There is a widely held theory that our British honey bee couldn’t exist without being domesticated by beekeepers. However, for bee conservationists like Matt Somerville, this theory is ludicrous. He has spent decades admiring free-living honey bees nesting in tree cavities and they are under increasing threats from commercial beekeeping, loss of habitat and other violences of the modern world. So Matt decided to do something about it. For the last 14 years he has spent the winters creating his log hives before driving around all of England in the summer, erecting them as minimal intervention homes for wild honey bees.
Under Fera's Wild Share Initiative we have set up Matt's hives in two different locations and produced this documentary highlighting his work.
Director: Max Weston AC & 2nd Cam: Josh Tucker Editors: Max Weston & Kyri Paris Audio Post Production: Got Moves Creative Director: Sidney Hiscox Producer: Declan Morrison
About Fera’s Wild Share: We started Fera to celebrate the British outdoors we know and love. Understanding we need to step beyond just celebrating this through our clothing and content, we have pledged 3% of our direct-to-customer sales to the conservation and restoration of Britain’s nature. We work directly with conservationists, teams and projects across the UK, helping create, fund, and highlight their work. Through this initiative we have funded this documentary, as well as set up Matt's hives across two locations.
0:00 Introduction 0:50 Why Matt Created his Log Hives 1:50 What is a Log Hive? 2:17 Making Hackles 3:24 Carving the Logs 6:00 The Arrival of Spring 6:36 Setting up a Hive 9:23 Checking a Hive 9:51 Matt's Philosophy
There's a few guards out there like rock violets in there just like...
Lunch? Like a broken man. Where did this whole ******* idea start? That's the thing.
I was the classic kid who wanted to catch things.
I was catching butterflies, I was catching frogs. We found this amazing nest in a tree and we thought
if we tie a spoon to a stick, shove it in the hole, we can come out with honey. So of course,
you know, I did and got absolutely stung to bits. I guess I'm a wild honeybee conservationist.
In some ways I'm just going back to being a kid again.
Like many people I guess we're worried about biodiversity decline and we all want to start
doing our bit and so I thought I'd become a beekeeper and very quickly realized it's
quite an intensive hobby. Really you're interfering and manipulating bees constantly.
Bethany really was finding wild nests in trees and actually just seeing that the bees survive.
Our reaction was to find a tree trunk, hollow it out, put it up into the tree.
Two weeks later my young kid came back running. The bees have come, the bees have come.
But it's that kind of excitement of seeing bees come in,
choose something that you've made, very different from catching a swarm and pushing them in.
And so that's what's happened. I thought we'll make another one and I've been doing that ever since.
So a log hive is basically a hollow log. The cavity is about the diameter of my hand span
and then it has a few entrance holes in it for the bees to find it and it has a top
with some insulation on that to keep things warm and then a removal base which is really
purely for me because I love looking at the comb build coming down. But it's not just the honey
we're interested in, you know bees are living there year after year and we just need to provide
habitat. Luckily enough I've got a workshop at home. Instead of October I'll spend a month just
on hackle making. It actually takes longer to make a hackle than it does to hollow a log.
The reed comes from Norfolk and then the legs are made out of sweet chestnut which is
coppice from the Weald of Kent. It's basically you know the reed you see growing in estuaries
it's just got higher silicon than straw so it lasts a lot longer. I'm very careful about where
I buy my materials from to these hives that is sustainable and I try and get 30 or 40 of those
made and stored. When that's finished the logs should come and then I'm into the log hollowing.
It's just nice to get a bit of chalk from the garden and that's that's my tally. This is this
year's hackle count and then I'll probably I need to make probably another 20 on here.
Growing up on a farm shearers always used to do the same thing with shearing sheep
you'd have a tally board. You know with the noise and the chainsaw and everything else
I soon got banished from the village and had to go up and find a farm to work on.
The farmer's kindly lent me his Dutch barn which is about a quarter mile up the road
so it's got plenty of space I can make as much noise as I want.
So the process really is to roll these heavy things up onto a trestle.
The diameter really of the logs is associated to the diameter of the cavity that I'm making.
Fundamentally it's about insulation and it's thermodynamics and then with a chainsaw I can
basically cut a square hole through from working either end with the saw
and that leaves me with four segments that have to be cut out.
