貝多芬：第五號交響曲「命運交響曲」|克里斯蒂安蒂勒曼與維也納愛樂樂團 Beethoven: Symphony No. 5 "Fate Symphony" | Christian Thielemann & Vienna Philharmonic

Vienna Philharmonic
00:50 I. Allegro con brio
08:31 II. Andante con moto
19:33 III. Allegro
25:09 IV. Allegro
00:50 I. 快板節奏
08:31 二.摩托行板
19:33 三．快板
25:09 四。快板

"Da-da-da-daaa..." – with this legendary four-note motif, Beethoven's Symphony No. 5 in C minor, Op. 67 – aka the Fate Symphony – carved its place in music history. The nickname originated from Beethoven's secretary and biographer, Anton Schindler. When he asked about the meaning of the opening motif, Beethoven is said to have replied: "This is the sound of fate knocking at the door." Although this story is disputed, what remains undeniable is that Beethoven's Fifth, premiered on December 22, 1808, stands as one of most celebrated works in classical music.
「Da-da-da-daaa...」—貝多芬 C 小調第五號交響曲，作品 4，以這個傳奇的四音符主題為主題。 67——又名命運交響曲——在音樂史上佔有一席之地。這個綽號源自貝多芬的秘書兼傳記作者安東·辛德勒。當他問及開頭主題的含義時，據說貝多芬回答說：“這是命運在敲門的聲音。”儘管這個故事有爭議，但不可否認的是，1808 年 12 月 22 日首演的貝多芬第五號交響曲是古典音樂界最著名的作品之一。

Anton Schindler was a shady character. Though he longed to be a close friend and confidant of Beethoven, the composer often dismissed him. After Beethoven's death, Schindler took many of his manuscripts and notebooks. In his biography, he's believed to have fabricated quotes from these writings and to have interpreted – or even created – events to align with his own perspectives and feelings.
安東·辛德勒是個陰暗的人物。儘管他渴望成為貝多芬的親密朋友和知己，但貝多芬經常對他不屑一顧。貝多芬去世後，辛德勒拿走了他的許多手稿和筆記本。在他的傳記中，據信他編造了這些著作中的引述，並解釋甚至創造了事件以符合他自己的觀點和感受。

Beethoven left little about his inspiration for Symphony No. 5, as no authentic commentary from him on the work survives. The symphony was written at a time when Beethoven was already suffering from severe hearing loss and tinnitus. His condition began in 1798 and led to near-total deafness sixteen years later. Though his piano career faded, he was by then firmly established as a respected composer in Vienna.
貝多芬幾乎沒有留下關於第五號交響曲的靈感來源，因為他對這部作品的真實評論不存在。這首交響曲是在貝多芬已經患有嚴重聽力損失和耳鳴的時候寫成的。他的病情始於 1798 年，並在 16 年後導致幾乎完全失聰。儘管他的鋼琴事業逐漸衰落，但他在維也納已經確立了一位受人尊敬的作曲家的地位。

The first sketches of Beethoven's Fifth date back to 1803, a time when he was still captivated by the ideals of the French Revolution: liberty, equality, and fraternity. Rhythms and motifs from revolutionary music found their way into his work, and researchers suggest they likely inspired the symphony’s famous four-note opening. In France, Beethoven’s suspenseful Fifth, with its explosive finale in C major, isn’t called the Fate Symphony but the Chant de Victoire – a hymn to victory.
貝多芬《第五號交響曲》的第一幅草圖可以追溯到 1803 年，當時他仍然被法國大革命的理想所吸引：自由、平等和博愛。革命音樂的節奏和主題融入了他的作品中，研究人員認為它們很可能啟發了這首交響曲著名的四音符開頭。在法國，貝多芬懸疑的第五號交響曲及其爆炸性的C大調結局，不被稱為“命運交響曲”，而是“勝利之歌”——一首勝利讚歌。

Around the same time, nature-loving Beethoven composed Symphony No. 6 – the Pastoral Symphony, or Recollections of Country Life. The contrasting themes of nature and peace, some scholars argue, suggest that the Fifth was not necessarily tied to a personal sense of fate. Yet, despite all the new research, the nickname Fate Symphony has endured.
大約在同一時間，熱愛大自然的貝多芬創作了第六號交響曲－田園交響曲，或鄉村生活的回憶。一些學者認為，自然與和平的對比主題表明，第五宮不一定與個人命運感有關。然而，儘管進行了所有新的研究，「命運交響曲」的綽號仍然保留了下來。

In 2010/11, Christian Thielemann recorded all of Beethoven’s symphonies on DVD with the Vienna Philharmonic, including the Fifth. This recording was praised in the international press as a "new benchmark of Beethoven interpretation."
2010/2011 年，克里斯蒂安·蒂勒曼 (Christian Thielemann) 與維也納愛樂樂團合作錄製了貝多芬的所有交響曲 DVD，其中包括《第五交響曲》。這張唱片被國際媒體譽為「貝多芬演繹的新標竿」。

Christian Thielemann is one of the most prominent conductors of our time. From 2015 to 2020, he was the Music Director of the Bayreuth Wagner Festival and held the position of Principal Conductor of the Staatskapelle Dresden from 2012 to 2024. Starting in the 2024/25 season, he took on the role of General Music Director of the Berlin State Opera, succeeding Daniel Barenboim. Thielemann is regarded as a leading conductor of both Wagner and Beethoven.
克里斯蒂安·蒂勒曼是我們這個時代最傑出的指揮家之一。 2015年至2020年，他擔任拜羅伊特瓦格納音樂節音樂總監，2012年至2024年擔任德累斯頓國家管弦樂團首席指揮。團總音樂總監。蒂勒曼被認為是瓦格納和貝多芬的傑出指揮家。

The Vienna Philharmonic also has a special connection to Beethoven. At its founding concert in March 1842, fifteen years after Beethoven’s death, the program featured Beethoven’s Seventh Symphony. Some of the orchestra members had also performed in the 1824 premiere of Beethoven’s Ninth Symphony.
維也納愛樂樂團與貝多芬也有著特殊的連結。 1842 年 3 月，即貝多芬去世十五年後，在其成立音樂會上，該音樂會以貝多芬的《第七交響曲》為特色。樂團的一些成員也曾在 1824 年貝多芬第九交響曲的首演中演出。

In 1918, conductor Felix Weingartner directed the first of sixteen Beethoven cycles in the orchestra’s history at the Vienna Musikverein. The most recent cycle, led by Christian Thielemann, saw the orchestra perform Beethoven’s symphonies on tour from 2008 to 2013 in Vienna, Paris, Berlin, Tokyo, and Moscow.
1918 年，指揮家費利克斯·溫加特納 (Felix Weingartner) 在維也納金色大廳指揮了樂團歷史上十六首貝多芬作品的第一首。在 Christian Thielemann 的帶領下，樂團於 2008 年至 2013 年在維也納、巴黎、柏林、東京和莫斯科巡迴演出了貝多芬的交響曲。

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