【4K HDR】8K SSAA | 挑战地狱难度的水族馆拍摄 | The world's largest aquarium - Osaka Aquarium Kaiyukan

-本片在【HDR1000+】屏幕上将获得最佳效果-


首先告诉大家的事，拍摄水族馆，真的是非常痛苦的一件事：
1，无尽的人群干扰（脸皮厚除外）
2，隔着超厚玻璃和水体的反射和折射
3，毫无规律的的海洋动物
4，不能带脚架


其实之前也尝试过拍一些隔着玻璃的题材，无疑废片率极高。
水族馆里你无法长期占领一个和玻璃平行的最佳角度，所以很多老法师也坚决不拍水族馆。

考虑到大阪海游馆的超大单体水槽确实非常可看，且整体场馆比较暗，本身就减少了一些反射，
因此，有了这次常识性的拍摄计划。

最终，采用了SIGMA 20 1.4+Z 50 1.2S两枚大光圈定焦镜头的组合。
主要是这两个镜头都具有大光圈，焦距合理，且具有相当不错的微距拍摄能力。
之所以不选择微距镜头，是因为根本不可能有真正微距拍摄的稳定和高光线条件。
放弃了偏振镜是因为环境中反射光源太多，即使是消除了某个镜面反射，反而会带来其他反射光线的杂乱。


即便如此，3个多小时的手持拍摄下来，废片率依然达到了30%左右。
全程两枚镜头使用了最大光圈+自动ISO限定4000的A档进行拍摄，
部分镜头采用了DX模式进行焦距放大拍摄（尤其是拍摄水母）


最终的感受是 ，这确实是一种身体和心灵的双重折磨。
多亏了50 1.2S这个哑铃，直到两天后腰和双臂都还在隐隐作痛

本片选择了废片外的精选镜头，虽然绝大部分还是不能消除水体和厚玻璃的影响
但是基本也算是众多海洋馆拍摄影片里，少有的高品质HDR影片了吧！

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-This film will get the best effect on the [HDR1000+] screen-


First of all, let me tell you something. Photographing an aquarium is really a very painful thing:
1. Endless crowd interference (except for those who are thick-skinned)
2. Reflection and refraction through ultra-thick glass and water
3. Irregular marine animals
4. Do not bring a tripod


In fact, I have tried to shoot some subjects behind glass before, but the scrap rate was undoubtedly very high.
In an aquarium, you can't always occupy the best angle parallel to the glass, so many old masters refuse to take pictures of aquariums.

Considering that the large single tank of Osaka Aquarium is indeed very eye-catching, and the overall venue is relatively dark, which itself reduces some reflections,
Hence the common sense plan for this shoot.

In the end, a combination of two large-aperture fixed-focus lenses, SIGMA 20 1.4 + Z 50 1.2S, was adopted.
The main thing is that both lenses have large apertures, reasonable focal lengths, and pretty good macro shooting capabilities.
The reason why I did not choose a macro lens is because it is simply impossible to have stable and high-light conditions for true macro photography.
The reason why I gave up the polarizer is that there are too many reflected light sources in the environment. Even if a certain specular reflection is eliminated, it will cause clutter of other reflected light.

Even so, after more than 3 hours of handheld shooting, the film waste rate still reached about 30%.

Throughout the whole process, the two lenses used the maximum aperture + automatic ISO limit of 4000 in A mode for shooting.

Some lenses use DX mode for focal length zoom shooting (especially for shooting jellyfish)



The final feeling is that this is indeed a kind of torture both physically and mentally.

Thanks to the 50 1.2S dumbbell, my lower back and arms were still aching for two days.



This film selected selected shots other than discarded films, although most of them still cannot eliminate the influence of water and thick glass.

But it can basically be regarded as one of the few high-quality HDR videos among the many films shot in aquariums!