I Traveled 5,000 Miles To Sketch the Streets of Europe

Big World
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We walked past you, I walked past you and there was nothing there.
For the last two years, I had an idea that wouldn't go away.
To leave.
To go on my very first solo trip as an artist, internationally.
But that's not all. You see...
I think it should be...
I'm leaving for a little while to...
Create.
Explore.
Expand.
To serve.
Today, the day has finally come to embark on this journey
and I'm taking you along for the ride.
I mean, the flight.
You know what I mean.
So let's go on our first international sketchbook date.
After nine hours and boarding a connecting flight,
synchronicities kicked in.
And after a little bit of sketching in a new sketchbook
and some long lines and customs,
all sorts of emotions surfaced up
as we made it into the arrival to beautiful Croatia.
Welcome to the city of Split.
We have finally arrived.
Croatia is located in Southeast Europe
on the coast of the Adriatic Sea.
Here's where we are now and where we're going to be sketching today.
And in case you're wondering, yes, it's my first time here.
Over the next few days, I will be moving around
through different parts of Croatia
to also host my very first art retreat.
That's in another video.
Yep, this is part one and I did arrive a few days early
to take you guys on a sketchbook date
wherever you are at home.
So, let's go.
The air is beautiful.
The sun is out.
Everybody's playing.
I am so excited to explore.
Let's do it.
Wherever I go, especially a new place,
I love to take a day in early morning
to get lost in town, observe the people,
take in the architecture,
sit still and look up at the sky
and most importantly, make friends with the locals.
And have a moment to think,
yep, it's actually happening.
After taking a long stroll,
I found a view that really caught my eye.
So, I found a little spot, got cozy
and started my first sketch of the day.
And oh boy, was I feeling euphoric.
Just look at this cutie.
There was just something about this building specifically.
It had so much character,
so I felt the need to express that in the sketch.
Something I really intended on tapping into
was feeling the essence of the place
and how I felt there.
What emotion and energy a place evoked
and how can I best translate that
into the character of the lines
and the shapes that I make in my drawing.
What a fun puzzle to decipher, huh?
With careful observation,
I still wanted to bring more character
by distorting the shapes a bit.
The last time I was in Europe was about five years ago,
so being here was just pure happiness and joy for an artist
with all the different shapes
and different sizes of different characteristics.
It was just so special.
European architecture gets me every single time.
Sometimes I bring an easel with me,
sometimes all I need is to sit down
on a nice little ledge and draw.
In fact, I seem to fit quite nicely in there.
I started off in a toned sketchbook
and used some brown ink that I just wanted to experiment with.
And since the ink was waterproof,
I was able to use a water-soluble marker on top
and then my favorite to add some highlights with white.
And eventually the first sketch in ink for the day was complete.
And after holding up my sketchbook
and looking at it next to our lovely subject,
I was super happy with the results.
But we're not done yet.
I'm still craving to sketch,
so why don't we go find another place
to maybe do a painting?
The first few days of exploring the streets of Split
were so exciting.
And I did do an extra painting of this tower
that I didn't get on camera,
but I did it in gouache.
Let's keep on exploring
to see what other locations spark some creativity.
Upon turning the corner,
I came across this beautiful little section
and started to get the sketchbook out
to do some watercolors.
Despite this being a busy street,
the brightest colors of the view
sparked the inspiration instantly.
So here's our next subject that we're going to paint next.
And as I set up,
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So Jess,
you pack your bags,
get to another country,
set up your sketchbook
and start filming right on location
in one of the busier parts of Split in Croatia.
You're probably wondering if I felt nervous at all.
To be quite honest,
I had a lot of emotions flowing through in and out,
but I also was really fueled by the excitement.
With this sketch,
I really wanted to take in the environment
and just take my time.
Start with a little bit of a pencil drawing
and then go in with some watercolors.
No rushing,
just taking it all in one step at a time.
And before I knew it,
I was also making so many friends.
Oh, you teach?
Teacher.
What do you teach?
Mathematica.
I love that.
I love math.
That's my favorite subject.
I love it.
Thank you.
Nice to meet you.
Have a good time.
When urban sketching,
although all your senses are tingling
and you are super in the moment,
there is a lot to juggle.
Just as I began my sketch
and the first layers of watercolor,
I had a little visitor
and I tried to save him
and get him to go on my little necklace
and my brush,
but he just kind of wanted to hang out.
