be happily divorced.
And we so are.
You know, we travel together now,
and, you know, we're just,
my family is his family.
We feel very blessed
that we cherish each other the way we do.
But I'm a Buddhist,
or a Buju, if you want to call it that.
I'm always trying to think about
why this is being presented to me
on my journey of self-refinement.
How can I take this experience
and grow through it
to be better than I was before?
You're not supposed to be married to everybody
just because you love them.
And you learn that the hard way very often.
And we put a lot on our mate
that we don't so much put on our friends.
So sometimes, you know,
that feeling that you had
way back in the beginning
that got all messed up
in a marriage that probably shouldn't have been,
you can kind of, you know,
rekindle that
if you just pare it down
to much simpler expectations.
And we're good with that.
Being with a friend with benefit
is easy.
So that's not,
that's easy.
But sometimes it's,
you know, okay.
It's not what I want to do.
Though I can do it
easily and whenever I want.
And that's comforting.
Because I guess
I have Peter.
I think he's a bit of a c*** block.
I take him to everything.
And I don't really care. It's okay.
You know, I have a gay ex-husband. Live with it.
I've been with him since I was 15.
Who can compete with that?
Over the years, he grew tremendously.
He's not the same person.
Neither one of us are who we were when we were married.
Starting up with someone new takes a lot of work.
And, you know what else?
Selfishly, I don't want to
compromise.
I don't want to negotiate everything.
What we eat for dinner.
Which movie are we going to see?
What are we going to lay in bed and watch on TV?
You know, it's like, that's what it is
when you're with somebody.
Or you do a lot of sacrificing.
I always did a lot of sacrificing.
I'm a nurturer by nature.
But the more you live on your own,
the less you want to do that.
And the less you need it
if you happen to have a gay ex-husband.
As a cancer survivor, I started
the Cancer Schmancer Movement
dedicated to early detection
and prevention.
I ended up being diagnosed with
uterine cancer.
Uterine cancer typically
hits women
that are postmenopausal
or obese.
I was ultimately
diagnosed at 42.
So if it
started around, maybe around
40, maybe earlier.
I was not postmenopausal
and I was not obese.
So,
I slipped between the cracks.
Mine was in stage one, which means
it was resting on the
uterine lining, but it hadn't penetrated it.
It hadn't started to dig in.
So I was very lucky.
Although I was at that
point with a man
16 years my junior,
who for the first time in my life
I want to have his kid.
My destiny was that that wasn't
ever going to happen.
I mean, the HRT
woman was convincing me I had
like five minutes of fertility left
and we should definitely freeze an embryo.
But then,
it very
quickly
turned into cancer
and that option was off the table.
It's hard for any woman to have that
surgery, but I think for one
that had never had children like myself,
it's a particularly good ability to swallow.
This is the SAG-AFTRA negotiating
team and we are
in the negotiating room
ready, willing, and able
to negotiate with the
ANPTP.
But, as you can
see, they are
nowhere to be found because
they have walked away
from the negotiation.
When I was on strike,
I did not anticipate
that I was
the low-hanging fruit
for the opposition to discredit.
Why? Because I'm a woman
leader and they get these nasty
PR people
that represent the bad guys
in Washington, D.C.,
and right away
they're trying to make me
out to be like
incompetent.
And my
staff at the
union said,
you know, because then I'm
getting flooded with the
press asking for
me to comment. And
I was being advised by my staff
at the union,
say, no comment.
We're not going to comment.
And I said, I'll be goddamned if I'm not
going to comment.
And I turned it
on them
by doing a
self-tape
of me putting on
makeup, as millions of women do,
on their way to work every day.
And while I'm putting on my makeup,
I'm talking right into
the lens and I'm saying, I don't have
to emulate male energy
to lead. I can
lead with wisdom,
empathy,
intellect,
and I can still rock a red lip.
That went viral.
It was four of the hardest
years of my life.
And I did it very well.
There's no bones about it.
But I came in for
COVID,
which was very difficult
because the industry stopped.
And then when it started up again,
those people that weren't vaccinated
weren't allowed to work, and
I'm their president too, and
you know, trying to sort that out.
And then the contract happened
and we went on strike and
ultimately got
the best deal
in our history, a billion
dollar deal. So I'm very proud
about that, but it was
unbearable. What's in a few weeks?
World Championship. So where's that
going to be? Tokyo.
Tokyo, Japan?
You're asking me if Tokyo's in Japan?
I feel very lucky
coming off of
the union work that
you know, this movie is so
hot and so
right there in everybody's face
and I'm on the poster. It's very
nice for me because I went
up against
the kings of our industry.
And
you know, if there was a blacklist
out there that had one name on it, maybe
and
I thought, I may never work again.
And if that's the case, you know,
I'll always do something. I'm a writer
you know, and I can always
do something. You can't stop
me! And what do you plan to do if this whole
dream of yours doesn't work out? It doesn't even
enter my consciousness.
Maybe it should. I'm fans of
everyone in the movie and love
Josh Safdie as a director.
Josh felt like
me and Timmy kind of look alike
and
he said, I know
your background and I
know there's a depth to you
that I want to extract
for this movie. I know
you've got that in you.
Very nice guy.
Very, very talented.
I've always been a big fan of his.
I like
everything that he does.
I was delighted to be cast as his
mom. It's not like he wanted to be my
best friend or anything, though I was open to
it, but it's fine.
It's fine. He's like a
you know, a young lad living
the dream and I'm
very happy for him. Well deserved.
I'm very
what you see is what you get
and when I talk
to people, I'm not
above them. I'm right
with them and they get that.
They feel it. I am
authentic in how I present
myself. I make sure
of that and I
never want to be anything
else. There are people that
will say to me,
how you feel, Fran? You doing
okay? Because they know I had
cancer 25 years ago.
They worry about me.
It's just so
dear and I feel very, very
lucky. Very lucky.