哈恰圖良 / 諾特 / 瑞士羅曼德管弦樂團 Khachatryan / Nott / Orchestre de la Suisse Romande

Khachatryan / Nott / Orchestre de la Suisse Romande
哈恰圖良 / 諾特 / 瑞士羅曼德管弦樂團

32 views Dec 11, 2024
Johannes Brahms: Violin Concerto in D major op.77
Igor Stravinsky: The Rite of Spring
32 瀏覽 2024 年 12 月 11 日
約翰內斯·布拉姆斯：D 大調小提琴協奏曲 op.77
伊戈爾‧史特拉汶斯基：春之祭

Sergey Khachatryan, violin
Orchestre de la Suisse Romande
Jonathan Nott, conductor
謝爾蓋·哈恰圖良，小提琴
瑞士羅曼德管弦樂團
喬納森·諾特，指揮

It is under the flexible direction of Jonathan Nott that the orchestra begins this Brahms concerto in a smooth and rounded manner. Armenian violinist Serguey Khachatryan, crowned with prestigious collaborations with conductors such as Valery Gergiev, Daniele Gatti, Vasily Petrenko and accompanied by the greatest orchestras, offers a luminous vision here. Everything seems naturally carried by a happy interpretation of the work and a serene vibrato, on a thread, totally in the emotion, leaving us in a fluffy feeling. We appreciate a cadence with a raw and woody sound leaning into a very romantic harshness. Sergey Khachatryan's violin, poignant in its solar evocations, is poetic and delights the soul in a movement that suits it particularly well. His delicate vibrato hemms with a simple emotion the divine phrases created by Brahms which recall here in the second movement the peaceful religious emotion that we find in places in his German Requiem.
The third movement, spirited, highlights very external flute trills, the whole thing remaining however a little sausage-like despite the flights of the soloists particularly well brought. And if we note some difficulties of accuracy and homogeneity in the horns which had graced us in recent months with very beautiful performances, the whole has "face" and is graced with a beautiful ovation to which will respond a high-flying Adagio of the 1st Sonata of Bach.
在喬納森·諾特的靈活指揮下，樂團以流暢圓潤的方式開始了這首布拉姆斯協奏曲。亞美尼亞小提琴家謝爾蓋·哈恰圖良(Serguey Khachatryan) 與瓦列裡·捷吉耶夫(Valery Gergiev)、丹尼爾·加蒂(Daniele Gatti)、瓦西里·佩特連科(Vasily Petrenko) 等指揮家都有過著名的合作，並由最偉大的管弦樂團伴奏，在這裡提供了一個光明的願景。一切似乎都自然地被作品的快樂詮釋和寧靜的顫音所承載，在一根線上，完全在情感中，讓我們有一種蓬鬆的感覺。我們欣賞一種帶有原始木質聲音的節奏，帶有一種非常浪漫的刺耳感。謝爾蓋·哈恰圖良 (Sergey Khachatryan) 的小提琴在太陽的召喚中令人心酸，充滿詩意，在特別適合它的樂章中愉悅靈魂。他精緻的顫音以一種簡單的情感襯托出布拉姆斯創造的神聖樂句，讓人回想起第二樂章中我們在他的德國安魂曲中找到的和平的宗教情感。
第三樂章充滿活力，突顯了非常外在的長笛顫音，儘管獨奏者的飛行特別出色，但整個樂章仍然有點像香腸。如果我們注意到圓號在準確性和同質性方面的一些困難，這些困難在最近幾個月為我們帶來了非常美麗的表演，那麼整體有“面孔”，並受到美麗的歡呼，這將回應第一首高飛的慢板巴赫奏鳴曲。

In the second part, the Rite of Spring offers us its varied atmospheres, its delights, its deluge of fire. After an introduction on eggs on the bassoon (what an impossible difficulty this first phrase is!), the Orchestre de la Suisse Romande shows off its splendid winds and homogeneous and dense strings. We are seized by these breathless pizzicati of the strings before the crazy "adolescent dances", sumptuous. The orchestra adorns these atmospheres with a thousand nuances colored by magnificent winds, a special mention to the solo trombone of Matteo de Luca as well as a horn section on the lookout! The scansions of the brass are particularly well served by the splendid accents of gleaming and superlative trumpets.
在第二部分中，《春之祭》為我們呈現了它不同的氣氛、它的歡樂、它的大火。在介紹了巴鬆管上的雞蛋（第一樂句是多麼不可能的難度！）之後，瑞士羅曼德管弦樂團展示了其華麗的管樂和均勻而密集的弦樂。在瘋狂的「青春期舞蹈」之前，我們被這些令人屏息的弦樂撥奏所吸引，華麗。管弦樂團以壯麗的管樂渲染出千種細微差別，特別值得一提的是馬泰奧·德·盧卡的長號獨奏以及瞭望台上的號角部分！閃閃發光的、最高級的小號的華麗口音特別適合銅管樂器的演奏。

Provided to YouTube by ALTEA MEDIA / I LOVE TV
由 ALTEA MEDIA / I LOVE TV 提供給 YouTube