Elite and Levy Units of the Eastern Roman Army

Politeness Forgotten
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20 Video Views·Oct 22, 2024
"The Kings and Generals animated historical documentary series on the evolution of the Roman Army continues with the third episode of the series on the Army of the Eastern Roman Empire - the Byzantine Empire. In this episode, we'll talk about the Elite Tagmata units and feudal levy Thematic troops, as we describe the recruitment, tactics, weaponry, armor, and structure of these troops.
"
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or become a memory of the past. But the ever-adaptive Romans took up the challenge
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Historians still debate as to exactly when the first themes were established,
with some attributing their establishment to Emperor Heraclius, while others support a later
date during the reign of Emperor Constans II. Another point of conflict between scholars
is whether the themes were well-defined regions, or the word originally referred solely to the
armies, and later also came to mean the district each army protected. In any case, we can safely
say that the first themes were created sometime during the mid-7th century. The first mentioned
in the bibliography was the Armeniac theme in 667AD. Also amongst the first to be created were
the Anatolic, the Thracian, and the Obsidian themes. The latter was the most prestigious,
and served as the imperial reserve until its involvement in several revolts in the 8th century,
when it was subsequently demoted to an ordinary theme army. Starting with the eastern lands of
the empire, the theme system gradually spread towards the west, and became the norm until its
decline during the 12th century. The soldiers who served in the theme armies were, generally
speaking, well-paid. They received both monetary compensation and grants of land, as well as
rations during active service, occasional bounties, and a share of loot taken during the campaigns.
Disabled men would receive a pension, and widows of fallen soldiers would get a lump sum as
compensation. Their land holdings were heritable by the holder's eldest son, so long as he was
to carry on his father's military obligations by becoming a soldier. As one can easily imagine,
not every theme soldier was on an equal economic footing. Some were rich, to the point when they
could afford to hire servants and slaves. These men usually constituted the elite thematic cavalry,
as their higher income could ensure better equipment. On the other hand, there were
soldiers so poor that they couldn't afford to buy their own equipment. These men would have to
band together so as to at least make sure to equip one of them to serve, or have the gear sponsored
by one of their richer comrades. Those who were still unable to supply one armored horseman to
the army, even with the help of others, would be evicted from their land and transferred to the
irregulars. This was the case for the cavalry. Regarding the thematic infantry, little is known
from the sources of the era. A possible explanation could be that there was no distinction
between cavalry and infantry. However, we can assume that at least a fraction of them must
have been professionals and served permanently while others were levied. A special note should
be made here for the Akiritai, men who guarded the eastern borders of the empire against Muslim
raiders. These men were not a specialized unit, but rather a mix of professional soldiers,
militiamen, and irregulars. Some of them were even of mixed ethnic or religious origin,
as the empire recovered lands to the east. Despite that, their exploits were recognized
by the population they protected, who sang numerous songs praising them, with the most
famous being the epic poem of the half-Cappadocian Greek and half-Arab Degenes Acritas. But,
how was the army organized during that period? From Leo the Wise's Tactica, we learn that the
basic unit of the Byzantine army of the period was the bandon, which was led by a commis or count.
The term bandon itself comes from the Gothic word bandwo, which in Latin became bandus and
meant banner. For a cavalry unit, a normal bandon would consist of 50 or 100 riders,
but there were bander that could number up to 400 men. Three bander would make a drungos,
led by a drungarios, and in turn, three drungoi constituted a tourma, the highest subdivision of
the army, which was commanded by a tourmakis. On top of the hierarchy stood the general of the
army, the famous strategos, who was not only the military commander, but also the civil administrator
of the district. As the strategoi of the Themes had absolute control over the districts they
governed, it was not uncommon for the most powerful of them to covet the imperial crown
and rebel to acquire it. The aforementioned hierarchy wasn't the only one used by the army.
For battle, the equestrian units were subdivided into less permanent structures consisting of
which were made up of 100, 50, 10, and 5 men, respectively. As for the infantry,
the thematic army had the same structure down to the bandon, with the obvious difference being
that of size. The average infantry bandon would be 256 men strong, and would be thus divided
into 16 lokakiai, each numbering 16 men, that were commanded by a lokagos. Further
infantry subdivisions included squads consisting of 10, 5, and 4 men. For heavy infantry units,
three quarters of the total force would be men armed with spears and shields, called skutatoi,
and the rest would be archers. It should be noted that here the size of a unit was not fixed,
and there were cases of units being larger or most often smaller than the recommended strength.
