Is there any truth to the King Arthur legends? - Alan Lupack

Ancient Legends Around the World
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Here lies Arthur, King Who Was and King Who Will Be.
So reads the inscription on King Arthur's gravestone in Thomas Mallory's Le Morte d'Arthur.
Writing in the 15th century, Mallory couldn't have known how prophetic this inscription would
turn out to be. King Arthur has risen again and again in our collective imagination, along with
his retinue of knights, Guinevere, the Round Table, Camelot, and of course, Excalibur.
But where do these stories come from, and is there any truth to them?
King Arthur, as we know him, is a creation of the later Middle Ages, but his legend actually has
its roots in Celtic poetry from an earlier time, the Saxon invasions of Britain. After the Romans
left Britain in 410 CE, Saxon invaders from what's now Germany and Denmark quickly capitalized on
the vulnerability of the abandoned territory. The inhabitants of Britain fought fiercely
against the invaders through several centuries of turmoil. There are hardly any written records
from this time, so it's difficult to reconstruct an accurate history. However, surviving poetry
from the era gives us some clues. One of the poems, the Gododdin, contains the very first
reference to Arthur, though Arthur himself doesn't actually appear in it. It says a different warrior,
named Guarda, was skilled at slaying his enemies, but was no Arthur. That's not much to go on.
But whoever this Arthur was, he must have been the gold standard of warriors.
Whether he ruled anyone, or even lived at all, is unfortunately less clear.
Despite this uncertainty, references to Arthur caught the attention of an aspiring historian
hundreds of years later. In 1130, Geoffrey of Monmouth was a lowly cleric with grand ambitions.
Using Celtic and Latin sources, he spent years creating a lengthy chronicle titled
The History of the Kings of Britain. The centerpiece of this tome was King Arthur.
History is a generous term for Geoffrey's account. Writing 600 years after the Saxon invasions,
he cobbled together fragments of myth and poetry to compensate for the almost complete lack of
official records. A few of his sources contained mentions of Arthur, and some others were realistic
accounts of battles and places, but many featured mythic heroes fighting long odds with the help of
magical swords and sorcery. Geoffrey blended them all. A magical sword called Califra and a Roman
fortress called Caerleon appeared in his source material. So Geoffrey's Arthur ruled from Caerleon
and wielded Caliburnus, the Latin translation of Calfra. Geoffrey even added a wise counselor
named Merlin, based on the Celtic bard Murd, to Arthur's story. If Arthur did live, he would likely
have been a military leader, but a castle-bound king better fit Geoffrey's regal history.
Geoffrey's chronicle got the attention he'd hoped for, and was soon translated from Latin
into French by the poet Wace around 1155 CE. Wace added another centerpiece of Arthurian lore to
Geoffrey's sword, castle, and wizard – the round table. He wrote that Arthur had the table constructed
so that all the guests in his court would be equally placed, and none could boast that he
had the highest position at the table. After reading Wace's translation, another French poet,
Chrétien de Troyes, wrote a series of romances that catapulted Arthur's story to fame.
He introduced tales of individual knights like Lancelot and Gawain, and mixed elements of romance
in with the adventurous. He conceived Arthur, Lancelot, and Guinevere's love triangle.
In addition to interpersonal intrigue, he also introduced the Holy Grail.
Chrétien probably based his Grail's powers on magical objects in Celtic mythology. He lived
in the middle of the Crusades, and others imposed the preoccupations of the time
on the Grail, casting it as a powerful relic from the crucifixion. Numerous adaptations in French
and other languages followed from Chrétien's work. In the course of these retellings,
Caerleon became Camelot, and Caliburnus was rechristened Excalibur. In the 15th century,
Sir Thomas Malory synthesized these stories in Le Morte d'Arthur, the basis of many modern
accounts of King Arthur. In the thousand years since Arthur first appeared in a Celtic poem,
his story has transformed over and over to reflect the concerns of his chroniclers
and their audiences. And we're still rewriting and adapting the legend today.
Whether or not the man ever lived, loved, reigned, or adventured,
it's undeniable that the character has achieved immortality.
