貝多芬 - 小提琴協奏曲 |艾倫‧普里欽 |馬克西姆·葉梅利亞尼切夫 Beethoven - Violin Concerto | Aylen Pritchin | Maxim Emelyanychev | WDR Symphony Orchestra

Beethoven - Violin Concerto | Aylen Pritchin | Maxim Emelyanychev | WDR Symphony Orchestra
貝多芬 - 小提琴協奏曲 |艾倫‧普里欽 |馬克西姆·葉梅利亞尼切夫 |西德廣播交響樂團

Ludwig van Beethoven's Violin Concerto in D major op. 61, played by violin soloist Aylen Pritchin and the WDR Symphony Orchestra under the direction of Maxim Emelyanychev. Recorded live on 17.11.2023 at the WDR Funkhaus.
路德維希·範·貝多芬 D 大調小提琴協奏曲 op。 61，由小提琴獨奏家 Aylen Pritchin 和 Maxim Emelyanychev 指揮的西德廣播交響樂團演奏。於 2023 年 11 月 17 日在 WDR Funkhaus 現場錄製。


Ludwig Van Beethoven - Violin Concerto in D major Op. 61
00:00:00 I. Allegro, Ma Non Troppo
00:25:59 II. Larghetto
00:36:13 III. rondo. Allegro
路德維希·範·貝多芬 - D 大調小提琴協奏曲 Op。 61
00:00:00 I.Allegro，Ma Non Troppo
00:25:59 二.拉蓋托
00:36:13 三．迴旋曲。快板

Aylen Pritchin, violin
WDR Symphony Orchestra
Maxim Emelyanychev, conductor
Due to problems with the recording, this concert recording is unfortunately not available in the usual picture quality. We apologize for this.
艾倫‧普里欽，小提琴
西德廣播交響樂團
馬克西姆·葉梅利亞尼切夫，指揮
由於錄音問題，這次演唱會錄音很遺憾無法達到通常的畫質。我們對此表示歉意。

Introduction to the work:
Question: How much time do excellent violinists need to rehearse Beethoven's Violin Concerto? The answer: just two days. What reads like a naïve estimate was a reality at the premiere. Franz Clement, an eminent violin virtuoso, only got his hands on the sheet music 48 hours before his performance. If contemporaries are to be believed, he nevertheless played Beethoven's concerto like a young god. Clement, ten years younger than Beethoven, had started out as a child prodigy. When Joseph Haydn was awarded an honorary doctorate at Oxford, the then ten-year-old was the special act. Three years later, Beethoven wrote to Clement: “Nature and art are competing to make you one of the greatest artists.” In his early 20s, the violinist became concertmaster and orchestra director at the Theater an der Wien. In this role, he regularly organized academies, which were often designed to showcase him as a virtuoso. This was also the case on December 23, 1806, when he played Beethoven's violin concerto as well as a “sonata on a single string with inverted violin”. Skeptics thought this was a gimmick, but the audience cheered. And Beethoven hoped that his violin concerto would shine all the more effectively in this setting. But the overall reaction was rather lukewarm. One first performance critic thought he knew why: the composition seemed too complex, too ramified and therefore supposedly incoherent.
作品簡介：
Q：優秀的小提琴家排練貝多芬小提琴協奏曲需要花多少時間？答案是：只要兩天。聽起來天真的估計在首映式上就變成了現實。著名小提琴演奏家 Franz Clement 在演出前 48 小時才拿到樂譜。如果同時代人相信的話，他仍然像年輕的神一樣演奏貝多芬的協奏曲。克萊門特比貝多芬小十歲，是個神童。當約瑟夫·海頓被牛津大學授予榮譽博士學位時，當時十歲的他是一個特別的人物。三年後，貝多芬寫信給克萊門特：“自然和藝術正在競爭，使你成為最偉大的藝術家之一。” 20 歲出頭時，這位小提琴家成為維也納劇院的首席小提琴手和樂團總監。在此期間，他定期組織學院，旨在展示他作為藝術大師的才華。 1806年12月23日也是如此，當時他演奏了貝多芬的小提琴協奏曲以及「倒置小提琴的單弦奏鳴曲」。懷疑論者認為這是一個噱頭，但觀眾卻歡呼雀躍。貝多芬希望他的小提琴協奏曲能夠在這樣的背景下更加閃耀。但整體反應相當冷淡。一位第一位表演評論家認為他知道原因：作品看起來太複雜、太分支，因此被認為是不連貫的。

Perhaps this impression arose because Beethoven had rushed to complete the violin concerto in order to meet the performance date shortly before Christmas. When it came to preparing the work for printing, he worked intensively on it. In this form, the concerto presents a wealth of magnificent moments: the opening with the famous timpani motif, which appears again and again in the first movement; the floating of the main theme; the delicate touch of the slow movement or the exuberance of the hunting theme in the finale: after a moderate start, Beethoven's violin concerto has established itself as a sonorous classic.
Text: Otto Hagedorn
也許是因為貝多芬為了趕在聖誕節前夕的演出日期而匆匆完成了小提琴協奏曲，所以產生了這樣的印象。在準備印刷作品時，他投入了大量精力。在這種形式中，協奏曲呈現出豐富的壯麗時刻：以著名的定音鼓主題開頭，在第一樂章中反覆出現；主旋律的浮動；慢樂章的細膩觸感或終曲中狩獵主題的旺盛：在溫和的開始之後，貝多芬的小提琴協奏曲已成為響亮的經典。
文字：奧托·哈格多恩

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