Leo VI warned that the size of the bandon should never exceed that of 400 soldiers,
or a torma more than 6,000, as the increased size would hinder their ability to understand
and effectively obey the commander's order. He also advised the generals to never have all
of their banda on equal numbers, as the enemy would then be able to easily estimate the size
of the force he would be facing. Finally, he noted that it's better for some fluidity to exist
in the structure of the army, and that units should be created in accordance with the needs
of the army and the available manpower. The themes were the armies that patrolled and protected the
various provinces of the Byzantine Empire, but they were not the only armed force. Constantinople
and its surrounding region were not organized in a theme, and the defense of the capital relied
on the elite imperial tagmata. The cavalry of the tagmata was an offensive weapon as well,
accompanying the emperor on expeditions, and there were cases of regiments accompanying
the thematic armies in the defense of a district for long periods of time. The soldiers in these
elite regiments were fully professional mercenaries, recruited from both within and
outside Byzantium's borders. They were organized in various regiments, as emperors created new
or disbanded old ones. During the 10th century, the most famous of them were the skolai,
the excubitoris, the akhanatoi, vigla, and the athanatoi. In 988, Emperor Basil II would formally
institute the most famous of the tagmata, the Varangian Guard. Along with those units,
some sources include as part of the tagmata the infantry that served as the garrison of
Constantinople, the numeroi and tekistai, as well as the men of the basilica pleumon,
the imperial war fleet. These elite regiments had in general the same structure,
though there were differences in the titles used by their commanders and their sizes.
The skolai was considered the most important and oldest of the tagmata,
descending from the skolae palatinae that was created by Constantine the Great.
During the 10th century, they were organized in 30 banda, with each bandon most likely being
50 men strong, as suggested by Nikephoros Phokas in his work Praecepta Militaria.
The commander of the skolai had the title of domesticos, while the second in command was
called topoterites. These titles were used by the commanders of other tagmata, apart from that of
vigla, who were called drungarioi. The domesticos of the skolai would become one of the most
important figures in the Byzantine army, considered the most senior officer in the
imperial tagmata and supreme commander of the army in the emperor's absence.
Second in seniority was the tagma of the excobitos that were created by Leo I the Thracian around
460. Originally, they were a force of 300 men, with the purpose of replacing those of skolai
palatinae as imperial bodyguards. Later, and as the excobitos seemed to have become a more or less
parade unit, the emperor Constantine V reformed them into one of the elite tagmata. They too were
commanded by a domesticos, with perhaps an anomaly occurring during the reign of Romanos II,
as sources suggest the split of the excobitos into two units, each governed by a domesticos.
The excobitos would participate in several campaigns until the disastrous Battle of
Dyrrachium of 1081, where it was last mentioned. As we've already said, the vigla was the only
unit that was not commanded by a domesticos. It was created in 786AD by Empress Irenae from the
cavalry of the Thracian theme. Though we have no references regarding their numerical strength,
we know that their duties included protecting the emperor and the sacred palace,
as well as guarding Constantinople's Hippodrome. With a similar structure to that of the vigla,
the akhenatoi was created in 809 by Nikephoros I to serve as his personal bodyguard.
According to De Ceremonies, they numbered 456 men, or around 9 banda. Finally, the akhenatoi,
their name literally meaning immortals, were created by John I Semiskis in 970 to fight
off Sviatoslav's invasion and played a decisive role during the Siege of Dorostolon,
where the Byzantines triumphed. In addition to these cavalry regiments, some sources include
the infantry units that formed Constantinople's garrison, the numeroi and the taikistai.
Totaling around 4,000 men, the recruits for these two units were provided by the demoi,
or districts of the city, that were once associated with the Hippodrome factions,
well known from the Nika riots, red, green, blue, and white. The taikistai, as their name implies,
were responsible for defending the city's famous Theodosian walls.
On the other hand, the numeroi's primary duty was guarding the imperial prisons,
but they would also help in protecting the walls when such a need arose.
Both of the infantry taikmata were permanently stationed inside the city and never left its
walls, and were responsible for protecting the capital when the cavalry regiment accompanied
by the emperor was on an expedition. Complementing the city's defense was a militia formed by members
from various guilds and units of urban police, though these were not considered part of the
taikmata. Finally, the imperial war fleet, the basiliko ploymon, was the naval equivalent of
the taikmata. The fleet was stationed in Constantinople, and protected the queen
city from seaborne attacks, from Propontis to the Black Sea. Aside from having the finest ships the
docks of Constantinople produced, the 12,000 professional sailors that served in it were
probably the best the empire could offer. The basiliko ploymon's command structure was similar
to that of the other taikmata, with its commander bearing the title of Drungarios ton Ploymon,
but informally called Strategos. The taikmata were elite fighting regiments, but besides them,
there were four more major units and some minor that formed the authentic imperial guard,
the basilike hetareia, the emperor's private flotilla, the maglavites, and the basiliko
anthropoi. Later on, these regiments were joined by the famous varangoi, the Varangian guard.
