)Three Levels of the Hanfu Movement

Antique Style
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2 Video Views·Jan 5, 2026
第六届中华礼乐大会汉本位论坛演讲内容(四分钟版,原文约两万字时长一小时);原标题:《日月昭昭,煌煌天汉——文化民族主义与汉服运动三境界》。版权所有严禁二次上传,转载请私信up主。
Hello everyone I am Li Wu
I am currently recording this video from London UK
The scene of me attending the first Rile Da Hui conference in 2013 is still vid
after which I began my five-year study abroad experience in the UK
So I'm very sorry again this year I missed the Grand Ceremony of Rites and Music
Although I'm still abroad I'm always keeping track of the developments in the Hanfu movement at home
I am very happy to see that this year's Ritual and Music Conference has added the Hanben Forum
which will allow our efforts over the past 15 years to achieve a leap in the intellectual realm
I will now briefly summarize the content I have prepared for the forum which is the Three Stages
of Cultural Nationalism and the Hanfu Movement The
first stage of the Hanfu Movement is cultural revival
The contribution to society at this time is cultural prosperity and a sense of identity
Cultural revival requires joint efforts in two aspects
One reason is maintenance that is preserving the continuity of Han Chinese culture itself giving it lasting vitality
The second is to distinguish that is to clearly separate Chinese culture
from foreign cultures and to maintain the purity of Chinese culture
Both are like two sides of a coin complementing each other and inseparable
However the revival of Hanfu begins with clothing and extends to a broader and more profound cultural movement
The revival of material culture is merely a flourishing of material
objects it is technique not the Way it is a means not an end
Romantic tales of wind flowers snow and plum blossoms and the talented scholars and beautiful ladies
are but a fleeting dream Music chess calligraphy and painting poetry and dance are merely pastimes
Cultural revival that only stays at the level of entertainment and observation not only deviates from the
original intention of the predecessors who initiated the Hanfu movement but also lacks lasting vitality
The key words of the second stage are self-actualization and self-cultivation which guide people to
improve their moral character while awakening national
consciousness and inspiring patriotic sentiments
Become a qualified citizen a better person
We are not only reviving Hanfu but also fulfilling ourselves
The awakening of national consciousness is an irreversible process
Once a person's national consciousness is awakened he can never forget everything and return to his
previous state of dormancy As a Chinese person we have
the responsibility to awaken other Chinese compatriots
A beautiful Hanfu revival beautiful on the outside everyone can appreciate it this is the joy of people And
when you illuminate the national consciousness and the
spirit of ancestors as one the cultural heritage continues
This happiness is an internal experience derived from self-enjoyment whereas the latter
represents a higher level of happiness Third and
the key term of the highest level is moral rebirth
The contribution of this stage of the Hanfu
movement to society is accumulating cultural context
and re-creating faith The most important aspect in my opinion is the scholar-official class
For two thousand years the scholar-official class has been the guardian of the moral conscience of the Chinese nation
Simply put the scholar class is like carrying a heavy burden while moving forward
They are the ones who look up at the stars for this nation
They are not afraid of what others say nor do they ignore the
world around them They listen to the voice within themselves and
they firmly believe in their inner principles and convictions
Capital can be the main force but people cannot
There are always some principles in this world that are worth us upholding
In short people are the subject who create culture culture
is the condition that educates people A nationalistic
ideology without culture is just an empty shell nationalistic
ideology without culture is a historical regression
The journey of Jiu Zhou the fall of the Central Kingdom
the barians' gourd the marquis closes the gate
Haven't you heard after Yashan there is no China
after the wise king there is no Central Kingdom
However although the destruction of material things is an irreversible process
civilization can rise again and again from
the ashes Yu Huan Fei Yan are now all dust
But the elegance of the robes and the dance of the garments still remain The original
of the Lantingji Xu is now lost
but the number one running script in the world still remains
The land of refined attire and culture still exists today
A land of propriety and righteousness fulfills the dream
of return As long as we this group of people
remain as long as the cultural context that nurtured
us endures and as long as the Daoic tradition continues
I believe that the Huaxia civilization will surely revive
