Interior designer Heather Chadduck Hillegas grew up visiting Colonial Williamsburg and credits the historic living history museum as a constant source of inspiration and the birthplace of American decorating. When she was asked to take part in the "Designer In Residence" program - a newly created program wherein a historic home in Colonial Williamsburg is re-envisioned by a top interior designer, Hillegas called it a “once-in-a-career homecoming.”
Enter: The Nelson-Galt House. Built in 1695, the historic gem was once home to a signer of the Declaration of Independence and governor of Virginia and is believed to be the oldest residential dwelling in Colonial Williamsburg. Hillegas set to work imagining and planning her vision for the historic home while working with partners like paint giant Benjamin Moore, fabric, wallpaper, and lifestyle leader, Schumacher, and Paul Montgomery, who specializes in hand-painted mural wallcoverings.
Hillegas found inspiration throughout various restored buildings and rooms around campus and settled on a color palette of blues, greens, neutrals, and whites. While the ever-humble designer says there was “no need to reinvent the wheel” because of the classic color schemes and notable architectural details, the rules Hillegas had to follow during the project were daunting. Through endless research and decorating lessons, she says are rooted in the soul of the museum, Hillegas gave the home a new lease on life. Her interiors for the Nelson-Galt house feel tailored, clean, and livable while still maintaining an air of historical appropriateness given the significant context of the over 300-year-old home.
Produced by Tori Mellott and Kate Gilhool Filmed and Edited by Emmrich Creative
In my opinion, Colonial Williamsburg is where American decorating started
and there are beautiful and modern references just outside the door.
I'm Heather Chaddock-Hillegas. I'm an interior designer based in Birmingham, Alabama.
I'm the Williamsburg designer-in-residence and we're at the Nelson-Gault House.
When I walked into the house the first time, I knew I was meant to decorate this house
and it's an incredible opportunity that my husband and I get to live here
with our dog Eloise for the next two years and call it home.
I grew up in a Williamsburg-style house, so it almost feels like the style of home is in my DNA.
We're in the Nelson-Gault House, built in 1695,
and it's the oldest residential dwelling in Colonial Williamsburg.
General Thomas Nelson was a signer of the Declaration of Independence and the Governor
of Virginia, and he was one of the early owners of this house. In 1816, the house was purchased
by the Gault family, who owned it for longer than any other family. When we started decorating the
house, there were a lot of rules we had to follow because of the historic nature of the home.
So we couldn't put any nails in the woodworking and anything applied to the plaster walls
had to be installed by a curator. We had to get incredibly creative in this house.
This is the parlor and I loved the paint color on the wainscoting, so we decided to leave it as is
and I fell in love early on with this wall covering from Paul Montgomery that's derived
from an embroidery panel in the museum here, and he was so kind to work with us to work through the
colors and bring in the greens and the creams and a khaki color that related beautifully to
the existing wainscoting. One of my favorite tricks in decorating is using these brass rails
to hang art from because you don't have to drill nails into the wall. I borrowed these beautiful
prints from the Garden of Versailles from a local dealer and at the time I didn't know exactly where
they were going to go, but I love how the 12 perfectly lined up on this wall and there were
two oddballs of a different shape that were the perfect pieces to go under these sconce and that's
just what we call a happy accident in decorating. It's hard for me to pick a favorite in this house
because I feel like every room tells a story and every room is so rooted in tradition. This
wallpaper is a mural that was hand-painted. I think it's perfect for a dining room. It makes
it moody and dramatic. We depended so heavily on local vendors to loan us such beautiful furnishings
paired with things that I brought from home, lamps and kooky lampshades and cherish finds. I found
this set of chairs that were in desperate need of recovering and we used Schumacher's Lightfoot
Stripe to not only upholster the seats but also make a slip cover. I wanted something skirted for
the softness and I think we achieved that. This was my great-grandmother's corner cupboard and my
father was so kind to loan it to me for the two years and it's Shenandoah Valley Pine. It's a
piece and with the imperial blue china we just chalked it full and I think it makes a really
beautiful focal point. I think the most important lesson is that there's no need to reinvent the
wheel here. The color palettes are here, the architectural details are here and if you do
your homework and look around you'll realize how many decorating lessons are rooted right here in
Colonial Williamsburg. One of my favorite buildings here is the Galt Apothecary. I love the shelving,
I love the blue and white jars, I love the way it's all displayed. I just think it's beautiful.