The men who served in the aforementioned units were palace guards and attendants,
quartered within the sacred palace, and tasked with protecting the emperor at all times,
while also performing various ceremonial roles. Earlier in the video we mentioned the skutatoi,
the backbone of the Byzantine infantry, armed with shields and spears. Now we are going to
take a closer look at the arms and armour of both the humble infantrymen and the prestigious
cavalrymen. Three types of metal armour were used, scale armour, mail armour, and lamella,
the so-called clevanion, which became the more prevalent of the three during the 10th century.
Clevanion's lamellae were made of iron, leather, or even horn, and it was usually sleeveless,
short-sleeved, and covered the torso only to the waist, however, some rarer versions were longer.
It was often worn above mail armour, the lorikion elucidaton, which usually reached the wearer's
knees, with the sleeves reaching the elbows or even the wrists. In the case of cataphractoi,
the lorikion might even have been as long as to cover the ankles. Scale lorikion was also a popular
alternative to mail. As the cataphractoi were the heaviest armoured unit of the empire,
it's no surprise that they were further protected by wearing padded armour made of cotton,
leather, or wool, either over the clevanion, called epilorikion, or under it, the kevadion.
Tubular, splinted constructions were used to protect the forearms and the lower legs,
named kyropsela and podopsela, respectively, while strips of leather, quilted cotton or
splint armour were hung from the waist and the shoulders, resembling the turugis of antiquity.
Their helms were also fitted with a mail skirt that covered the entire face except for the eyes.
Finally, their defence was further boosted by a shield that was originally round and smaller than
the one used by the infantry, but in the 12th century, it would be substituted by the kite
shield. Their offensive gear was quite diverse. A cataphractos would be armed with a variety of
weapons, as a mounted warrior could not simply dismount to recover a lost weapon, and there was
always the danger of a weapon breaking. Their primary weapon was the lance, the kantarion,
which was slightly shorter than the infantry spear, at about 2.5 meters. They would also
carry two swords, the straight, double-edged spathion, which descended from the late Roman
spatha, and the curved, single-edged paramerion, as well as the emblematic mace called madzukion
or badukion. Finally, their arsenal was completed by an axe that was less favoured in comparison to
the other weapons, but nonetheless still used on the battlefield. On the other hand, the light
cavalry consisted of horse archers, who used a composite recurve bow for ranged attacks,
and the paramerion for close quarters combat. As mobility was of the utmost importance for
these troops, their armour was not as heavy and was mainly of padded cotton with full-length sleeves
that were often fastened back behind the shoulder, while in some cases they could also wear a
or a scale shirt. The defensive equipment of the infantry was more or less similar to that of the
equestrian units. The famous barbarian spanganhelm remained in use, and from the 11th century onwards
it is accompanied by its taller and pointier version, known as the carcassion. During the
12th century, the ancient type of the Phrygian helm was revived and quickly became popular,
but we also have the appearance of another innovation, an early form of kettle hats.
The types of armour that were worn by cavalrymen were also used by the infantry,
though assuming the lower economic status of a humble foot soldier,
the most common type must have been that of soft armour made from padded cotton.
Their weaponry depended of course upon their type. Light infantry was armed with bows,
javelins, and staff slings. An interesting part of the Byzantine gear was the solennarion,
which was a hollow tube that enabled an archer to launch small darts, like those of the western
crossbows, rapidly using a thumb draw. Because the darts were smaller and lighter than normal arrows,
the energy transferred to them by the bow's string would accelerate them to greater speeds,
potentially increasing the damage they could inflict. Another advantage that occurred from
the usage of the solennarion was that the enemy could not pick up the darts and use them from
their bows, as could have been the case with arrows. The infantry used the same types of
swords as the cavalry did, but there were great differences in the spears used between the two
forces, with foot soldiers using three different types. First was the small spear, kontarion mikron,
which was about as long as the lance of the cavalry, but the pike used by the first ranks
to form a Macedonian-like phalanx was about 4 meters long. The last type of spear was the
manavlion, which was made from a long sapling with a thick shaft and was used to counter heavy
cavalry charges. Lastly, another common weapon between the footmen of the empire were the axes,
which could be either single or double-bladed, but always one-handed so as to allow the usage
of a shield in the other hand. The imperial tagmata, with the notable exceptions of the
Arangian guard and other foreign units, used the same types of armor and weapons as the thematic
cavalry. However, owing to their wealth, their equipment was of considerably better quality
and was often richly decorated. Weapons, and especially swords within the palace guards and
courtiers, were used to signify their rank. One weapon that seems to have been used exclusively
by the palace guards and not by the common troops fighting on the frontier was the romphaia. The
exact nature of the romphaia remains unclear, though the most prevailing theory is that it
was a phalx-like weapon, but with less curvature. The centuries that followed brought further
changes to the Byzantine army. The introduction of pronoiae by the Komnenoi, the influence of the
Franks of the Latin Empire, and finally the advent of gunpowder that reshaped the armed forces of
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