Art, Architecture, and History of the High Middle Ages

Medieval Art (c.500–1400)
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3 Video Views·Dec 11, 2024
We explore the transformative period from the 11th to 13th centuries, when Gothic cathedrals like Notre Dame and Chartres rose skyward and illuminated manuscripts flourished. This era saw major advances in sculpture, religious art, and architecture—shaped by powerful monarchies, the Catholic Church, the Crusades, and the rise of universities. Join us as we uncover how the art and architecture of the High Middle Ages reflected the spiritual, political, and social shifts of medieval Europe.
Welcome back to the Accessible Art History YouTube channel. Today I'm bringing you the
next part of my trilogy on medieval art. This time around, it's all about the High Middle Ages.
Contrary to popular belief, this was actually a time of immense social, political, and economic
growth. So to find out more, then keep on watching. The High Middle Ages lasted from roughly 1000 to
1250 CE. By this time, the barbarian invasions had effectively ended, and towns started to spring up
all over Europe. Political, social, and economic growth was jump-started by the Carolingian
Renaissance, which I discussed in the last episode. This brought about more power for
the Catholic Church and created the perfect climate for the Crusades to occur. With that
came more money, which led to bigger and better churches. Both the Romanesque and Gothic styles
developed during this period. For many people, this is what they think of when they hear the
term medieval art. In the middle of the High Middle Ages, the third and final of the medieval
renaissance has occurred. It has the highly original name of the Renaissance of the 12th
century. Before I describe what happened, it's important to note that this in no way means
that the rest of the medieval period was uncultured. The term Dark Ages is a common
misnomer, and it is clear that people during this period still wanted to learn and grow,
just as in every other period of history. At this time, the Crusades brought knowledge back
from the eastern half of the Roman Empire, centered in Byzantium. In addition, contact
with the Islamic world brought new ideas, trade opportunities, and expanded wealth.
And then we have to consider how popular pilgrimages became, especially when Western
Europe held control of the Holy Land. Pilgrims would bring back ideas they encountered to their
friends and family. In order to understand all the knowledge that was coming in, universities
began to pop up all over Europe. There was a true demand for knowledge and understanding.
One of the most interesting developments of this period was the cultivation of beans.
They were nutritious and a source of protein that did not involve tending to animals.
It helped people to grow stronger and live longer, which led to a population boom.
Towns grew larger, which led to the development of a middle class. People were no longer divided
into just nobles and serfs. Now there were guilds, town councils, and many more new social structures.
The first style of the High Middle Ages is called Romanesque. It lasted for about a century,
give or take, depending on the region. This was the first international style seen since
antiquity, showing the unification of the culture of Western Europe during this period.
It is important to note that the term Romanesque is not contemporary. In fact, it was made up by
19th century scholars who saw similarities between the construction style and the style of the Roman
Empire. During the Romanesque period, churches were built on a far grander scale than seen
previously. The Roman basilica continued to be adopted and enlarged in order to make room for
the scores of pilgrims that traveled to different churches. Images during this period tend to be
dark and dramatic. There was a preoccupation with the last judgment and the despair of the
end of days. The Romanesque style was heavily influenced by the art of the Byzantines,
with dramatic draping and rich jewel tones. To showcase the Romanesque style, I'm going to
discuss the Auton Cathedral. Located about 180 miles southwest from Paris, Auton Cathedral is
one of the most stunning examples of Romanesque architecture. It was built between 1120 and 1146
and houses the relics of Saint Lazarus. Auton is located on the road to the most important
pilgrim site in Western Europe, Santiago de Compostela. So, it had to be built large enough
to accommodate masses of pilgrims. As mentioned before, architecture of this period utilized the
basic basilica form. However, a transept was added to make the church into a cross shape.
The nave was large and there was also a three-step choir. This allowed for plenty of space for anyone
who wanted to worship. One of the most remarkable parts about the Auton Cathedral is its sculpture
program. There are dozens in and on the building, highlighting different stories and moments from
the Bible. The most famous is, hands down, the last judgment scene from the Tipitim.
The Tipitim is the rounded part above the doorway of the cathedral. This one was created by
Gisbertus around 1130. It was one of the first monumental sculptures of the period.
Because the majority of the population was illiterate, this was the way they could learn
the stories of the Bible. In this piece, Christ is the largest figure and in the center. This means
that he's the most important. We can see the influence of Byzantine art in his elongated body
and heavily draped robes. Christ is flanked by his mother, the Virgin, and his apostles. They serve as
witnesses for his judgment. To his left are the damned souls that are going to hell. Demons force
them into line while Saint Michael weighs their souls. It is violent and terrifying. To Christ's
right, we see the blessed going to heaven. Angels are ushering them in and everyone is happy and
carefree. This work is filled with emotion and would have made quite the impression on pilgrims.
Make sure to note that all the souls are shown in the nude. This was done to indicate that they
have moved on from the mortal realm. After the Romanesque period, we have the Gothic period.
It developed in France and slowly began to spread to other parts of Western Europe.
Again, it's important to note that people in this period did not call their art Gothic.
It was coined by Giorgio Vasari in the 16th century. He meant it as an insult because it
differed so greatly from the revered classical styles of the Romanesque and antique times.
If you want to learn more about Vasari, I made a whole video about him. I've linked it up in the
i and then in the description box below. During this period, art tended to focus on prefiguration.
This is when the stories of the Old Testament predicted or prophesied what would happen in the
New Testament. There was also an increase in devotion to the Virgin Mary. One of the best
examples of Gothic art and architecture is Saint-Denis in Paris. In fact, it is often
considered to be the first Gothic cathedral ever built. It was finished in 1144 and was built on
the orders of Abbe Sujet. Saint-Denis is the patron saint of France and the cathedral served
as the burial place for the French royal family. Like Romanesque churches, Saint-Denis was built
on a cruciform plan. However, the invention of the flying buttress, a brace on the outside of
the building, opened up the interior and allowed for more windows to be added. In addition, this
opened interior allowed for more space for pilgrims, an always important factor in the
construction of cathedrals. Perhaps the most famous element of Gothic art is the beautiful
stained glass rose windows. Like a lot of terms in medieval art, rose windows was not used at the
time, but it's pretty common nowadays. These windows were often the largest ones in cathedrals.
They are circular and divided into sections with either stone or metal. Symbolism played a huge
part, again because the general population was illiterate. The rose window of Saint-Denis is
chock full of different scenes. God the creator, the days of creation, the order of the heavens as
shown by zodiac signs, and the order of earth represented by the labors of the month. Finally,
the fall of man. Each scene is further highlighted by geometric design. The rose window is full of
rich colors which would have sparkled brilliantly in the sun. The high middle ages were a time of
new understanding and immense growth. It was not the dark ages as historians once claimed.
Instead, there was an interest in experimenting and pushing the boundaries of art,
architecture, politics, and social norms.