And for me the easiest way still is to do it with these six foot long gouges.
This one was made by a guy in his late 70s a guy called Hector Cole who's like the master
blacksmith in the country. This one's made by a younger guy who's in his 30s and it's a little
bit cruder it's just squashed the steel but actually it's my favourite gouge now so.
But it's just having that steel gives momentum when you're when you're doing it.
You know I'm getting old so if I can get four logs done, log, tea break, log, lunch, log,
tea break, log, end of day. I've got a bit more it's a bit depressing sometimes you go around and
there's still a bit more to go. It's like anyone who works outside and it's cold you're knackered
and fall asleep in the tea but this time of year and then you have that extra energy in the summer.
I quite like like all that. There's something really nice about getting a tree trunk
and with a few tools a long gouge and a chainsaw I can do them. I can do them anywhere so it meant
that I can teach other people so that the whole point is that I wasn't just this one person mission
to save the planet. Basically around the first second of February is when you might get your
first bit of pollen, a bit of hazel pollen or a bit of snow drops coming in and the bees are
suddenly thinking about spring. The year moves quite quickly suddenly it'll be the end of April,
May, the populations be large and they're thinking about splitting, reproducing
and at which time I'll start putting the nests up in end of March, April
so that there's new cavities for them to look for.
We're in a farm in Wiltshire today where as the years pass the bees are going to be
established here they're not moving anywhere and they're going to grow with the woodland.
Well but one thing this woodland won't have perhaps for 100 or 150 years is habitat for bees you know
I have a compass with me and what I want to do is set up the sort of entrance holes so they're
looking sort of south, south east and one of the reasons for that is in say like February,
March where you might just get sun briefly for an hour or so a day those bees are going to get that
light. A bit like you know when we have a house it's quite nice to have the morning light to get
Scratch it on like a crayon and it's really cool this is so this stuff I don't know if you can
smell it but it's antibacterial, antimicrobial, antiviral it's like a super it's like effectively
like an external immune system that the bees make. This is a real good stuff this is um
propolis tincture so this is propolis dissolved in alcohol.
So you just knock it out back? I knock it back
and it just it's really good so that boosts our immune system. I love that. It's good stuff.
Part of the whole process was working out by myself how to lift these
you know logs that could be up to 80 kilos up into a tree
or lifting a rocket hive which is again on legs a lot of weight to push up.
Now I'm paying penance for I put these hives all around the country
and I probably put up about 800 now and wherever I go bees come and they're surviving.
Most of my life I've been building interiors of boats where beauty is very much part of
of what I'm involved with so the idea of a log hive has still got to be a beautiful structure.
I think by doing so the person who's investing money into it if they can have something that's
beautiful in there on the land they're already sold you know the story's already there and
they like it as a bit of sculpture and then when the bees come they're ecstatic.
You have to keep pumping it otherwise just when you need it it dies out.
I'm really trying to feel their mood if they're going to be
aggressive then they'll come and get me now so still to this day there'll be beekeepers saying
that wild bees don't exist and what I'm doing is actually aiding disease and affecting the
British commercial bee colonies which of course is not true.
I'm often asked what motivates me to do what I'm doing and it certainly isn't money and
it certainly isn't an easy life you know I'm getting on a bit and it's physical work.
Putting up these hives is great they're beautiful things getting bees is a really
really important thing but what is exciting is that people start with the bees and then
they're drawn into conserving everything else. People stop and look and allow themselves
to stop long enough to start seeing other things.
It might start with bees and from my point of view it's really important to think about the
wild or the free living bee in terms of genetics. We need strong resilient bees but actually we
also need people who are going to be switched on by everything else in nature and want to conserve
and want to plant trees and look at butterflies look at fungi look at everything. That's been
really powerful that I hadn't expected when I started this adventure 15 years ago.
We're up against the bee industry but nature is telling us a different story every time we come
across a nest that should be dead and it's just thriving it's just buzzing and you know
I don't that's all you need you don't need someone you know in a hall telling you a bit
of scientific nonsense that that doesn't exist we see it every day and that's what drives us
to put more up. So I think you know earlier on I said I'm not a beekeeper and maybe I'm a
honeybee conservationist but actually it's about everything.