Little surprises like this during urban sketching
is all part of the process
and I have to say,
I do love it all.
Shortly after,
all my paints fell,
but hey,
just keep going.
There is something ever so special
about painting right on location
and meeting and talking to strangers.
Sitting right there and then
and letting the moment
reveal its miracles to you.
And the more and more
I go paint on location,
I realize
any form of creativity
is a universal love language,
whether it's painting,
singing,
dancing.
Being our own creators of this life,
we all speak the language
and it's a way for all of us
to connect to one another.
Now, it's not to say
it doesn't come with challenges.
This complex scene
with a very interesting perspective
with all the little details and colors
definitely required a certain level of focus.
And as far as strategy,
I wanted to go in with lighter layers
and build up values and shadows
as I go on.
And as usual,
let my feelings and intuition
guide the way.
When painting
and just being in a new place
and a new country,
I think it's really important
to have fun where you are
and let that show up in your sketches.
It's really easy to be serious,
but even when I meet people,
I just try to share some laughs together as well.
Smiling,
another universal language of love.
Light it up, light it up,
pedal to the metal.
We're gonna take it
to a whole nother level tonight.
Alright?
A whole nother level.
I don't know
what we've been waiting for.
It's time to hit it
like we never ever hit it before.
A whole nother level.
Something I'm consistently focusing on
when I'm painting
and creating a full sketchbook spread
and since this is a panoramic view,
I really wanted to focus
on the composition
and thinking about
how I can make a focus area
in the painting.
Although there are so many details,
we've gotta have a star of the show
when it comes to the painting itself.
And everything else
in the painting in the spread
can be a beautiful compliment.
Listen to the rhythm
of my beating heart.
Telling us it's time
for you and me to start.
Since I set up this travel palette,
I have to say
from the first impressions,
it was so comfortable to paint with
and I think I found
my new favorite compact travel setup.
I have a whole video
on everything I packed for the trip
in case you wanna check it out.
Now when it comes to mixing the shadows,
I absolutely love mixing blues and purples.
Take a look at your subject
and especially those darkest shadows.
What color do you really see?
What colors are you feeling
at that very moment?
Listen closely
and follow through with that feeling.
Let your inner light shine.
You too.
It was a beautiful sunny day
with some beautiful blue skies
so I wanted to capture that in the sketch
and make the blues as bright
as I saw them.
Happiness was on level 1,000
in this moment
and little did I know
it would just keep on amplifying
throughout the day.
35.
Yeah, but we will pass you.
I will pass you.
There was nothing there.
Wow.
Thank you.
Yes, it is.
Why didn't you know?
Are you an artist?
I love water.
Ah, because you love water.
Thanks for that drain, Ollie.
Ah, I see, I see.
Thank you so much.
Where are you guys from?
We're from London.
Oh, London.
Beautiful.
I have to go, I've never been.
No, those guys are from the USA.
Oh, the USA.
Oh, beautiful.
I will.
That's the next stop.
Okay.
And then after the show is over,
I'll stop by.
Wherever I go and find myself
sitting down to paint,
I always like to ask myself,
what did I learn today?
Today and along with the past few days,
especially full of all sorts of emotions
traveling to a new country,
taking time to get lost in the streets
and explore and truly step into the unknown,
I learned that wherever you go,
wherever you travel,
wherever you sit and get lost
in the creative process,
wherever you take a moment for stillness,
to observe, to notice,
to breathe in a new challenge
or follow a dream,
I was reminded that
just when you think you're getting lost
in the flow of it all,
perhaps it's also just as you step foot
into the spaces that you fear,
whether it's going somewhere alone,
maybe being alone,
maybe painting in public
or even talking to a stranger,
wherever that may be,
I'm reminded that wherever you go,
you meet yourself right there
on the other side.
I have to say that I'm so grateful
to be finally doing the thing
that I have been dreaming to do
and more so sharing that dream with you.
I want you to know
that anything is possible
and you can do anything
that you set your heart and mind to
in this life
and don't you ever forget it.
Check, check.
Today's the day.
Oh my god!
Oh my god, I love you!
I'm getting ready to meet
all of my incredible girls
coming on the trip.
I'm so excited.
Hello, welcome, welcome, welcome!
Months and months of planning,
months and months and years
of dreaming about this.
The day is finally here
and it's just absolutely crazy
to say it out loud.
Welcome everybody!
Congratulations!
Okay, so,
first things first.
