Trumpet Creeper Sketch

I'm going to draw a flower. I'm going to draw the whole piece. I'm going to draw the petals first. After adjusting the color, I'm going to draw a more positive one. So this is the one I just drew. I'm going to draw the petals from the front half, and then draw the petals from the back half. This is the front half. From the side, I'm going to draw a flower shape from the left side. Then I'm going to draw the right side. This is one flower. I'm going to use another pen to draw the flower bud. I'm going to draw this part first for each flower. If you draw the flower bud in this way, the flower will be folded. So the flower bud will be aligned with the flower bud. It's about this direction. So this is one flower. Next, it will be reborn after a series of petals. So let's take a look here. It's squeezed to the side. This one, I'll draw it very flat. This flower bud. If it's very flat, the one at the back won't be the highest. It will go to the back. Next, I'll draw this flower bud. This is a slightly different color. Here, it will be squeezed. Let's squeeze it again. The position of each flower bud is close. So here. This one, I'll draw it very strange. As for the shape, sometimes you have to look at the sketch. It's not so regular. Sometimes it will be twisted. Many of the twists are caused by external forces. After the three flowers are connected, there will be some small flower buds left. For the small flower buds, only the tip will be exposed. For example, I'll give it a little flower bud here. The rest is a flower bud. Such a long flower bud. These are all to the side. Let's draw one. If it's coming from the front, let's draw a center point here. Then draw the flower bud. This one will go forward. Right? It's very three-dimensional. In addition to this, there are some that cover each other. So, I'll give it a flower bud here. The rest of the body part will be covered to the bottom. Here, let's draw another one. So, this is to arrange and observe. Let's draw a little more flowers. It hasn't started to show yet. This flower bud is just a little wrinkled. Here, a bunch of flowers are hiding outside. Let's make it a little richer. It doesn't matter. Extend this. Here, let's draw a little more. This is a piglet color. So, you can see its relationship. Right? This layer is almost done. Then, let's paint the flower bud. Use a big red to paint the tip of the brush. Don't touch this part. Let it have a little white border. Okay, this part will go down. This part is the same. Next, let it blend. So, each flower has its own flower bud. For example, this one. Okay, after painting the flower bud, let's connect the gold. Grass green, a little piglet on the tip of the brush. Okay, connect it. Come here. Come down from here. Come here. So, go through here. This part, sometimes, we will deliberately turn it down and hook it up. This is a good and beautiful shape. Okay, here, the shape of the flower is done. Then, let's tear off the pattern on the flower bud. Let's use a bright red to paint it. Anyway, your color needs to be stronger than this flower bud. Okay, let's start from here to make this pattern. This is not a flower pattern, this is the pulse. The pulse on the leaf flower bud. Okay, this one. Okay, here, the flower bud is arranged. A layer of cloud-like yellow. Then, let's use a dark white to hook out its flower, uh, flower powder, and petals. Don't make it too long. Okay, next, let's use a little bit of green to make it a little bit greenish. Okay, white, green, like this. Then, let's put the flower powder on it. Okay, this is the flower bud part. Next, let's draw the leaves. Okay, the leaves, let's use a basic leaf brush to draw them. it's a little uh, rain-like way. Okay, before going up, let's start arranging these leaves. Okay, rain-like foliage. Okay, pay attention to its width changes. Okay, this is the first piece. The color of the leaves is a little old, so I'm going to make it a little greener. So, this place, from here, go through it, and then we'll have small leaves here, tender leaves. Then, pay attention to the layout of the leaves. It's best to have overlaps. For example, I'll come over and then come over from here. It doesn't matter to go through the petals. Actually, its leaves are quite large. This place, let it form a group of leaves. Okay, it doesn't look good if it keeps coming down like this, so let it extend to the right. Okay, and then produce another group of leaves Our branches come in from the top right, so unless I connect it out, otherwise I will cover it with leaves. So, I will use another group of leaves, very old leaves, to cover this branch. Okay, for the back layer, I will use light-colored purplish green to make something that looks very distant. The feeling of the second layer of the For example, I'll come over from here. Purplish green is not yellow. And there is a lot of water, so it looks like a very thick layer. Okay, so draw the flower part well. We have a lot of space here. This can be used, for example, butterflies, bees, etc. Then next, hook the leaves together. The old leaves are used to Like this is a single leaf. Don't draw this. Okay, the flower part is done. Then we can fill the bees and butterflies The bird's position may be too small The bird does not have space. So we can use to fill space. so we use this space. Okay, so we this to fill the space. belly is yellow pig color, so we put it here, yellow pig color, and this yellow pig color is torn out the ink just now. Then draw his feet in this place, go up, come down, the first two go forward, the one behind is a pair, the front is the front side, and the other side has three feet, so I brought it like this . Then here is the bee, and then let it fly, so I use ink, pay attention to the way I mix it, here is ink, dilute it, then scrape the pure ink, but it is light, and this pen is flat, there is a width to see how wide your wings are, and then scrape the dry ink on one and let it brush out a piece of wings and the second piece is short, because it goes to the back, but it has a total of four pieces, so this piece may be very thin, because it is a four-legged relationship, and this piece is at the back, and here is a thin bee, and the final work is completed.