This is probably my favorite room in the house because I love blue and white
and we used Lafayette Botanical which is a new fabric and wallpaper available through Schumacher
and it was extracted from the archives here at Colonial Williamsburg.
I love this room because it's tiny and it was fun to design these beds that perfectly tucked
under the eaves and we decided to wrap the entire room in both fabric and the wall covering. It's a
very English way to approach things. Eloise loves this room too. It's one of her favorite little
sunny spots. I love the Wythe house here. It is one of the chicest homes I can imagine. I love the
bedrooms draped in the canopies. That was a huge part of our inspiration here. The study in the
Governor's Palace is one of my favorite rooms here in Colonial Williamsburg and it was entirely the
inspiration for our study in this home. This is the study. I love this room. It's completely
swaddled in blue. We love to entertain in here. This is a daybed that we had made for lounging
and also as an extra twin bedroom in the house when we have so many guests and it's just cozy
nesting right underneath this swag canopy and then we tucked these beautiful little lamps in
with custom shades and it glows at night. It's just one of my favorite rooms to spend time in.
The Benjamin Moore Paint Company challenged me with using as many of the colors from the Colonial
Williamsburg paint deck as possible. So there's 144 colors. We chose a palette of blues, greens,
naturals, and whites and wove those colors all the way through the house.
I love this little kitchen. It's tiny but it's perfect. The color is Palace Pearl and it's become
a favorite blue. This kitchen is a little bit masculine which I like. It feels a little bit
more like a scullery than a true kitchen. I think the colors do that and the richness
of the soapstone but also the richness of the walnut butcher block which my brother
handmade from a tree that fell in his yard. Many of these old houses had the main house and then
the kitchen was separate in case there was ever a fire. It wasn't in a total loss. So in the case
of this house they were connected by something they call a hyphen which is basically a sunroom
and that serves as my desk area and where I office. It gets beautiful light during the day
and it has sort of a casualness about it and we sit there and have cocktails in the afternoons.
It's everyone's favorite room. Everyone wants to know about the lampshades and in order to
find the perfect color green I mixed Rit dye in a bath in my house and dipped silk shades
repeatedly until I got the perfect color of blue-green. One of my favorite fabrics from
the Schumacher collection is dandridge damask and it comes in three colorways and we've used
it in two colorways in the house and it was a fragment of Martha Washington's dress
that was preserved and the scale of the pattern is as it was when she wore it.
In the queen bedroom we used a beautiful Schumacher fabric and made a scalloped
cornice around the bed that was something that I dreamt about doing for so so long
but I couldn't quite figure out what pattern I wanted to use for the scallop. I walked out the
back door one day and looked ahead and my neighbor's back porch had this perfectly scalloped
trim around the top of it and I said that's it that's the pattern we need to put on the on the bed.
Spring is a beautiful time to be here. The tulips are coming up, the peonies are about to bloom
and there's so many lovely outbuildings. I have a gorgeous gazebo out here that I love to entertain
in and you're just nestled in the middle of beautiful gardens. One of my favorite things is
hosting weekends here at the house whether it's my family at holidays or having a girls weekend.
We sit outside in the gazebo, we have wine, we ride bikes, we go to the farmer's market.
It truly feels like my home. One of the takeaways here was how important it is to do your research.
I feel like I learned so much. I feel like I'm a better designer now because I know the
provenance of so many of the things I've always loved but now I know exactly where they came from.