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Hi, welcome to Real Magic Review. My
name is Steve Fman and this is a proper
retro one. This is I have been taking
out to me gigs Pete Nardi's eye change
project.
Before we do this, like and subscribe.
Please have a look at onlinemagic.co.
It is stunning if you listen to all the
other people. I'm very biased. Um,
stunning.
I say that about my own thing. That's
um, that's a bit arrogant, isn't it? But
didn't mean to say that, but most people
think it's great. Have a look at it.
Onlinemagic.co
after this. So, I've promised to be
doing this sort of thing a lot and don't
tend to do it. I want to because what's
going to happen is people are going to
watch this go, I changed project. That's
been out for years. I'm not watching
that and I'm the onlybody who watch it.
But I want to do it because it's
important
that we look back at the tricks that we
saw years ago that we thought were
brilliant and then never performed
because we got the new ones and then we
thought, "Oh, the old ones can't be very
good cuz I'm working on this new thing
now." And then add nauseium.
I got this a very long time ago.
Apologies for Peter. You know, he gave
me a load of stuff at Blackpool quite a
long time ago and I just for some reason
never got around to it. Probably for
similar reasons. I kind of felt like I
missed a boat with it. So, I took this
on the ship and the reason I took it on
the the latest ship that I did, a cruise
ship cuz I was doing quite a lot of
closeup and I remember seeing this
performed before I knew what it was and
it really got me. I was like, I don't
know.
And I tried not to kind of really work
it out, but I just thought it was really
clear, really strong and it had this
kind of kicker bit and it seemed really
fair.
So, it was with delight that I kind of
started working on this. I got to the
ship and realized it is actually a DVD.
I thought it was going to be like a DVD
sort of case um but with a download
code. It wasn't didn't have one. So, I
had to say to Pete, "Could you send me
the download code, please?" And he did.
And then I took it out and I performed
with it and the reactions were
brilliant. And it's a really simple
idea. You show the aces and the kings.
You put the
aces, the kings into your pocket.
You show that you got four aces. You
show they've turned in your hands into
the four kings. And then the aces are in
your pocket. And then you've got the
aces and the kings in your hand. You say
to them, "Do you want the aces or kings?
Whatever they say." You do this in their
hand or your hands. And you've only got
four cards. Four of the cards have
completely gone. And then you pull the
aces out of your pockets again. It might
have been the other way around before,
but you get the idea. And they can
actually pull you go, "No, you do this
pocket. You do this pocket." And they
can feel there's nothing extra in there.
So you've got this kind of two times,
you know, that the the
kings
swap for the aces in your hands and then
you put them in your and then four of
them vanish. [laughter]
Oh my god. Why can't I do it? Why can't
I describe a trick? I can't describe I
can when I'm lecturing, but I can't I
just show you cuz [laughter] it That's
awful. Watch. Watch it. We go with the
aces and the kings. All right. I've got
them ready on the on the bottom. You got
to watch close. All right. Four aces,
four kings in a deck.
This goes in this pocket.
Don't let anything go up the sleeve.
Eric, this is And this is the cheating
technique. All right. This is cuz car
cheats are quick.
All right. So, I'm going to try and be
quick and you got to try and catch me.
Right. So, goes in there. I'm going to
try and switch him. So, remember we got
the king's ear. All right.
But just turn the kings over. Give him a
little shake like that.
And see, now we got the aces.
All right, [laughter]
which means hopefully if all has gone
well, if I go into my pocket here,
we've got a king.
We've got a king.
We should have a king in here hopefully.
And then
another king
in there.
All right. But do you want do you want
the aces or the kings?
All right. So, we're going to take the
aces. I want you to hold the aces for me
and make them vanish.
All right. Weird. I know. All right. But
well done. Good. Look. Now we've got no
aces
at all.
>> Just there. And if I go into my pocket,
we've got an ace.
An ace. And just so you know, there's no
extra things going into that pocket. Get
the other one out.
An ace and that pocket in the middle.
This one
>> just there.
That's what happens, right? [laughter]
So, but you can see it's really good,
right? And and there's a couple of
moments in it. It's kind of semisel
working. You know, there's a couple of
moments in it where you go, oh, but you
know, there's a there's there's easier
ways of doing it. And there's loads of
stuff on the download. It's very funny.
Mike Spelleman's very funny. They're
having a lovely time. Um, but it's it's
a really nice thing. All these extra
ideas. I I do think the best way of
doing it is and with the just the
standard way of doing it, I think it's
great. You can do it in their hands. You
can do all sorts of stuff, but I I like
the thing of [snorts]
the the just a it's clean. It's super
clean. The way they change and then the
moment that four of the cards have
vanished is really strong. And then
bringing them back as a kind of kicker
is from the pocket is great. So, it's
easy. It's going to take a little bit of
work, but it's been out a long time. And
I I' I'd urge you not to think that
means it's not as good as or better than
some of the stuff that's coming out now.
Obviously, they can't look at it. It's
gimmick. But what's really nice, and
this is a really strong point, when you
finish this, you are clean. The cards in
your hand are not gimmicked. So the the
whole routine works on this thing of
yes, when you start there's a lot of
stuff they can't look at, but by the
time you finish, you're just there it
is. So, it it finishes super clean,
which I think is a really really strong
way of finishing this because like I
said, the two things they've had their
hands in your pockets
putting the cards out and
you they've got this thing of nothing to
see on the table. So, it leaves them
nowhere to go really, which I think is
probably the reason why it got me um in
the first place. So, there you go. I
change project been out a while, more
than a while. Um but let's not forget
the good stuff. Any questions, let me
know. Angles, all that reset. Yeah,
which is good. Right. Probably. All
right. See [laughter] you later. Bye.